This was a three-part series mapping the history of aviation in New Zealand: from DIY pioneers (Richard Pearse, the Walsh bros), via the formation of the RNZAF and NAC, to contemporary aviators. Flying Kiwi heroes (Sir Francis Chichester, Jean Batten) are profiled, along with innovation stirred by the NZ environment: flying boats, ski-planes and top-dressers. Presented by pilot Peter Clements, with veteran Conon Fraser (Looking at New Zealand) directing, the series was made by the National Film Unit for TV, which by the 80s had replaced cinemas as an NFU outlet.
The Marching Girls is the seven-part story of a Taita social marching team who decide to have a crack at the North Island Championships. This pioneering series was conceived by actor-writer Fiona Samuel out of frustration over the dearth of challenging female roles: she declared that it was about time the Kiwi "alienated macho dickhead" shared some screen time with women. Synth-rock soundtracks, ghetto blasters, Holden Kingswood taxis and chain-smoking abound in this feminist-Flashdance-in-formation 80s classic.
A flagbearer for Māori storytelling on primetime television, E Tipu e Rea (Grow up tender young shoot) was a series of 30 minute dramas touching on a range of Māori experiences of the Pākehā world — from rural horse-back riding and eeling, to urban hostility and cultural estrangement. It marked the first anthology of Māori television plays, and the first TV production to use predominantly Māori personnel. E Tipu e Rea's mandate and achievement was to tell Māori stories in a Māori way.