More than 20 years on, 'Treaty' remains as infectious as it does relevant, mixing haka, hip hop and funk to present a message on Māori sovereignty. Channelling the colours of the Tino Rangatiratanga flag, the video creates a fitting backdrop for lyrics delivered via the stirring vocals of Moana and the Moahunters, verses by rapper Bennett Pomana (Upper Hutt Posse, Dam Native), and elements of traditional performance. According to director Ross Cunningham, the set design was inspired by Ralph Hotere illustrations from a book of Hone Tuwhare poems.
In a Mika-inspired cross cultural collision, this Māori music and comedy group blends traditional Māoritanga with the metrosexual world of fashion and beauty. Founded by former C4 presenter Jermaine Leef in 2010, they launched with this video which debuted on YouTube and received 100,000 views in 10 days. From Queen Street to the beach and bush, their appearance moves from Outkast-inspired nerd chic to a style best described as high camp haka; and boy band posturing mixes with lyrics tackling what it means to be a modern 'Māori boy' (“I play my Nintendo everyday”).
On this song from her debut EP, bilingual Wellington singer/songwriter Ria Hall marries her respect for tradition and her use of te reo and kapa haka to the very contemporary beats of producer Riki Gooch (Eru Dangerspiel, Trinity Roots). This mix of old and new is echoed in director Jessica Sanderson's video. It casts Hall as four characters drawn from mythology to ward off the evil of Babylon and is set against a strikingly modern dreamscape of video effects, imagery and lighting. It won Best Video by a Māori Artist at the 2012 Māori Music Awards.
Launched for 2014's Māori Language Week, the NZ Music Award-nominated video for 'Aotearoa' is a showcase of Kiwi scenery and musical talent, led by main vocalist Stan Walker. 'Aotearoa' began when TV producer Mātai Smith, aware 1983’s 'Poi-E' was the last te reo song to hit number one, thought it might be nice to repeat the feat (in the end he had to settle for number two). Walker wrote the track with his Mt Zion co-star Troy Kingi and singers Vince Harder and Ria Hall. Hall calls the result “a song to celebrate our nation, our landscape, our uniqueness, our language and our people”.
Alien Weaponry’s first single ‘Urutaa’ was released in late 2016, following their triumph at the Smokefree Rockquest and Pacifica Beats. The band won media attention for their inclusion of te reo Māori in metal music. The video sees them performing on a soundstage, interspersed with a pocket watch motif. The watch is a reference to a series of incidents between Māori and Pākehā in the early 1800s, which resulted in an attack by Māori on visiting ship The Boyd. The band used the incident as a metaphor for continuing misunderstandings "between cultures, generations and individuals".
The title track from Moana and the Moahunters’ gold-selling first album celebrates wahine and Māori cultural pride, via what singer Moana Maniapoto called “haka house music”. The fusion of traditional Māori sounds with contemporary grooves got to number nine in the charts. It was co-written with Andrew McNaughton and features vocalist Hareruia Aperahama (‘What’s the Time Mr Wolf’). Kerry Brown's video cuts the group singing together with kapa haka (the acclaimed Te Waka Huia) and whānau playing. Brown also directed the video for the group’s groundbreaking ‘AEIOU’.
In the 1990s Maree Sheehan was one of a small number of Māori women who used Māori instrumentation to create their own special flavour of dance music, hip hop and R'n'B. The video for this highly percussive R’n’B track from 1995 features performances by kapa haka group Te Ao Hurihanga. The stylish monochrome clip was partially shot on Auckland's One Tree Hill, before it lost its famous tree. Josh Frizzell, who directed this, had recently helmed one of the most played Kiwi music videos of 1994 — System Virtue, for Māori singer Emma Paki.
This soulful invocation, sung in te reo, to Tangaroa — Māori god of the sea — comes from singer-songwriter Maisey Rika's third album. The instrumentation includes a string quartet and traditional taonga pūoro instruments played by Mahuia Bridgman-Cooper. Director Shae Stirling’s music video has a vibrant clarity. It places Rika in the bush and the forest, in the surf and on the smouldering, volcanic landscape of Whakaari/White Island as she hails Tangaroa as commander of the tides while dolphins and whales provide further evidence of his life force.
The non-violent action preached and practiced by Māori prophets Te Whiti and Tohu at Parihaka in Taranaki forms one of the most compelling episodes of New Zealand’s 19th century history, as they resisted Pākehā confiscation of their land and home. Tim Finn was inspired to write this paean to the pair after reading Dick Scott’s influential book Ask That Mountain. Band Herbs provide the accompaniment. Fane Flaws and cinematographer Alun Bollinger’s video was shot over a night at Auckland Art Gallery and takes Colin McCahon’s striking Parihaka triptych as its centrepiece.
This upbeat track is one of a number from Maree Sheehan which blends R'n'B and hip hop with Māori instrumentation and language. It was featured on the soundtrack of local blockbuster Once Were Warriors. Acclaimed kapa haka group Waka Huia sing on the track, and perform in the video. Director Matt Palmer also helmed the video for JPS Experience classic 'Breathe'.