Ross Girven created his first play around the age of six. Since then an extensive stage career has seen him playing everything from Dog (in Footrot Flats) to Sweeney Todd. Girven made his screen debut as a vengeful nightclub owner in 1986 big screen thriller Dangerous Orphans. He went on to star as a Māori doctor returning to the East Coast in landmark Māori feature Ngāti, which saw him nominated for a Listener Film and Television Award for Best Actor. Since then Girven has acted on both sides of the Tasman.
The hardest thing was actually ... meeting Brian May, Roger Taylor and Ben Elton. I’ve been doing auditions for 20 years or more, so walking into a room and having a crack at something doesn’t really frighten me that much any more, but meeting them was a big thing. Ross Girven on auditioning for Queen musical We Will Rock You
The Cult follows two groups: the members of a commune, who have renounced all contact with the outside world, and a loose-knit team of 'liberators', keen to reestablish contact with commune members they care about. The first prime time drama from Great Southern Film and Television won six of its 11 nominations at the 2010 Qantas Film and Television Awards — including for the acting of Lisa Chappell and Danielle Cormack (as a devious doctor). It was nominated for Best Drama. The moody 13-part thriller was created by Kathryn Burnett and Peter Cox.
Orange Roughies was a 'border security' drama series following a Police and Customs task force led by Danny Wilder (Australian actor Nicholas Coughan). Made for TV ONE, the ScreenWorks production was a Kiwi attempt at the Aussie water police procedural, with the action transferred from Sydney to Auckland Harbour and CBD. Storylines included drugs busts, child trafficking, undercover ops and plenty of land-sea motorised chase action. Created by Scott McJorrow and Rod Johns, the script team was rounded out by Kristen Warner and series writer Greg McGee.
After the assassination of scientist David Typhon, a cast of interested parties head for his secret lab in New Zealand, pursuing the truth behind rumoured experiments on humans. Among them are rabid protestors, a European infiltrator (Michael Hurst) and the strangely-gifted Cato (Greg Wise). Typhon’s People marked a rare time that writer Margaret Mahy created a story aimed at adult audiences. Blessed with an impressive cast of Kiwis, Brits (Wise, Alfred Molina), and Australian Sophie Lee (The Castle), it sold as both a miniseries and as a 90 minute telemovie.
Shortland Street is a fast-paced serial drama set in an inner city Auckland hospital. The long-running South Pacific Pictures production is based around the births, deaths and marriages of the hospital's staff and patients. It screens on TVNZ’s TV2 network five days a week. In 2017 the show was set to celebrate its 25th anniversary, making it New Zealand’s longest running drama by far. Characters and lines from the show have entered the culture — starting with “you’re not in Guatemala now, Dr Ropata!” in the very first episode. Mihi Murray writes about Shortland Street here.
Homeward Bound was TV3’s bid for New Zealand on Air funding for a local soap opera. Set around the lives of the rural Johnson family, 22 episodes were produced for the then-nascent network (the series ultimately lost out to TVNZ’s Shortland Street). Created by Ross Jennings and written by Michael Noonan, it represented a move back to a small town way of life after the Gloss-y urban excesses of the 1980s; it also explored pressures facing country communities following the stock market crash. The cast included Liddy Holloway, Peter Elliott and a young Karl Urban.
Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.
Peppermint Twist’s pastel-tinted portrait of 60s puberty floated onto New Zealand television screens in 1987. Despite winning a solid teen following, it only lasted for one series. Set amongst a group of teens in small town Roseville (in reality the outdoors set on the edge of Wellington, originally used for Country GP), the show’s stylised look and sound had few Kiwi precedents — though its links to American perennial Happy Days are clear. Peppermint made liberal, and increasingly confident use of period music, with each episode named after a pop song of the day.
Set in and around the fictional town of Kapua in 1948, Ngāti is the story of a Māori community. The film comprises three narrative threads: a boy, Ropata, is dying of leukaemia; the return of a young Australian doctor, Greg, and his discovery that he has Māori heritage; and the fight to keep the local freezing works open. Unique in tone and quietly powerful in its storytelling, Ngāti was Barry Barclay's first dramatic feature, and the first feature to be written and directed by Māori. Ngati screened in Critics' Week at the Cannes Film Festival
Created by Fiona Samuel, The Marching Girls follows a Taita social marching team who decide to have a crack at the North Island champs. In the first episode of this feminist-Flashdance-in-formation 80s classic, young whippersnapper Leonie tries to modernise the girls' routine by getting them to march to the heavy metal tunes of Ironlung ("they're really big in Australia!"). This proves too much for Mahara (Patupatu Ripley), who's got enough on her plate with her new role as hesitant union spokesperson for her fellow workers down at the factory.
Director John Laing followed acclaimed romance Other Halves with an equally stylish but very different big city tale: a thriller in which three orphans plan an international heist to avenge the killing of one of their fathers. The expected diet of shootings, skulduggery and globetrotting accents is enlived by side trips to Geneva, songs from romantic interest Jennifer Ward-Lealand, and a cast of villains to die for (Peter Bland, Ian Mune, Anzac Wallace, Grant Tilly). When Dangerous Orphans was sold in Europe it set an early record for a New Zealand film.