Natural history and adventure cameraman Mike Single has worked everywhere from Death Valley to Antarctica, and filmed everything from BASE jumping to the birthplace of kung fu. A long association with company NHNZ has scored him a swag of awards, including an International Emmy for his Antarctic film The Crystal Ocean. Single's work has screened on Discovery Channel and National Geographic.
A self taught stargazer, Peter Read’s passion for astronomy coincided with a budding television industry and the beginning of manned spaceflight. His programme, Night Sky, played in primetime from 1964; and his avuncular style inspired New Zealanders to look at the stars. It was the country’s longest running TV show when it was cancelled in 1974, and he was the longest serving presenter. Peter Read died in 1981.
Globetrotting New Zealander Len Lye was a gifted innovator in many areas of the arts — film, painting, sculpture, photography, and writing. Inventing ways to make films without a camera, he became one of the pioneers of the genre later known as the music video. Later he moved to New York's Greenwich Village and became a leading figure in the kinetic art movements of the 1950s and 60s.
The late Hone Tūwhare (1922-2008) remains one of New Zealand's most loved and respected poets. Tūwhare has been the subject of numerous documentaries. He also wrote short stories and plays, and the drama Eel for anthology television series E Tipu e Rea. Tuwhare died on 16 January 2008 in Dunedin.
Although generally regarded as New Zealand's most successful international photographer, Brian Brake also worked in motion pictures, as both director and cinematographer. At the Government's National Film Unit he directed the first Kiwi film nominated for an Academy Award (Snows of Aorangi). Later he worked for prestigious photo agency Magnum, and featured in photo journals Life and National Geographic.
Leon Narbey is one of New Zealand’s most prolific and lauded cinematographers. His talents have contributed to roughly 20 features, including Whale Rider, Desperate Remedies, The Price of Milk and No.2. Narbey's work as a director includes movies The Footstep Man and Illustrious Energy, an acclaimed drama about Chinese goldminers.
Vincent Ward has won an international reputation as an original and visionary filmmaker. Vigil and The Navigator played in competition at the Cannes Film Festival (the first New Zealand features to do so). Docudrama Rain of the Children (2008) revisited people from his 1980 documentary In Spring One Plants Alone. Ward also directed Robin Williams afterlife drama What Dreams May Come.
Geoff Steven's career spans documentary, experimental film and photography. In 1978, he directed acclaimed feature Skin Deep, the first major investment by the newly established NZ Film Commission. Steven followed it with Strata and a long run of documentaries, before time as a TV executive at both TV3 and TVNZ. He now heads the Our Place World Heritage Project.
As manager of the National Film Unit, David Henry Fowler oversaw the organisation's move from Miramar to Lower Hutt. In 35 years of filmmaking he worked in both government and private sectors: writing, directing, and producing memorable films ranging from commercials to features. After his career at the top was cut short by ill-health, he continued to pass on his knowledge and experience in advisory roles. Image credit: Archives New Zealand, ref AAQT 6421 B57
Subjects that have gone before cinematographer Marty Williams’ lens range from landscapes to South Auckland Shakespearians The Black Friars. Williams was a prolific shooter for arts shows The Gravy and The Living Room, and shared a Best Cinematography Qantas Award for maverick lawyer documentary Lost in Wonderland. Sometimes credited as Martyn Williams, the South Seas Film and TV School graduate also framed gang member OE short Day Trip, along with acclaimed work on adverts (often collaborating with director Mark Albiston) and music videos (Phoenix Foundation, Little Bushman).