Director, Producer, Presenter
Award-winning documentary maker Peta Carey has framed subjects from a Kiwi buddha to Fiordland waterfalls, Pacific atolls to paragliders. She cut her teeth as a presenter on kids show Spot On, then began directing current affairs. Genetic research examination Lifting of the Makutu won her a 2006 NZ Screen Award. Carey runs Watershed Films, and has written feature stories for North & South and The Listener.
I was never completely comfortable in front of the camera, particularly as a woman. I have always loved, and will continue to tell, stories. It's far more satisfying. Peta Carey, on shifting from presenting Spot On to directing
Our Small World is a portrait of life on an atoll in Tokelau — on Fale, an island so small, the schoolhouse had to be built on the next island, and the pigs live on the reef. Narrated by Tokelau-born Ioane Puka on a return visit, the film examines old traditions meeting pressures from the outside world, an emphasis on self-sufficiency and togetherness, and worries over education and a declining, youth-heavy population. Key decisions are made by a group of male elders, although after initial doubts, they have accepted a woman police officer.
Kiwi Buddha follows the journey of seven-year-old Rinpoche as he becomes the first Buddhist High Lama incarnated in the Southern Hemisphere. ‘Venerable Pong Re Sung Rap Tulku Rinpoche', is a schoolboy from Kaukapakapa, north of Auckland. The film documents Rinpoche's journey as he leaves small town New Zealand behind (along with McDonalds and Pokemon) to travel to a monastery in the Himalayas where he will spend his next 20 years studying Buddhism. Kiwi Buddha sold to the National Geographic channel and to 60 territories.
Anne and Gordon left high school unable to read or write to a basic level. This documentary follows their progress with the Auckland Adult Literacy Scheme, and culminates with the pair sitting the written and oral exam for their drivers' licence. Anne found innovative ways around the kids' bedtime stories, but froze when it came to filling in forms. Gordon has been driving illegally for years; he wants to ace his drivers' test and finds an acceptance within the Adult Literacy Scheme he never did at school. The First Hand series has a stripped back style, using small cameras and crews.
The 1994 Cannes Film Festival turned out to be a very good year for New Zealand: a little movie called Once Were Warriors began its rise to glory, and some even smaller films did big things. Frontline reporter Ross Stevens was in France to capture the action — from impressed reactions to Warriors, to the 'film is a business' talk of NZ Film Commission chair Phil Pryke. Director Grant Lahood's short film Lemming Aid comes second in the official competition, and the festival screens a special season of Kiwi shorts — only the second such event in Cannes history.
American current affairs format 20/20 was first introduced to New Zealand on TV3 in 1993, where it screened for a decade. In 2005 it moved to TVNZ, and became TV2’s signature current affairs show. The hour-long slot mixed content taken from the ABC-produced American show, with award-winning local stories; local subjects ranged from infanticide to Nicky Watson. The first host was Louise Wallace, then at TVNZ it was Miriama Kamo, and from 2011, Sonya Wilson. In 2014 local content ceased being made for 20/20. Two years later it moved to TV One, with Carolyn Robinson hosting.
Thinking that documentaries would benefit if film crews were much smaller, TVNZ producer Richard Thomas proposed that emerging directors take over much of the filming themselves, using consumer video cameras. Thomas organised camera workshops for First Hand's directors, and overcame opposition that this more intimate style of making documentaries wouldn't meet broadcast standards. The result gave early opportunities to a host of emerging filmmakers, including award-winners Leanne Pooley and Mark McNeill, and production executive Alan Erson.
Riddled with old military tunnels, Auckland’s North Head has long been the focus of speculation. In this documentary Philip Alpers explores theories that a hidden tunnel network contains tonnes of decaying ammunition — and two old Boeing airplanes. Archeologist Dave Veart sets about finding the truth. The man responsible for closing the tunnels says there's nothing there; others recall seeing a plane. Filmmaker John Earnshaw is convinced of its existence. Earnshaw would spend years battling the crown in court, over claims of a breached agreement to search North Head.
One day each summer, some of the oldest sailing ships in New Zealand gather at Sullivans Bay (also known as Otarawao) to take part in a race that dates back to 1858. The race is the premiere event of the Mahurangi Regatta. It's also a day when the community gets together to take part in sand sculpture competitions, running races and a hotly contested tug of war, usually resulting in triumph for the whānau from nearby Opahi Bay. First Hand captures the organisational dramas preceding the fun, and the community spirit inspiring this regular get together.
Frontline replaced Close Up as TVNZ’s flagship, primetime current affairs show in 1988. Fronted by Ross Stevens, and made at Avalon at a time when TVNZ management had relocated to Auckland, it produced the controversial 1990 doco For the Public Good which explored the relationship between business and the Labour Government. In the fallout, TVNZ was sued, staff were sacked and the office moved to Auckland. In 1994, a special about the Winebox tax allegations saw Frontline back in the news. Other presenters included Lindsay Perigo, Anita McNaught and Susan Wood.
Launched in February 1974, Spot On was an award-winning education-focused magazine programme for children. Presenters who got their break on the beloved show included Ian Taylor, Danny Watson, Phil Keoghan and Ole Maiava. Keoghan went on to global fame as host of The Amazing Race; Taylor now heads up Taylormade Productions and Animation Research Ltd. The show was created by Murray Hutchinson. Producer Michael Stedman later became head of the Natural History Unit. Peter Jackson and Robert Sarkies entered Spot On’s annual Young Filmmaker competition.