As a war correspondent filming the New Zealand forces in Italy and the Middle East, Ron McIntyre played a key role in supplying the raw material for the early films of the National Film Unit. After nearly four years overseas, he returned home and tried his hand at independent filmmaking. McIntyre spent just over seven years with the NFU as a cameraman and director, and also worked briefly for Pacific Films.
Between getting his start in filmmaking with the National Film Unit, and returning to New Zealand to retire, John Feeney made his name as a director at the National Film Board of Canada; he also spent 40 years filming and photographing in Egypt. Some of his NFU films were considered to be outstanding documentaries, and two of his Canadian films were nominated for Academy Awards.
Popular and idiosyncratic radio and TV host Marcus Lush chronicled his love affair with the railways on high-rating series Off the Rails, which won him an award for best presenter at the 2006 NZ Screen Awards. Lush followed it with Ice, which saw him spending time in Antarctica, before making further Kiwi excursions South and North.
Since debuting on TV's SportsCafe in 1996 as an Olympic snail trainer, comedian Leigh Hart has donned moustaches, speedos and a variety of serious journalistic expressions. Post SportsCafe, Hart made and presented multiple seasons of Moon TV — two of them nominated for NZ Screen awards — plus Leigh Hart's Mysterious Planet. He went on to co-present web show Late Night Big Breakfast, with Jason Hoyte.
Being a big man with a “face like the map of Ireland” made him an unlikely starter, but in the mid-70s Glyn Tucker was one of New Zealand’s best known screen personalities. The larger-than-life character was a racing guru, and also a popular radio then TV presenter: his television roles ranged across sports commentator, punting pundit, crooner and light entertainment show host.
Producer Lloyd Phillips won an Academy Award in 1981, for short film The Dollar Bottom. South African-born Phillips was raised in New Zealand, where his first feature, Battletruck, was shot. He went on to establish a globetrotting Hollywood career, working on The Legend of Zorro, 12 Monkeys, Inglourious Basterds and Vertical Limit (also shot in New Zealand). Phillips died of a heart attack on 25 January 2013.
Harold Kissin ran coffee bars, theatres and transport companies, and performed on stage and screen. From 1974 to 1981 he was a key force behind Auckland's New Independent Theatre, alongside acting roles on pioneering Kiwi soap Close to Home, and classic series Winners & Losers. His acting career continued after he moved to Australia in 1982. Kissin passed away on 8 September 2004. Image credit: Joel Kissin
Richard Turner’s work as a director began with poetry-based works, pioneering Māori works for television, and Squeeze (1980), New Zealand’s first gay-themed feature. Since then he has made films largely in Australia.
In May 2017 Victoria Spackman began as leader of creative campus Te Auaha, which is set to open in Wellington in 2018. Before that she was chief executive and co-owner of Wellington company Gibson Group, whose multi-media and interactive installations and TV programmes reach a large international audience. Studies in law, film, theatre and linguistics have all fed into Spackman's work.
Kiwi hair and makeup artist Lesley Vanderwalt won an Oscar and a Bafta for her work on Mad Max: Fury Road. She also collaborated with director George Miller on Babe 2, Nicole Kidman mini-series Bangkok Hilton and the second Mad Max movie. The onetime Wellington hairdresser had makeup duties on early Kiwi classics The Governor, Skin Deep and Bad Blood, before a slew of Australian credits (Shine, Moulin Rouge!).