As a war correspondent filming the New Zealand forces in Italy and the Middle East, Ron McIntyre played a key role in supplying the raw material for the early films of the National Film Unit. After nearly four years overseas, he returned home and tried his hand at independent filmmaking. McIntyre spent just over seven years with the NFU as a cameraman and director, and also worked briefly for Pacific Films.
Alison Parr has documented key moments in New Zealand’s cultural and social history during an award-winning career as a journalist, oral historian and broadcaster. Her credits include iconic programmes of the 1980s and 90s like Close Up and Kaleidoscope. In 2003 she joined the Ministry for Culture and Heritage, where she has spent more than a decade as an Oral Historian, recording the memories of war veterans.
Welsh-born James Harris played an important role in the founding of the National Film Unit in 1941. A well-educated, versatile filmmaker equally at home behind the camera, operating a splicer or wielding a pen, he spent 26 years with the NFU, mostly as a senior director. Photo credit: Archives New Zealand, reference AAQT 6401 A23,729
A pioneer of the commercial use of 16mm film in post-war New Zealand, Robert Steele is arguably a lost name in the local screen industry. A portrait photographer who was making amateur films in 1930, he spent several years in his native Australia before returning to NZ for good in 1937. Steele screened his films at workplaces and trade fairs, and was a major producer of commercials in the first decade of Kiwi television.
Vincent Burke has been producing television programmes for roughly three decades. Since launching company Top Shelf Productions, he has worked on history series Frontier of Dreams, acclaimed NZ movie history Cinema of Unease, and long-running consumer show Target.
The films of Jim Marbrook include feature-length documentaries on speed chess maestros (2003 award-winner Dark Horse), psychiatric hospitals (Mental Notes) and environmental issues in New Caledonia (Cap Bocage). Marbrook also lectures in screen and television at Auckland University of Technology.
Gaylene Preston has been making feature films and documentaries with a distinctive New Zealand flavour and a strong social message for over 30 years. In 2001 she was the first filmmaker to be made a Laureate by the Arts Foundation, recognising her contribution to New Zealand film and television.
Harry Sinclair first won fame as a member of beloved 80s multimedia duo The Front Lawn; whose shorts included Walkshort, Linda's Body and The Lounge Bar. Starting with Topless Women Talk about Their Lives, the first of three features exploring 'modern love', Sinclair displayed his talent for offbeat humour and improvisation, and his belief in the creative importance of the actor.
Leon Narbey is one of New Zealand’s most prolific and lauded cinematographers. His talents have contributed to roughly 20 features, including Whale Rider, Desperate Remedies, The Price of Milk and No.2. Narbey's work as a director includes movies The Footstep Man and Illustrious Energy, an acclaimed drama about Chinese goldminers.
Producer Julia Parnell’s CV boasts a diverse range of credits — from comedy (Wayne Anderson: Singer of Songs) to sport (Wilbur: The King in the Ring), music (The Chills - The Triumph & Tragedy of Martin Phillipps) and te ao Māori (Restoring Hope). Parnell’s production company Notable Pictures is behind a run of award-winning short films (Dive, Friday Tigers), plus long-running mini-documentary series Loading Docs.