Multi award-winning editor Bryan Shaw has helped forge documentaries about strikes, artists and the sinking of the Wahine. In recent years he has added drama work to his CV, including episodes of Outrageous Fortune, Westside, The Almighty Johnsons and feature comedy The Devil Dared Me To.
I enjoy telling stories... Bryan Shaw
Emma Davies Dixon summarises her husband Scott's need for speed in this documentary about the IndyCar driver: "...unless he's going really fast, he doesn't feel alive." Dixon has won the IndyCar World Championship several times, making him one of New Zealand's most accomplished professional racing drivers. Directed by Bryn Evans (Hip Hop-eration), Born Racer - The Scott Dixon Story follows Dixon during the 2017 IndyCar season, and includes home movies of Dixon racing as a child. The documentary includes Dixon crashing spectacularly in the Indy500.
TV3 series Outrageous Fortune had six memorable seasons. Award-winning prequel Westside takes the West family back to where it all began — to legendary safecracker Ted West (David de Lautour), and his fiery wife Rita (Antonia Prebble from Outrageous). Each episode of series one is set in a particular year of the 1970s. Season two moves to the 1981 Springbok Tour; the third, set in 1982, introduced a teen Cheryl West. Combining romance, crime and West family folklore with real life events, Westside was created by James Griffin and Rachel Lang, the duo behind the original.
A prequel to classic TV3 series Outrageous Fortune, Westside travels back in time to meet young Rita (Antonia Prebble), Ted (David de Lautour) and their son Wolf West, on the make in West Auckland. This first episode opens with Ted leaving Mt Eden prison, then sets him on a safe-cracking plot that is aided by the 1974 Commonwealth Games. Prebble played Loretta West in Outrageous, and first took on the role of Rita in flashbacks from season four. Devised by Outrageous creators James Griffin and Rachel Lang, Westside won acclaim: "all the hallmarks of a classic", said Stuff.
Twenty-four year-old barman Dave finds his life turned upside down when he meets the girl of his dreams — Cara, 14 years his senior, and the owner of three kids. Over two seasons, the light-hearted drama explored whether their live-in relationship could survive the weight of low expectations, and her unruly family. Created by Kate McDermott (This is Her), Step Dave starred Swedish emigre Sia Trokenheim (2014 film Everything we Loved) and Brit born Jono Kenyon. Interest in the format encompassed the Ukraine — which remade the show in 2016 — France, Hungary and Greece.
In the five years since Sione's Wedding, the Duckrocker quartet have experienced marriage, children, Australians and the good lord. Then their minister reunites them on a quest to find Bolo (Dave Fane) — once their driver and conscience, now MIA. The sequel to the break-through PI-Kiwi hit reunites the original cast, and adds in a dodgy minister (Kirk Torrance) and a new director (Outrageous Fortune's Simon Bennett). On the burden of following Wedding, Stuff reviewer Steve Kilgallon adjudged: "seen on its own merits, it [Sione's 2] proves worth the wait".
Created by Outrageous Fortune’s James Griffin and Rachel Lang, this South Pacific Pictures-produced TV3 dramedy is about a family of Norse gods who wash up in 21st Century New Zealand. Emmett Skilton stars as Axl aka Odin, who must restore his brothers' lapsed superpowers and find his wife Frigg ("no pressure, then"). But he is thwarted by Norse goddesses and Māori deities. The combo of fantastical plot and droll Kiwi bloke banter won loyal fans, who successfully campaigned for a third (and final) season. Johnsons screened on the SyFy channel in the US in 2014.
In the first 10 minutes of this TV3 comedy, Axl (Emmett Skilton) has a close shave outside the bottle store on the eve of his 21st birthday, but that’s nothing compared to the meteors, earthquake and a blood red Mission Bay that follow. By episode end Axl learns that he and his Kiwi bloke older brothers are also … Norse gods. From Outrageous Fortune creators James Griffin and Rachel Lang, the light-hearted lad fantasy saga gained a loyal following and — in a rare example of an NZ TV export to the US — the three series screened on the SyFy channel from July 2014.
This fourth episode in Prime’s series on Kiwi television history series charts 50 years of sports on TV. Interviews with veteran broadcasters are mixed with clips of classic sporting moments. Changes in technology are surveyed: from live broadcasts and colour TV, to slo-mo replays and CGI graphics. Sports coverage is framed as a national campfire where Kiwis have been able to share in test match, Olympic, Commonwealth and World Cup triumphs and disasters — from emotional national anthems and inspirational Paralympians, to underarm deliveries, snapped masts and face-plants.
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.
