English cameraman John Earnshaw moved downunder in 1975, just as the local screen industry was hotting up. A director of photography on hundreds of commercials, he shot two feature-length projects: cult movie Angel Mine, one of the earliest entries in the Kiwi movie renaissance, and TV movie A Woman of Good Character. He passed away on 3 March 2014, leaving behind him a passion project involving a mysterious Boeing aircraft.
As a first time feature film maker, I was in awe of John Earnshaw's good humour and supportive professionalism. With his stories of famous directors I admired, and his love of witty word play, he made me feel at ease as a novice director and encouraged me to follow my vision, which he captured beautifully. Angel Mine director David Blyth
Riddled with old military tunnels, Auckland’s North Head has long been the focus of speculation. In this documentary Philip Alpers explores theories that a hidden tunnel network contains tonnes of decaying ammunition — and two old Boeing airplanes. Archeologist Dave Veart sets about finding the truth. The man responsible for closing the tunnels says there's nothing there; others recall seeing a plane. Filmmaker John Earnshaw is convinced of its existence. Earnshaw would spend years battling the crown in court, over claims of a breached agreement to search North Head.
In this tale of an English servant woman doing it hard down under, Lizzie (Sarah Peirse, who won a Feltex) finds herself trapped on a rundown Canterbury sheep farm alongside three men: one mean, one silent, and one simple-minded (Bruno Lawrence, who Lizzie first meets in this excerpt). Directed by David Blyth between his edgy debut Angel Mine and splatter-fest Death Warmed Up, the pioneer tale was written by English author Elizabeth Gowans. Newbie scribe Fran Walsh later extended the film to tele-movie length, from its original incarnation as A Woman of Good Character.
It's the 1870s, and Māori leader Te Wheke (Anzac Wallace) is fed up by brutal land grabs. He leads a bloody rebellion against the colonial Government, provoking threatened frontiersmen, disgruntled natives, lusty wahine, bible-bashing priests, and kupapa alike to consider the nature of ‘utu’ (retribution). Legendary New Yorker critic Pauline Kael raved about Geoff Murphy’s ambitious follow up to Goodbye Pork Pie: “[He] has an instinct for popular entertainment. He has a deracinated kind of hip lyricism. And they fuse quite miraculously in this epic ...”
The three day Nambassa Festival, held on a Waihi farm in 1979, is the subject of this documentary. Attended by 60,000 people, it represented a high tide mark in Aotearoa for the Woodstock vision of a music festival as a counterculture celebration of music, crafts, alternative lifestyles and all things hippy. Performers include a frenzied Split Enz, The Plague (wearing paint), Limbs dancers, a yodelling John Hore-Grenell and prog rockers Schtung. The only downers are overzealous policing, and weather which discourages too much communing with nature after the first day.
"I like to pull rabbits out of hats to surprise people". So said young director David Blyth, before unleashing Angel Mine. Inspired partly by the surrealism of Luis Buñuel, Blyth's inventive debut is one of a handful of Kiwi experimental feature films to win mainstream release. Featuring a whitebread suburban couple and their liberated alter egos, the film explores ideas of consumerism, sexuality, the media, and taboo-breaking. The film excited criticism from Patricia Bartlett, and a notorious addition to its R18 certificate: "contains punk cult material."
Bill Morrison is a man on a mission. His wife and child can't walk nearly as fast. As the trio head toward the mining settlement where a new job awaits, Bill is about to react in different ways to two very different surprises — one from his wife, and one at the mine. This half-hour drama from the Winners & Losers series is based on a Maurice Shadbolt story, which later fed into Shadbolt's decade-in-the-making novel Strangers and Journeys. Singer turned advertising veteran Clyde Scott plays Bill. Actor and public speaking expert Jane Thomas John plays the nameless, long-suffering wife.
This episode of anthology series Winners & Losers takes a fresh angle on going straight. Smooth-talking criminal Mick (Ian Mune) dreams of starting over, by cultivating mushrooms with cellmate Charlie (Coronation Street's Ivan Beavis). Charlie claims to have committed a lawful murder, thanks to a technicality. In an inspired change to Barry Crump's original story, Mick commandeers a bus to finance the pair's plan. Crump praised the episode, but felt that Mick and Charlie treat their third cellmate unfairly. Director Roger Donaldson cameos in a red Swanndri during the bus scenes.
Almost two decades before Once Were Warriors, another drama about urban Māori under pressure stirred controversy. Hema (Dale Williams) and Janey (Julie Wehipeihana) are two kids adrift in the city, trying to escape a broken home. Screen historian Trisha Dunleavy found this "the most powerful and controversial" edition of the Winners & Losers series; it was TV's first drama about "the alienation of Māori in a contemporary urban setting". Based on a Witi Ihimaera story, it also marked the first solo directing credit for Ian Mune. He later directed the sequel to Once Were Warriors.
Veteran actor Yvonne Lawley (Gloss, Ruby and Rata) landed her first leading role on-screen with this adaptation of a Maurice Duggan short story. Lawley plays Mary May Laverty, a proud but lonely violin teacher who craves "a little human warmth", but fails to connect with people. Awkwardness abounds when she invites the father of one of her students over. The half-hour drama was co-directed by Ian Mune and Roger Donaldson, as part of their Winners & Losers series of short story adaptations. It closely follows Duggan's original story, which was one of his most popular.
Conman and victim face off in the first, and arguably funniest Winners & Losers episode. Legendary vagabond The Shiner (Coronation Street's Ivan Beavis) sets out to prove to his fellow swaggers that he can con alcohol from a dour publican (Ian Watkin). Co-director Ian Mune dons a fake eye; singer Tommy Adderley plays harmonica. The real life Shiner — Irishman Ned Slattery — was immortalised in a series of stories by John A Lee. Although Lee claimed to have "once walked thirty miles side by side" with Slattery, he admitted that his Shiner stories were far from gospel truth.
This acclaimed drama from 1975 adapts a Katherine Mansfield story about three travellers who encounter a strange woman and child, at a remote country store. Co-directed by Roger Donaldson and Ian Mune, it won Feltex Awards for Best Script (Mune and Peter Hansard) and Actress (Ilona Rodgers). Mune and Donaldson used the drama's success and innovative financing model as a 'proof of concept', to secure funding for their 1976 series Winners & Losers. The Woman at the Store debuted on Kiwi TV screens in March 1975; it was sold as part of the Winners series overseas.