"This is me. This is my husband …" So narrates Evie as she watches her younger self labour with childbirth. "And this is the bitch who will one day steal him, and ruin my life." When the bitch is shown as an angelic six-year-old the tone is set for Katie Wolfe’s award-winning black comedy (her debut short as a director). Writer Kate McDermott’s wry narration moves between then and now, as fate delivers a less than wonderful life in Auckland suburbia. Selected for the Sundance Film Festival, This is Her was a breakout festival success, earning Wolfe notice as a filmmaker to watch.
In more repressed times, Carmen was one of NZ's most colourful and controversial figures. Geoff Steven's doco traces the life story of the transgender icon who was born Trevor Rupe in Taumarunui in 1936 and went on to be a dancer, sex worker, madam, cafe owner — and one of the few non-MPs to appear before the Privileges Committee. Steven shines a light on a bygone era of gay culture but avoids the temptation to focus on the seedy — opting, instead, for extended fantasy sequences (featuring Neil Gudsell aka Mika) to illustrate key moments in Carmen's life.
Richard Turner made Squeeze to break the "conspiracy of silence" about homosexuality. A pioneering early portrait of Auckland's LGBT scene, Squeeze centres on the relationship between a young man (Paul Eady) and the confident executive (Robert Shannon) who romances him, then mentions he has a fiancée. The film was discussed in Parliament after Patricia Bartlett campaigned against the possibility it might get NZ Film Commission funding (it didn't). Kevin Thomas in The LA Times praised Squeeze's integrity and the "steadfast compassion with which it views its hero".
'Ship girls' are the subject of this episode of the NZBC’s Probation Service drama. Hapless Janice (Freda Costley), a 19-year-old with a father who moved to Whakatāne and a mother she doesn’t see if she can help it, is looking for love in the wrong places: sneaking onto the wharves to party with sailors in the hope she’ll find a boyfriend. Now the police have arrested her and, if she’s not careful, she’ll end up in borstal. Will the Probation Officers (Ewen Solon and Glynis McNicholl) be able to "stop her gangway habit becoming an addiction"?
This miniseries is built around the fortunes of the fictional Smith family during World War l. Directed by Peter Burger (Until Proven Innocent), the first episode is framed around a letter home by nurse Bea Smith (played by Westside's Esther Stephens). This 10 minute opening excerpt jumps from a war hospital in Egypt, back to trysts on the home front: an illicit romance at medical school, high times on Auckland's Grey Street, and a mysterious arrival at the family store. Funded by NZ On Air’s Platinum Fund, When We Go to War debuted on Anzac weekend in 2015.
This bawdy backblocks comedy follows the efforts of two middle-aged males to adjust after the death of their Mum (Dorothy McKegg). The somewhat dim brothers (played by Mark Hadlow and Sean Duffy) are lost without her cooking and advice on Judy Bailey’s attractiveness, and getting close to goats…until the hired help (Alison Bruce) arrives. The short film was the first production by Big House, a collaboration between director Mike Smith and editor John Gilbert. Invited to the revered Clermont-Ferrand Short Film Festival in 1999, it inspired a hit TV series of the same name.
Intergenerational warfare, mad aunts, bored teens, affairs, abortions and the ache of regret are on the menu in place of sausage rolls in Home Movie. A christening is the crux around which a family does its best to pull apart at the seams. Performances and a script attuned to the details of domestic disturbance don't hold back (America's Funniest Home Videos this ain't). Directed and written by Fiona Samuel, it was part of TV One's Montana Sunday Drama series. It won best actor, actress and TV drama at the 1998 NZ Film and TV Awards. Samuel writes about making Home Movie here.
This 1994 ‘home front noir’ is set in World War II Wellington, where the plots — a murdered marine, exploited working girls and gonorrhea — spread amidst the invasion of US soldiers stationed at Paekakariki. Kerry Fox (An Angel at My Table) is a public health nurse who becomes romantically linked with the US investigating officer (Tony Goldwyn — Ghost, TV's Scandal) while pursuing the STDs and the truth. They’re supported by Oscar-winning US veterans Rod Steiger and Robert Loggia. John Reid (Middle Age Spread) directs, from a Keith Aberdein script.
One of a select few Kiwi dramas about filmmaking, The Footstep Man centres on a man whose job is creating footsteps and sound effects for movies. Lonely, toiling under a demanding director, Sam (Brit Steven Grimes) gets trapped between real life and reel life. Cinematographer Leon Narbey’s second movie is a portrait of the strange pressure cooker of creating films, a luminous film within a film — with Jennifer Ward-Lealand as muse to painter Henri de Toulouse-Lautrec — and a reminder that for all the technology involved, moviemaking is about the human touch.
Jeremy Wells brings Kenneth Cumberland-seque authority to this 'alternative' version of Kiwi history, which was made by many of the team that worked on Eating Media Lunch. The Unauthorised History plumbs TV and history archives to poke fun at the pretence of the past (and present). This episode examines artefacts to do with sex and Aotearoa. With tongue planted in check (and in other places) Wells revisits everything from pole-dancing in the "hellhole of the Pacific" — colonial-era Russell — to randy Hutt Valley teenagers "getting laid" in the 1950s.