Aged 17, Max Quinn joined the NZ Broadcasting Corporation as a trainee cameraman. At 25 he was filming landmark television dramas like Hunter’s Gold. In 1980 he moved into directing and producing. Since joining Dunedin’s Natural History Unit (now NHNZ) in 1987, Quinn's many talents have helped cement his reputation as one of the most experienced polar filmmakers on the globe.
Dropping in on the Americans at the South Pole for afternoon tea, having driven there by tractor, was one of the most unusual events of Derek Wright's career as a National Film Unit cameraman. In his 40 years with the NFU he filled many other roles, from laboratory assistant to producer: but it is for his filming in the Antarctic that he is particularly remembered.
Jeremy Dillon began as an actor, did time as a children's show host and found his true calling as the creator of the friendly monsters seen on shows like The Moe Show and Pop-Up. In 2010 he set up production company Pop-Up Workshop, with friend Zane Holmes.
Natural history and adventure cameraman Mike Single has worked everywhere from Death Valley to Antarctica, and filmed everything from BASE jumping to the birthplace of kung fu. A long association with company NHNZ has scored him a swag of awards, including an International Emmy for his Antarctic film The Crystal Ocean. Single's work has screened on Discovery Channel and National Geographic.
Veteran wildlife cameraman Robert Brown has filmed everything from polar bears to pukeko in places from the Arctic to the Antarctic. He shot the rare bird stories that led to the formation of state television's Natural History Unit (later NHNZ), and contributed to classic BBC David Attenborough series, such as Life on Earth and The Living Planet. In 1981 he won a Feltex Award for his work on Wild South.
Antony Starr has won multiple awards for being sly and idiotic at the same time, playing twin brothers on TV's Outrageous Fortune: gormless Van and cynical lawyer Jethro. The roles are distant cousins to an earlier part on Mercy Peak. A starring turn as a sheriff with a secret in Alan (True Blood) Ball’s US TV series Banshee, followed big-screen roles in drama After the Waterfall and Australian thriller Wish You Were Here.
Between getting his start in filmmaking with the National Film Unit, and returning to New Zealand to retire, John Feeney made his name as a director at the National Film Board of Canada; he also spent 40 years filming and photographing in Egypt. Some of his NFU films were considered to be outstanding documentaries, and two of his Canadian films were nominated for Academy Awards.
Alison Holst (DNZM, CBE, QSM) has been a household face since the early days of New Zealand television, when her debut show, Here’s How: Alison Holst Cooks, was an instant hit. Her mission was to cook for ordinary people, use uncomplicated ingredients and stick to a budget. Rejecting her unliberated image, she aimed to get women out of the kitchen by making cooking simple.
Dylan Pharazyn has developed a reputation for directing music videos (Dimmer, The Checks), commercials (for company The Sweet Shop) and short films laced with stylish digital effects. His first short Vostok Station — an ambitious, man-alone in a polar post-apocalypse tale — was invited to Sundance. The Elam School of Fine Arts graduate is also a graphic designer, art director and computer animator.
Although best known as a writer, Maurice Shadbolt also did time as a filmmaker. In his 20s he made a number of films at the National Film Unit, as part of a career that encompassed fiction, journalism, theatre and two volumes of autobiography. His classic Gallipoli play Once on Chunuk Bair was made into a feature film in 1992.