Should Clive Sowry ever choose to enter Mastermind, his knowledge of the National Film Unit will give his competitors a definite run for their money. Sowry worked at the government filmmaking organisation for 14 years, including nine as the NFU's archivist. He went on to undertake a programme that saved 100s of local films, and has written often about filmmaking in New Zealand — including for NZ On Screen.
Using the power of documentary film Frank Chilton made a difference to the lives of disabled children in New Zealand and around the world. The films he directed for the National Film Unit won many awards and he was honoured by the Queen with an OBE for services to the handicapped.
David Beatson's 50 year career included high profile stints in TV current affairs: reporting, interviewing and producing for shows like Town and Around, Compass, Gallery, and Eyewitness, and chairing election debates. Beatson went on to edit The Listener, and was a press secretary to PM Jim Bolger and spokesperson for Air NZ. He served on the boards of various media organisations, and was chairman of NZ On Air.
As the final manager of the National Film Unit, Doug Eckhoff had the unenviable task of presiding over its demise as the government’s film production agency, and the sale of its assets. Earlier he was a key figure in television news, from the days of the NZ Broadcasting Corporation through to the birth of Television New Zealand. He was also a long-serving trustee of the New Zealand Film Archive (now Ngā Taonga).
Lynton Diggle spent almost 25 years working as a director and cameraman for the government's National Film Unit, before launching his own company. Along the way, he filmed in Antarctica and the waters of Lake Taupō, captured major salvage operations at sea, and worked alongside legendary director David Lean (Lawrence of Arabia). Diggle passed away on 23 November 2018.
Although generally regarded as New Zealand's most successful international photographer, Brian Brake also worked in motion pictures, as both director and cinematographer. At the Government's National Film Unit he directed the first Kiwi film nominated for an Academy Award (Snows of Aorangi). Later he worked for prestigious photo agency Magnum, and featured in photo journals Life and National Geographic.
An ideas man who campaigned for a Government film body, Stanhope Andrews would become the National Film Unit's first manager. Andrews commanded the Unit for a decade. Along the way he oversaw dramatic expansion, set up regular newsreel Weekly Review, and opened the door to filmmakers of both genders.
Canadian-born cinematographer and director Bob Lapresle had two careers in New Zealand filmmaking. Firstly, with the Government's National Film Unit as a director; secondly after his 'retirement', as a producer and consultant passing on his experience to the private sector.
Between getting his start in filmmaking with the National Film Unit, and returning to New Zealand to retire, John Feeney made his name as a director at the National Film Board of Canada; he also spent 40 years filming and photographing in Egypt. Some of his NFU films were considered to be outstanding documentaries, and two of his Canadian films were nominated for Academy Awards.
Alun Falconer started his film career at the National Film Unit in 1946. Early in 1948 he and cameraman Roger Mirams left the NFU and founded the Pacific Film Unit. A year later he went to China where he worked as a journalist and was an eyewitness to the fall of Shanghai. He left in 1950 for London where he returned to film production and later made his name as a television script writer.