David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.
Since debuting on TV's SportsCafe in 1996 as an Olympic snail trainer, comedian Leigh Hart has donned moustaches, speedos and a variety of serious journalistic expressions. Post SportsCafe, Hart made and presented multiple seasons of Moon TV — two of them nominated for NZ screen awards — plus Leigh Hart's Mysterious Planet. He now co-presents web show Late Night Big Breakfast, with Jason Hoyte.
Niki Caro's near wordless Sure to Rise was nominated for best short film at the 1994 Cannes Film Festival. Four years later her debut feature Memory and Desire was invited to Cannes. Caro followed it with Whale Rider, winner of more than 27 awards, and still one of New Zealand's most successful films abroad. Since then Caro has directed everywhere from vineyards in France to mining towns in Minnesota.
Self-taught editor Cushla Dillon moved from shorter works to features with Harry Sinclair's Topless Women Talk about their Lives: both the bite-sized TV series then the movie, for which she won her first NZ film award. Dillon has gone on to edit shorts, documentaries, and many more features — including The Price of Milk, Orphans & Kingdoms, and award-winning documentary This Way of Life.
Allen Guilford was a prolific and much admired cinematographer, whose host of television programmes ranged from 1970s TV landmark The God Boy to colonial melodrama Greenstone. Guilford won NZ Film Awards for his work on movies The Footstep Man, coming of age tale The Climb, and blockbuster What Becomes of the Broken Hearted? He passed away on 10 March 2009.
English cameraman John Earnshaw moved downunder in 1975, just as the local screen industry was hotting up. A director of photography on hundreds of commercials, he shot two feature-length projects: cult movie Angel Mine, one of the earliest entries in the Kiwi movie renaissance, and TV movie A Woman of Good Character. He passed away on 3 March 2014, leaving behind him a passion project involving a mysterious Boeing aircraft.
Scriptwriter Jane Galletly entered the New Zealand television industry at a time when women writers were few and far between. Long drawn to the everyday lives of working people, she has devised and written award-winning drama (Moynihan, Pioneer Women), and worked on hours of classic soap, from Close to Home to EastEnders.
Simon Reece has had a long career editing television and film, cutting landmarks such as Tank Busters, The Governor, Pukemanu, The God Boy and Vigil. In 1990 he shifted post-production roles and set up Wellington company The Dub Shop, which specializes in providing digital services for broadcast, web and archives.
Paul Oremland began directing a run of documentaries — and two feature films — during almost three decades based in London. Since returning home to New Zealand in 2009, he has continued to work as an editor and director, including on his 2017 autobiographical documentary 100 Men.
Rod Morris has more than three decades experience as a wildlife photographer and filmmaker. After working on the quest to save the Chatham Island black robin, he joined TVNZ's Natural History Unit (now independent company NHNZ) in 1980. His name is found on more than 30 books, and his photography has helped spur generations of Kiwis to share his passion for the natural world.