'I Need Your Love' marked the biggest hit for the Kaukau brothers, and vocalist Karl Gordon. This performance sees Gordon grooving in satin blue waistcoat and bellbottoms, while Kevin Kaukau sneaks in a few guitar tricks inspired by Jimi Hendrix, on a guitar with an unusual attachment. Rip it Up writer Ken Williams described how the song's "ethereal, even fragile, drone jumped off the radio". It was judged Single of the Year at the 1978 NZ Music Awards; the band can be seen winning the award in the closing minutes of the Ready to Roll telecast from which this clip is taken.
Being the sole music video Solid Gold Hell ever produced, the Flying Nun band made sure it was top shelf. However given conspicuous consumption levels, one might conclude they hadn't intended the clip for a mainstream audience. "We shot some of it at the Las Vegas Strip Club. Not sure why we are playing cards and smoking a lot - it seemed like a good idea and worked well for the lighting. I'm particularly proud of my custom made sock garters, which make a brief appearance." Guitarist Matthew Heine - March 09
This soulful ballad highlights Chong-Nee on the mic, backed by horns and strings. The song is taken from his debut album Just Getting By On Love (2006). Inspired by classic singers like Al Green, Chong-Nee set out to record a number of songs live, including this one. Befitting the song's old school stylings, director Martha Jeffries uses an extremely narrow colour palette. Jeffries also helmed the music videos for Chong-Nee singles 'Black Widow' and 'Scenarios'.
Flight of the Conchords star and onetime Black Seeds musician Bret McKenzie clearly digs Wellington. In this video for solo project The Video Kid, he goes early morning skateboarding through the capital city. The downbeat groove of the folk-electronica number is a perfect match for a glorious 'on a good day' dawn, as the sun rises over Mt Matthews and the crew cruise down Wellington's Alexandra Road and along Mt Victoria's town belt. Later in the golden light they claim a deserted golden mile (Lambton Quay) for the skaters.
Inspired by an Australian musician who was drafted to fight in the Vietnam War, this song was first recorded by Aussie singer Ronnie Burns before Kiwi Craig Scott turned it into one of his biggest hits. Released in June 1971, Scott's version would go on to win the Loxene Golden Disc Award. These extended takes of Scott in action were likely cut together with footage taken from other angles — footage which is now missing in action. Thanks partly to regular appearances on music show Happen Inn, photos of Scott and his hair adorned bedrooms across the country in the early 1970s.
'Saint Paul' was one of the biggest hits by a NZ artist in the late 60s. Written about Paul McCartney by American producer Terry Knight, it borrowed liberally from Beatles songs (eventually with their publisher's permission) and played an early part in the "Paul is dead" conspiracy theories. Shane’s version went to number one and was the 1969 winner of the Loxene Golden Disc for local song of the year. This footage from the awards show comes complete with interview by host Peter Sinclair and as many groovy special effects as TV could muster at the time.
‘Rain and Tears’ was inspired by a reworking of Pachelbel’s ‘Canon in D Major’ by Greek prog rockers Aphrodite’s Child (featuring Vangelis and Demis Roussos). Auckland band The Hi-Revving Tongues had their biggest hit with their version, which topped the New Zealand singles chart in 1969. This footage is from the Loxene Golden Disc contest, where they won the group award, and were nominated for best song. It’s a restrained performance which gives little hint of the band’s more psychedelic sound — or their enthusiasm for onstage pyrotechnics.
This single for Mint Chick Kody Nielson's solo project possibly takes its name from the music-hating creatures in Beatles movie Yellow Submarine, or a Balinese mushroom with mind-altering properties. Or both. Director Sam Kristofski's video for this shimmering neo-60s pop song — captioned a "Sci-Fi-Delic Experience" — is in the ‘hipster surrealist’ mode (typified by Spanish collective CANADA). Model Zippora Seven hikes in the woods, overseen by a golden Buddha with laser beam eyes worthy of Flash Gordon. The trippy animation is by Daniel Foothead.
‘Everyone’s Gonna Wonder’ was penned by part American, part Kiwi Chris Malcolm, who passed through New Zealand in 1967. Busking in a Wellington wharf coffee house, he spied “a starry-eyed couple sitting, staring into each other’s eyes and totally oblivious to the surroundings, so I wrote a song about them.” After HMV producer Nick Karavias heard it, it became the debut single for his young charges the Avengers. This promo films a studio session. On the back of lush vocal harmonies the track rose to number seven on the Kiwi hit parade; it also earned a Loxene Golden Disc nomination.
This notorious clip was filmed for Timberjack's appearance at the 1971 Loxene Golden Disc Awards, to accompany their symphonic cover of the song by British band Black Widow. The Wicker Man-esque images of skulls and ritualistic sacrifice would do any of today's "black metal" groups proud — but proved too much for TV1 audiences, who jammed the switchboard with complaints. An alternate version screened a week later with the black and white negative inverted, but proved equally unsavoury and led to an outright ban. Warning: contains nudity and pine needles.