Barry Shaw wrote about television for more than two decades. A longtime critic for both The Auckland Star and The NZ Herald, he was on hand to note many key moments in Kiwi screen history. Shaw passed away in August 2011, at the age of 82.
Finola Dwyer, ONZM, began as an editor. After cutting Country Calendar and movie Trial Run, she was encouraged by Larry Parr to become a producer. Three films and a number of TV programmes later, Dwyer began her producing career anew in London in the early 90s. Her work in England stretches from acclaimed Beatles feature Backbeat to Oscar-nominated dramas An Education and Brooklyn.
John Toon's globetrotting award-winning career as a cinematographer encompasses documentary, shorts, TV drama (The Governor) and feature films — Rain, Mr Pip, Kingpin and Sunshine Cleaning among them. He has also shot and directed many commercials.
Tony Barry's gravel voice won fame when he starred in 1981 hit Goodbye Pork Pie. By then he already had 30 plus screen credits - including cult 70s sitcom Buck House, and the anarchic Blerta TV series. Barry's busy acting career continues both in his native Australia, and New Zealand. In 2010 he won a Qantas Best Actor Award for his starring role in Gaylene Preston's war tale Home by Christmas.
Arthur Everard spent almost two decades making films for the National Film Unit, including directing award-winning rugby short Score and joining the team behind Commonwealth Games doco Games ’74. In 1984, Everard became New Zealand’s Chief Film Censor, a position he held for six years.
Hugh Macdonald began his long, award-studded career at the National Film Unit, where at 25 he directed ambitious three-screen spectacular This is New Zealand (1970), which was seen by 400,000 New Zealanders. In the 80s he produced Oscar-nominated short The Frog, the Dog, and the Devil and established his own company, continuing a busy diet of commercial films, train documentaries and animation.
Tim Capper's urge to make inanimate objects move has taken on animation, stop motion and digital effects. After working on commercials and The Frighteners, George Port tapped him to create effects for the final seasons of Xena and Hercules. Capper has gone on to supervise effects for Spartacus and many Taika Waititi projects, and directed music videos and award-winning stop motion promos (for road safety and MTV).
Raymond Thompson, MNZM, has created and supervised a run of television shows since setting up base in New Zealand in the mid 90s. Longtime head of production company Cloud 9, he first began selling scripts in his native England. Thompson's series The Tribe, set in a world without adults, became a cult international hit, running for five seasons plus a sequel. His shows have sold to more than 130 countries.
A pioneer of the commercial use of 16mm film in post-war New Zealand, Robert Steele is arguably a lost name in the local screen industry. A portrait photographer who was making amateur films in 1930, he spent several years in his native Australia before returning to NZ for good in 1937. Steele screened his films at workplaces and trade fairs, and was a major producer of commercials in the first decade of Kiwi television.
Barrie Everard was a significant player in the local movie business over four decades. After many years distributing films in a highly competitive market, he went on to found the Berkeley Cinema chain. Everard produced 1987 adventure movie The Leading Edge and executive produced Never Say Die. He was the first exhibitor/distributor to sit on the board of the NZ Film Commission, and was chair from 2002 to 2006. He died on 14 November 2016.