Made in 2008, this documentary chronicles the Wahine disaster, from the ship leaving Lyttelton to the last survivor being pulled out of the water. Interviewees share their experiences — some make it ashore in life rafts at Seatoun, others are washed up on the “battlefield” of the Pencarrow coast. The Wahine’s crew offer insight into the conditions the ship was sailing in, and of their gradual realisation that it couldn’t be saved. The TV One programme also features animated scenes of the ill-fated journey, which mimic the black and white news footage of the disaster unfolding.
Matt Heath and Chris Strapp dragged their characters from bogan TV series Back of the Y to the big screen for this movie, which follows Randy Cambell's rocket car driven mission to be "New Zealand’s greatest living stuntman". Gross and petrol-fuelled mayhem ensues, as Cambell romances a one-legged female Evil Knievel and fights a family curse. Scott Weinberg (Cinematical) praised this "cross between The Road Warrior, Mad Magazine and Jackass" as "loud, raucous and adorably stupid" when it premiered at US festival South by Southwest in 2007.
Doves of War is a political thriller revolving around a group of ex-Kiwi soldiers and their involvement in a war crime committed 10 years prior. A discovery of a mass grave in Bosnia forces ex-SAS Sergeant Lucas Crichton (Aussie actor Andrew Rodoreda) to revisit a past he and his comrades would rather bury. Also on the trail is ambitious Hague prosecutor Sophie Morgan. Action travels from Europe to upmarket Auckland, Wellington nightclubs, West Coast bush, and central Otago. Written by Greg McGee (Fallout, Erebus), it screened for one season on TV3.
Orange Roughies was a 'border security' drama series following a Police and Customs task force led by Danny Wilder (Australian actor Nicholas Coughan). Made for TV One, the ScreenWorks production was likely inspired by Australian television hit Water Rats. Set in and around Auckland Harbour, it featured storylines involving drug busts, child trafficking, undercover ops and plenty of land-sea chase action. The show was created by Rod Johns and former policeman Scott McJorrow. The script team was rounded out by Kristen Warner and series writer Greg McGee.
Doves of War is a political thriller revolving around a group of ex-Kiwi soldiers and their involvement in a war crime committed 10 years earlier. In this opening episode media reports of a mass grave discovered in Bosnia, force ex-SAS Sergeant Lucas Crichton (Aussie actor Andrew Rodoreda) to revisit a past he and his comrades would rather keep buried. Also on the trail is ambitious Hague prosecutor Sophie Morgan and the journalist who was leaked the story. Written by Greg McGee (Fallout, Erebus, Skin and Bone), Doves screened for one season on TV3.
Orange Roughies was a 'border security' drama series following a Police and Customs task force in Auckland. Storylines included drugs busts, undercover ops and plenty of motorised chase action. In this excerpt from the first episode, customs officer Jane Durant (McLeod's Daughters actor Zoe Naylor) boards a ship suspected of trafficking children from China. The TV One series was devised by ex policeman Scott McJorrow and Rod Johns, for production company ScreenWorks.
From the late 1980s, Gretchen Albrecht's richly-coloured large abstract paintings made her reputation in New Zealand. This documentary (made for TV One's Artsville series) traces the development of Albrecht's work from her art school years, through to a developing interest in sculpture. Interspersed with commentary from family, collectors, writers, and art historians, Albretcht discusses her life, and the ideas and influences that inform her work. In the studio, her working methods are revealed as she is capturing creating new work.
Love, Speed and Loss is an extended documentary about racer Kim Newcombe, who turned heads in the 1970s on a König motorbike he developed and designed himself. Built around home movie footage and interviews with his charismatic, straight-talking widow Janeen, the film charts the couple's travels in Europe, and triumph on the track. Newcombe was killed racing in 1973, and posthumously finished second in that year's World 500cc Championship. Love, Speed and Loss won best documentary at the 2007 Qantas TV Awards and three Air NZ Screen gongs.
After her husband is jailed, matriarch Cheryl West (Robyn Malcolm) decides the time has come to set her family on the straight and narrow. But can the Wests change old habits? So begins the six-series long saga of the Westie dynasty. Hugely popular at home (beloved by public, critics and awards-nights alike), and imitated overseas, Outrageous Fortune has been a flag-bearer for TV3 and contemporary NZ telly drama; the series proved — in all its grow-your-own glory — that genre TV in NZ could be so much more than overseas stories pasted to a local setting.
Nominated for a Qantas Media Award, this documentary examines prejudices against Asians in New Zealand, as immigration grows (80,000 ethnic Chinese and 20,000 Koreans have arrived in New Zealand since 1988). Directors John Bates and Manying Ip look back at the history of Asian settlement in Aotearoa, from colonial xenophobia and the poll tax inflicted only on Chinese migrants, through ‘ching chong Chinaman’ abuse, to the present day — where 21st century migrants face struggles with discrimination, language barriers and integrating in their new home.
