Legendary filmmaker Rudall Hayward, MBE, directed seven features over five decades — decades in which the concept of Kiwi movie-making was still an oxymoron, or meant a foreigner was in charge. Inspired by NZ’s cross-cultural history, Hayward remade his own Rewi’s Last Stand in 1940. Later he married Rewi star Ramai Te Miha, launching a filmmaking partnership that lasted until Rudall’s death in May 1974.
After starting his filmmaking career at the National Film Unit, cinematographer John Blick has shot many iconic Kiwi commercials, done extended time in Asia and the United States — and worked alongside everyone from Brian Brake and Peter Jackson (The Frighteners), to Skippy the Bush Kangaroo.
Cinematographer Graeme Cowley created the moody imagery for classic movies Utu and Smash Palace. Elsewhere he played another vital role in the Kiwi film renaissance, by establishing camera equipment hire company Film Facilities, alongside the late Nigel Hutchinson. Cowley went on to produce black comedy Carry Me Back, and work on the restoration of Utu.
One of the earliest New Zealand women to work in movies, the late Hilda Hayward collaborated with her husband Rudall on four silent feature films in the 1920s. Author Deborah Shepard argues that her coverage of the 1932 Auckland riots make her New Zealand’s first known camerawoman. Hilda Hayward passed away in 1970.
Robyn Scott-Vincent, MNZOM, is longtime producer of Attitude, the globetrotting series that focuses on people living with a disability. Scott-Vincent has an extensive background as a journalist. Since 1992 she has headed her own production company, Attitude Pictures.
Kevin J Wilson specialises in playing no-nonsense Kiwi blokes. Brought up partly in a house in the bush, Wilson began his long acting career at Auckland University. Since his TV debut in Pukemanu he has acted in almost every genre, and starred in movies Chunuk Bair and Pictures (as photographer Alfred Burton), and police series Shark in the Park. Wilson also initiated 1984 movie Wild Horses, and has directed several shorts.
In the late 1970s actor and singer Marcus Craig ( aka Diamond Lil) popularised the glittering world of drag for mainstream New Zealand. His hit cabaret act featured talents like Billy T James and Tina Cross; his duet with Fred Dagg made the pop charts. His television credits include satirical series Something to Look Forward to, various guest slots and the role of co-host on variety show Top of the World.
Starting with the National Film Unit in 1943, Bob Allen’s career as a motion picture sound recordist covered six decades. Based in the UK from 1953, he worked with well-known directors including Fred Zinnemann (Allen's work on The Day of the Jackal was BAFTA-nominated). He returned to his homeland to share his knowledge and experience as New Zealand feature filmmaking blossomed; and later to retire.
Tandi Wright was nominated for a best supporting actress award for her role in 2006 true-life drama Out of the Blue. Her extensive television resume includes long-running roles in Shortland Street, Being Eve, plus comedy Willy Nilly and hit series Nothing Trivial.
Colin McKenzie joins Rudall Hayward and Ted Coubray as one of the earliest New Zealanders to make feature films on Kiwi soil. McKenzie was a technical innovator, responsible for a number of international filmmaking firsts. His unfinished epic Salome finally premiered in 1995, six decades after his death.