Jenny-May Clarkson did her first sports commentary in 2001, the same year she became vice-captain of the Silver Ferns netball team. Clarkson has gone on to work in various roles for TVNZ as a sports commentator, reporter and presenter. She also spent a decade as a presenter on Māori Television sports show Code, and did a stint as a newsreader on news channel TVNZ 7. In 2003 she competed on Celebrity Treasure Island. Clarkson mentors young athletes through organisation High Performance Sport NZ. She has also worked as a police officer and been an assistant coach for netball's Northern Mystics.
Kim Harrop describes writing scripts as "the most exhilarating/ challenging/ enlightening/ masochistic/ addictive thing in the world." Harrop spent eight years writing for long-running soap Shortland Street. She has developed several programmes (First Crossings, The NZ Home), as well as writing and producing internet hit The Coffin Club and co-creating black comedy series Fresh Eggs with Nick Ward.
Briar March released her first feature-length documentary, 2004's Allie Eagle and Me — about artist Allie Eagle — the same year she got a Bachelor in Fine Arts from Auckland University's Elam School of Fine Arts. Her global warming documentary There Once Was an Island (2010) was invited to 50+ festivals, and won a raft of awards. After studies at California's prestigious Stanford University and a string of short films, the Fulbright scholar returned downunder, and directed social housing documentary A Place to Call Home. In 2017 she helmed musical short The Coffin Club, which won six million+ views online.
After first picking up a guitar while growing up in South Africa, Tom Fox went on to become a session guitarist and award-winning music producer. Emigrating to New Zealand in 2003, he met Kiwi musician Marshall Smith, and they set up company The Sound Room in Auckland. Since then the duo have collaborated on music and sound mixes for almost every type of screen project, from a long run of commercials, to arcade games and documentaries — including award-winning Cambodian tragedy Brother Number One and the quirky, music-heavy Hip Hop-eration and The Coffin Club.
Producer Julia Parnell’s CV boasts a diverse range of credits — from comedy (Wayne Anderson: Singer of Songs) to sport (Wilbur: The King in the Ring), music (The Chills - The Triumph & Tragedy of Martin Phillipps) and te ao Māori (Restoring Hope). Parnell’s production company Notable Pictures is behind a run of award-winning short films (Dive, Friday Tigers), plus long-running mini-documentary series Loading Docs.
Murray Newey produced New Zealand's first horror film - Death Warmed Up, and went on to win international investment in four Kiwi-made features: Moonrise, Never Say Die, teen tale Bonjour Timothy and award-winner The Whole of the Moon.
Nick Ward broke into screenwriting with pool comedy Stickmen. An instant Kiwi hit, the film won him a New Zealand Film Award for Best Screenplay in 2001. He went on to originate and co-write hit romance Second-Hand Wedding, then reconvened with Wedding director Paul Murphy for follow-up Love Birds. In 2019 he created television black comedy Fresh Eggs with Kim Harrop. Ward has also penned episodes of series Outrageous Fortune and Burying Brian, and horror flick The Ferryman.
Marshall Smith was nominated for a Silver Scroll songwriting award in 2004, while he was part of band The New Freedom. Around the same time, he and musician Tom Fox set up Auckland music and sound company The Sound Room, and began composing soundtracks for clients in Aotearoa and overseas. Their work includes documentaries (Hip Hop-eration, NHNZ's Big Pacific), short films, and many commercials (including ads for Coca Cola and Porsche). Smith also co-founded the Screen Composers Guild of New Zealand, presented Lotto draws for three years, and has recorded under the name Marshmellow.
Alyx Duncan has brought her skills in dance and filmmaking to art galleries and short films. Her Asian-themed video for Minuit's 'Fuji' turned many heads. Eye-opening short The Tide Keeper won awards in three countries. Duncan's choreographic work has been showcased in a number of ad campaigns. Mixing documentary and drama, her feature The Red House won acclaim after opening at the 2012 NZ Film Festival.
Mark Lapwood began a career of taking pictures at his local newspaper in Palmerston North. At 20 he relocated to Sydney, slowly working his way up the ladder to become a cinematographer. Graduating from the Australian Film TV and Radio School in 2000, he shot his first feature soon after: Indian drama Maya. Three years later he was based in India and filming across the globe. Lapwood returned to NZ in 2011.