Middledon is invaded by aliens in this early 2000s teen series. In this first episode, Jeff and Noodle — 21st Century skater descendents of Terry Teo fed on What Now? ADD — stumble upon the conspiring Neo Corporation. Being the only ones to see Neo's nefarious plot, the duo must resist mind control (teen spirit anyone?), save the town, and stop their skate park being 'wasted' and turned into a mall. Future World fashion designer Benny Castles plays Jeff, Rawiri Paratene is Gran (!) Pekapeka, and Antony Starr's Stevo channels teen slacker icon Jeff Spicoli.
Twenty three years after Foreskin's Lament became a Kiwi cause célèbre, writer Greg McGee brought his classic play to television. Skin and Bone "asset strips" and updates the story to reflect rugby (and society's) evolution. Here Seymour (Outrageous Fortune's Antony Starr) — falteringly pursuing a professional career — returns home to play a last game for his rural club side. The brutality he witnesses leaves him questioning the morals of the code. The role of the old guard coach is reprised by Roy Billing, in McGee's opinion "the first and definitive Tupper".
In 1951, New Zealand temporarily became a police state. Civil liberties were curtailed, freedom of speech denied, and people could be imprisoned for providing food to those involved. This award-winning documentary tells the story of the 1951 lockout of waterside workers, and what followed: an extended nationwide strike, confrontation and censorship. There are interviews with many involved, from workers to journalists and police. At the 2002 NZ Television Awards, 1951 won awards for Best Documentary and Documentary Director (John Bates). Costa Botes backgrounds 1951 here.
In this third episode of Captain’s Log, Peter Elliott tracks Captain Cook’s journey down the west coast of the North Island. First he takes the Ranui down to Kaipara Harbour, before hitching a ride on the old kauri schooner Te Aroha to Queen Charlotte Sound. Elliott recounts the story of Cook’s realisation that a strait existed between the two islands, before a brief trip to Wellington on (now defunct) catamaran The Lynx. The episode's final stop is Elliott’s hometown of Lyttelton on the peninsula formerly known as Banks Island, where he takes a hair-raising dive on a lifeboat.
Over four seasons, Street Legal’s slick Kiwi take on urban crime and law genres racked up a stack of award nominations - including a 2003 NZ TV Award for best drama series. Although initially wary that the Auckland setting might alienate viewers, writer Greg McGee chose a Samoan lawyer (Jay Laga’aia) as his main character, to exploit the show’s inner-city Ponsonby setting (where cafe society bumps into Pacific Island immigrant culture). Other key characters included Silesi’s lawyer ex-girlfriend Joni, and her new partner Kees, an overstressed sergeant.
This short film follows a five-year-old child (Elizabeth Morris), after her mother's paranoid delusions reach breaking point and she is put in a mental hospital. Writer/director Belinda Schmid's aim was to show how children can respond to situations partly without emotional upset, "because we have no other measure for the ways things are supposed to be, and partly by coping in ways that help us survive at the time". Jennifer Ward-Lealand plays the mother. Nominated for Best Short at the 2000 NZ Film Awards, The Painted Lady was invited to a number of international film festivals.
In the first of this two-part documentary about Kiwis and cars, actor Rima Te Wiata sets off on a road tour of New Zealand. Starting in the South Island, Te Wiata learns about the first bus tours to Aoraki, which were handled by the Mount Cook Motor Company. Then she travels to Westport via the infamous Hawks Crag, and hears from locals about the difficulties and dangers of transit before the introduction of cars. A trip back up the country takes Te Wiata to Northland, where the locals suggest they may have been better off when the primary mode of transport was by boat.
In this second part of a documentary on Kiwis and cars, host Rita Te Wiata explores motoring in the latter half of the 20th Century. She begins in Christchurch where Ford V8s were a vehicle for post-war romance, then heads to Tahuna for beach racing. Te Wiata pockets the licence she supposedly got in part one and heads to Raglan to look at the car-enabled freedom of the 60s and 70s: surfing, fishing, caravans. While downsides are mentioned (motorways, pollution, accidents), mostly it’s a paean to petrolhead passion. The tour ends with a cruise up Queen St in a muscle car.
Ron Morrison is secretly dreading the ‘dating years’. Rebecca and Kevin have their home, their dog and more love to share, possibly with a baby. Holly Morrison isn’t that bothered with boys yet, but she is determined to pass her South American dance exam. This high-rating documentary examines the physical and emotional challenges of being a ‘little person’— someone living with achondroplasia, the most common cause of dwarfism. Ron, Holly, Rebecca and Kevin are determined to grasp opportunities, although Ron’s conflict of emotions is especially poignant.
