Writer Rachel Lang, MNZM, has played a major hand in a host of New Zealand television dramas, including Outrageous Fortune, the iconic saga of a West Auckland family trying to go straight. Her CV also includes the long-running Go Girls, small town dramas Jackson's Wharf and Mercy Peak, plus Westside, The Almighty Johnsons, This is Not My Life, Filthy Rich and The Blue Rose.
Award-winning scribe Gavin Strawhan is one of the most experienced screenwriters working in New Zealand television. His extended resume includes writing for, and helping create TV shows Nothing Trivial, Filthy Rich, Jackson's Wharf, Mercy Peak, Burying Brian, kidult hit Being Eve, Kaitangata Twitch and futuristic thriller This is Not My Life. He also co-wrote 2010 feature film Matariki.
Catapulted to fame after tousles with Prime Minister Robert Muldoon, Tom Scott originally trained to be a vet. He ended up helping Murray Ball turn Footrot Flats into a hit movie. The celebrated humourist and cartoonist has also told the story of Kiwi legends Edmund Hillary and David Lange, in both TV documentaries and dramas. Scott also co-wrote Rage, a TV movie about the 1981 Springbok tour.
Writer James Griffin has had a hand in an eye-opening proportion of the successful TV comedies and dramas made in New Zealand since 1985. His credits stretch from Gloss and The Almighty Johnsons, to award-winner 800 Words and big screen comedy Sione's Wedding. Working alongside writer Rachel Lang, he also helped create Westie family drama Outrageous Fortune and its prequel series Westside.
Veteran newsman Richard Harman began his career at Auckland University student mag Craccum. As a long-time political reporter for TVNZ, he reported on the Rainbow Warrior bombing and the passing of the baton from Muldoon to Lange — also the subject of his award-winning documentary Five Days in July. In 1999 Harman founded company Front Page, where he launched current affairs shows Agenda and The Nation.
Chris Bailey has made key creative contributions to a host of significant Kiwi television dramas, from sci fi classic Under the Mountain to Nothing Trivial. In 1998, Bailey, along with producer Chris Hampson and writer Greg McGee, founded production company ScreenWorks. These days he is managing director of South Pacific Pictures.
Charlotte Purdy’s CV ranges from reality TV to Antarctic disaster. After a television OE in the United Kingdom, she helmed documentaries and factual TV back home. Under her Rogue Productions banner she created reality format The Big Experiment, and made Reel Late with Kate. After a decade producing current affairs, she co-directed docudrama Erebus: Operation Overdue and rugby doco By the Balls.
Danielle Cormack has showcased her naturalistic, seemingly effortless acting style on both sides of the Tasman. After roles in TV soaps Gloss and Shortland Street, she began a run of big screen starring roles — Topless Women Talk About Their Lives, The Price of Milk and Via Satellite (playing twins). On Australian TV, Cormack has starred as a prisoner (Wentworth), crime lord (Underbelly: Razor) and barrister (Rake).
Greg McGee's first play Foreskin's Lament (1980) is seen as a watershed moment in the maturing of a distinctly Kiwi theatre. Since then McGee has demonstrated (with tele-movie Old Scores) that rugby can be the stuff of comedy as well as critique. He has also created or co-created a run of television dramas - including long-running law show Street Legal - many of them awardwinners.
Kiwi-born Samoan Nathaniel Lees began acting on stage in 1975, and on screen in 1984. Since then he has become a leading force in the development of Pacific Island theatre in Aotearoa, and brought his distinctive baritone voice to everything from The Billy T James Show to The Matrix.