The Wellington International Ukulele Orchestra's version of Bonnie Tyler's wrenching 70s hit was the title track of their debut EP. In director Tim Capper's video, they manage to take the song to new levels of pathos with vocalist Andy Morley-Hall's quest for a slice of vegan apple and rhubarb tart. The location is a crowded Deluxe Cafe (where the ensemble emerged from informal Thursday morning sessions). Age Pryor contributes the solo and, amongst the group's massed ranks, there's a masked nod to absent member and Flight of the Conchord Bret McKenzie.
The Datsuns make international touring look so easy. Sporting a home movie look, Stuck Here For Days kicks off with a blues slide guitar riff as Dolf, Christian, Phil and Mat Datsun travel to new, exotic locations via vans and planes. A slightly sped up travelogue follows them around international cities, as the boys check into their rooms, set up their instruments and play frenzied gigs in sweaty venues and packed festivals. Look out for Dolf, cool as a cucumber, emerging from a beer fridge.
Neil Finn has described the lyric to this song as "on the one hand, feeling kind of lost and, on the other hand, sort of urging myself on". The wistful single was Crowded House's breakthrough, hitting number two in the US (and the top spot in Aotearoa, after local radio earlier showed little interest). Australian director Alex Proyas (The Crow) based his video on locations from the band members' childhoods. As Finn walks from room to room, the video also neatly reinforces the band's name. 'Don't Dream It’s Over' remains one of the biggest international hits penned by a Kiwi.
After a first video was rejected, this version directed by Lee Baker was finished just as ‘How Bizarre’ went to number one in NZ. However, it did play its part internationally as the song became a huge worldwide hit. Shot on a soundstage in Ponsonby and at Ellerslie Racecourse for a budget of $7,000, it was shown on US networks 14,986 times in 1997 and 1998. Pauly Fuemana shares the limelight with Sina Siapia, and a Filipino named Hill, who was enlisted after turning up to help out with the shoot – and became something of a celebrity in his homeland as a result.
Shot in the same year he became producer of Radio With Pictures, Brent Hansen created this gem before going on to become Editor-in-Chief and President of Creative for MTV International. Like a cross between a Kraftwerk gig and an early episode of Dr Who, Pulsing features what must have been particularly exciting special effects, but sadly arrives curiously free of content warnings. The sight of ex-Play School host Tim Bartlett being aurally tortured has lined psychiatrists' pockets for decades.
Rappers Upper Hutt Posse were the first New Zealand hip hop act to release a record (and one of the most radical). This reflection on troubles at home and abroad brings out a more reflective side. Against news footage of the Springbok Tour, Bastion Point and a host of international trouble spots, the sweet soul vocals of Teremoana Rapley and Acid Dread (aka Steve Rameka) float in and out of the raggamuffin toasting of MC Wiya (Matt Hapeta) and Dean Hapeta’s less than cheery weather forecast. This music video was one of the first to be funded by NZ on Air.
An early example of Kiwi rap music, 'No Flint No Flame' was recorded for the first time while Urban Disturbance were still known as Leaders of Style. Lead by MC, beat maker, and future international radio star Zane Lowe, the crew are backed on this remake by firebreathers, who often come terrifyingly close to DJ Rob Salmon. In 2015 Lowe was part of the writing and producing team nominated for Best Album at the Grammy Awards (for Sam Smith's In the Lonely Hour) — a far cry from the Pasifika Streets he raps about here, 23 years earlier.
A teenage Anika Moa attracted the attention of Atlantic Records on the strength of this song, becoming the first Kiwi to sign to a major international label before having released an album at home. The music video places the camera above Moa as she sings about objectification in a house that, even by Kiwi standards, needs a heating upgrade. At the 2002 NZ Music Awards ‘Youthful’ won Moa Songwriter of the Year. In a 2005 Homegrown episode, Moa recalled feeling shy making her first music video. “Everyone thought I looked like Beth Heke."
Initially avoided by New Zealand radio stations — who in the same period, showed as little interest in playlisting Crowded House classic 'Don't Dream It's Over' — this became Shona Laing's biggest international single, in a career notable for stylistic change. '(Glad I'm) Not a Kennedy' got to number two in NZ, and number 14 in the US rock charts. Here, the acoustic songbird of 1905 is recast as serious synth-pop singer, in a clip which mixes native beaches, brutalist architecture and poignant archival footage of the ill-fated US president.
This big, shiny, internationally-produced Chills video is still in keeping with the band’s low-key indie style. In majestic cliff-top scenery (Ireland stands in for New Zealand) Martin Phillipps looks like he is at the top of the world, and large rocks bounce across the screen like karaoke cues — perfect imagery to match the soaring sound of this classic pop song. Apparently Phillipps was nearly swept away by a rogue wave, whilst singing furiously along to a non-existent backing tape. The rocks were made of polystyrene.