Director Justin Pemberton takes this love song by Paul Casserly and Fiona McDonald (from fourth Strawpeople album Vicarious) and transforms it into an exercise in noir influenced, brooding unease. His video takes place over a night at a rural motel (with McDonald as a receptionist, and Casserly up to no good with a range of medical equipment). A tarot card-reading, yoga-practising new-ager, a traveller with unexplained cages, and random appearances from stringed instrument-playing senior citizens contribute to the growing sense of disquiet.
Bagpipes, haggis, and the heartbreak of leaving home; Hoots Mon examines those who have migrated from Scotland to Aotearoa. In the 1840s a group of Scots settlers started a new life in Dunedin, after breaking off from the Church of Scotland. Ayrshire-born director John Bates talks to some of their descendants, and heads to the far north to interview others with Caledonian roots, in Waipu. Alongside some impressive Richard Long camerawork, the interviews include composer Steve McDonald, whose ancestral research has inspired several Celtic-themed albums.
This documentary tells the story of four men men who survived 119 days adrift at sea in an upturned trimaran. John Glennie's boat Rose Noelle capsized in the Pacific in June 1989, and washed up four months later on Great Barrier Island. Director Mark Beesley mixes raw interviews and spare reenactment to convey the physical and emotional ordeal; the quartet were sometimes trapped inside a cramped section of the boat for days on end. The epic survival-at- sea tale won Best Documentary at the 1997 TV Awards. The story was later retold in 2015 telemovie Abandoned.
Corbans Fashion Collections was a live event and TV special staged annually in the 1990s, where local fashion houses showcased their upcoming collections. The producer of both the live shows and the TV programmes was Pieter Stewart, who went on to launch NZ Fashion Week. This 1995 show is narrated by Craig Parker and Alison Mau; Fashion Quarterly editor of the time, Paula Ryan, gives style tips; and Geeling Ng and Hinemoa Elder feature as celebrity models stepping out for Francis Hooper and Denise L'Estrange-Corbet's World label.
Kiwi music show Music Nation introduced young presenter Bic Runga to the nation, shortly before she took her microphone skills in another direction. In this debut episode, the show's 'field reporter' Ian Hughes (aka Hugh Sundae) interviews winners at the 31st NZ Music Awards, while Runga introduces many of the accompanying videos. There are double helpings of Supergroove, who took away five awards on the night, and Che Fu sings a thank you speech a cappella. But there are murmurs of discontent over Purest Form taking the public vote for best single.
Corbans Fashion Collections was a live event and TV special staged annually in the 1990s, where local fashion houses showcased their upcoming collections. The producer of the live show was Pieter Stewart, who went on to launch NZ Fashion Week. In this 1994 show, Shortland Street stars pock the front row, Alison Mau, Paula Ryan and designers opine on the dress code, grunge doesn’t appear to have impacted on the à la mode pastel styles (Zambesi and NOM*D are typically dark in contrast), and NZ On Screen editor Paul Ward channels Zoolander as a teenage male model.
This Royal New Zealand Ballet performance of Stravinsky’s Petrouchka stays true to the original 1911 version by legendary ballet company Ballet Russes, in more than just spelling. As tormented puppet Petrouchka, Douglas Wright pays tribute to legendary performer Vaslav Nijinsky. Designer Raymond Boyce channels Alexandre Benois, while Russell Kerr's choreography evokes Mikhail Fokine. The sellout season was reviewed as "phenomenal" and "a visual feast… exploding with colour and shifting image". Future TV executive Andrew Shaw directed coverage of the ballet.
Director John Bates' 1993 documentary examines the life and work of photographer Robin Morrison, who captured iconic images of everyday New Zealand life and landscape. Part biography, part travelogue, the film goes on the road with Morrison to revisit some of his best-loved locations. Stunningly shot by Stuart Dryburgh (The Piano) before Morrison died on 12 March 1993, Sense of Place won Best Documentary at the 1994 New Zealand Film and Television awards, and a certificate of merit at the 37th San Francisco International Film Festival.
The enormous significance to Māori of marae, as places of belonging where ritual and culture can be preserved, is explored in this Pita Turei-directed documentary. Made in conjunction with the NZ Historic Places Trust, it chronicles the programme to restore marae buildings and taonga around the country — and the challenge of maintaining the tribal heritages expressed in them. As well as visiting some of NZ's oldest marae, one of the newest also features — Tapu Te Ranga, in Wellington’s Island Bay, which is being built from recycled demolition wood.
Corbans Fashion Collections was a live event and TV special staged annually in the 1990s, where local fashion houses showcased their upcoming collections. The producer of both the live shows and the TV programmes was Pieter Stewart, who went on to launch NZ Fashion Week. The first special screened in 1990, and the last in 1997 (the 96 and 97 shows changed names to Wella Fashion Collections as a new sponsor came on board). In 1998/99 the show morphed into the Wella Fashion Report, four seasonal specials screening in Spring, Summer, Autumn and Winter.