Producer Mhairead Connor's career encompasses a stint at production company Sticky Pictures (where she wrangled the creatives on acclaimed arts show The Gravy), and two features: drama Little Bits of Light, and science fiction tale Existence.
Veteran newsman Richard Harman began his career at Auckland University student mag Craccum. As a long-time political reporter for TVNZ, he reported on the Rainbow Warrior bombing and the passing of the baton from Muldoon to Lange — also the subject of his award-winning documentary Five Days in July. In 1999 Harman founded company Front Page, where he launched current affairs shows Agenda and The Nation.
Though most of his films have been documentaries, Florian Habicht's work has often blurred the boundaries between truth and fiction. His CV includes offbeat fairytale Woodenhead, two love letters to New Zealand's far north (Kaikohe Demolition, Land of the Long White Cloud), films on theatre legend Warwick Broadhead and Brit band Pulp, and his award-winning, genre-stretching romance Love Story.
In a turbulent media landscape, director/producer Kay Ellmers feels that the long-form documentary is still powerful. Her screen CV includes acclaimed doco He Toki Huna: New Zealand in Afghanistan, and popular series like Marae Kai Masters and Mīharo. Ellmers is Managing Director of Tūmanako Productions, and a consultant on documentary and factual programming for Māori Television.
Australian-raised Melanie Rodriga (née Read) moved to New Zealand in 1977, and worked as an editor. After adapting Keri Hulme story Hooks and Feelers, she wrote and directed feminist thriller Trial Run in 1983. In 1988 Rodriga was a best director finalist for pioneering TV drama The Marching Girls. Rodriga now lectures in film at Perth’s Murdoch University and continues to make and develop films.
Ivars Berzins fell in love with photography aged eight, en route to TV assignments across NZ, in Norwegian fjords, and in East Timor. Berzins was chief cameraman in TVNZ's Wellington office before leaving in 1996 to start company Pacific Crews (now Pacific Screen), which he went on to run with his wife, producer Amanda Evans. These days he directs as well as films, including on documentary series New Zealand Stories.
Ray Collins was working in a camera-shop when a senior BCNZ cameraman offered him a job on the spot. Collins was shooting items for the main evening news his first morning on the job. Based in Dunedin for much of the 15 years he spent with the state broadcaster, Collins shot for Spot On, Fair Go and Wild Track. Collins left TVNZ in 1990, and now shoots and makes programmes from his Dunedin base.
Legendary filmmaker Rudall Hayward, MBE, directed seven features over five decades — decades in which the concept of Kiwi movie-making was still an oxymoron, or meant a foreigner was in charge. Inspired by NZ’s cross-cultural history, Hayward remade his own Rewi’s Last Stand in 1940. Later he married Rewi star Ramai Te Miha, launching a filmmaking partnership that lasted until Rudall’s death in May 1974.
Between getting his start in filmmaking with the National Film Unit, and returning to New Zealand to retire, John Feeney made his name as a director at the National Film Board of Canada; he also spent 40 years filming and photographing in Egypt. Some of his NFU films were considered to be outstanding documentaries, and two of his Canadian films were nominated for Academy Awards.
Margaret Mahy was a renowned author of children's books who also wrote for television. Amongst her many international awards is the Hans Christian Andersen Award (known as the Little Nobel Prize) for a "lasting contribution to children's literature". A highly visual writer, Mahy both wrote for the screen (Maddigan's Quest, Strangers), and her books inspired a number of programmes. She passed away on 23 July 2012.