Jackie van Beek directed and starred in this 2014 short film, playing a tramper who finds her solitude interrupted in a Southern Alps hut. The short was filmed in Arthur’s Pass, where van Beek spent time climbing and exploring near her family crib, while growing up. Uphill won Best Film at an international showcase for organisation Women in Film and Television International; van Beek also won Best Actor at Kiwi festival Show Me Shorts. She would collaborate again with producer Aaron Watson on her feature directing debut, 2017 drama The Inland Road.
Marlborough's beloved grapevines star in this comedy feature, which was shot at a winery in just 11 days. Twenty-something Harry (Hayden J Weal from Chronesthesia) is dumped by his fiancée, just days before their wedding at a vineyard. Two of Harry's friends ensure the wine doesn't go to waste as they try to cheer him up. Written and directed by Casey Zilbert, the film was inspired by classic Ernest Hemingway novel Fiesta (aka The Sun Also Rises) about drunken expats in Europe. Hang Time is Zilbert's first movie; at university, her studies included Fiesta and wine science.
This 1960 tourism film, produced by the National Film Unit, is aimed at a particular market niche: hunter holidaymakers. It follows a visitor from Omaha, USA, ‘JD’, who flies down to the “land of countless deer”: Dart Valley in the Southern Alps. A folk song extols the joys of answering the call of the wild — “The very best thing for a man: To hunt and fish and sleep out of doors, eat his tucker where he can” — as JD and his guide climb via bird-filled beech forest onto scree slopes to nab a 14-point stag; before a ciggie on the ridge and a squiz at the scenery.
In these short clips from our ScreenTalk interviews, directors, actors and others share their memories of classic films, as we mark 40 years of the NZ Film Commission. - Roger Donaldson on odd Sleeping Dogs phone calls - David Blyth on Angel Mine being ahead of its time - Kelly Johnson on acting in Goodbye Pork Pie - Roger Donaldson on Smash Palace - Geoff Murphy on Utu's scale - Ian Mune on making Came a Hot Friday - Vincent Ward on early film exploits - Tom Scott on writing Footrot Flats with Murray Ball - Greg Johnson on acting in End of the Golden Weather - Rena Owen on Once Were Warriors - Melanie Lynskey on auditioning for Heavenly Creatures - Ngila Dickson on The Lord of the Rings - Niki Caro on missing Whale Rider's success - Antony Starr on Anthony Hopkins - Oscar Kightley on Sione's Wedding - Tammy Davis on Black Sheep - Leanne Pooley on the Topp Twins - Taika Waititi on napping at the Oscars - Cliff Curtis on The Dark Horse - Cohen Holloway on his Wilderpeople stars
Reality series Tough Act follows first-year students at New Zealand's most famous drama school. In this episode personal lives clash with professional aspirations. The students' first professional production looms. As they rehearse scenes from Shakespeare, distractions are everywhere. Hollie is grieving after news of an accident and class romances are put to the test when partners perform intimate scenes with colleagues. When Sophie sleeps in and misses a rehearsal, she faces serious consequences. The series was nominated for two local awards for Best Reality Series.
Working away in a paint-encrusted studio with Hendrix cranked up to 10, often going days without sleep, Philip Clairmont was the archetypal tortured expressionist. This 1981 TVNZ profile explores his chaotic bohemian abode in Mount Eden, a house populated by the found objects and abandoned furniture that would inspire his dense, hallucinatory images. At one point the camera fixes on a single lino print that reads "art is my life". One would eventually consume the other — three years after this was filmed, Clairmont committed suicide at the age of 34.
As Syd Jackson’s daughter Ramari puts it, there are some who sit on the couch and moan, and others who get up and take action. Winner of Best Māori Programme at the 2003 NZ TV Awards, this episode of Ngā Reo profiles the late fighter for Māori, women's and homosexual rights. The "warrior" intellectual helped put Treaty debate on the agenda, and led Māori activist group Ngā Tamatoa and the Clerical Workers Union. His nephew, broadcaster Willie Jackson, credits his uncle with rousing "the sleeping giant" of Māori activism in the 70s. Jackson would die in September 2007.
Invercargill mayor Tim Shadbolt ventures into the wilds of Borneo for this full-length Intrepid Journeys episode. His time in the jungles of Malaysia's Sabah region proves to be both beautiful and frightening; his sleeping arrangements are "pure unadulterated hell". After pushing himself to the limit climbing Mount Kinabalu and encountering a lethal pit viper snake, Shadbolt is moved by visits to sea turtles on Turtle Island, and the Orangutan Rehabilitation Centre in Sepilok. Orangutans are endangered in the area because they are losing their forest habitat to palm oil plantations.
“If this tale is about anything it’s about two words: Kiwi actor.” In this assured, at times offbeat documentary, Ian Mune takes us on a personal tour through his various lives as actor, director, teacher and more. He revisits early theatrical stomping grounds, and talks about how acting with Sam Neill in breakthrough movie Sleeping Dogs taught him “to stop pulling faces”. Mune also reminisces about directing movies comical, terrible and ambitious, and complains about the system of developing local films. There is also rare footage of his performances in 70s TV dramas Derek and Moynihan.
Many of Aotearoa’s most successful films have been adapted from novels. This 2006 Artsville documentary looks at the process of turning books into movies. Authors Alan Duff (Once Were Warriors), Tessa Duder (Alex) and Jenny Pattrick (The Denniston Rose) reflect on the opportunity and angst of having their words turned into scripts — and maybe films. Duff reflects on DIY adaptation (What Becomes of the Broken Hearted?). Scriptwriters Ian Mune (Sleeping Dogs), Ken Catran (Alex), Riwia Brown (Warriors) and Geoff Husson (Denniston Rose) provide the adapters' perspective.