This feature documentary goes beyond the supermarket deep freeze, to look at the stories behind the meat that ends up on our plates. The film is built around three farmers and a hunter: industrial pig farmer Ian, who argues profit is not his main motivation, straight-talking 'one-woman farming operation' Jill, chicken farmer Tony (who discusses killing 1000 chickens a week), and deer hunter Josh, who thinks that many lack awareness of how food gets to their plate. Directed by David White (short film I Kill), Meat can be watched in full via The NZ Herald website (see link below).
Central North Island art is spotlighted in this episode of the road trip arts show. Douglas Lloyd Jenkins and Nick Ward discuss Len Lye's 'Wind Wand' and visit Michael Smither works in a Catholic church. Novelist Shonagh Koea reads in her favourite antique shop while photographer Sarah Sampson serves tea and discusses her fabric work and "chick art". Rangi and Julie Kipa reconcile traditional Maori process with modern art, performance artists Matt and Stark deconstruct the family sedan; and, in Wanganui, Ross Mitchell-Anyon is proud to call himself a potter.
This is the final episode in the first series of New Zealand's classic 60s pop show. Host Peter Sinclair seems to have no idea that the show will return for another two years. Meanwhile Mr Lee Grant, Sandy Edmonds, Herma Keil, Bobby Davis, Tommy Adderley, a rocking Ray Woolf and the Chicks run through the big hits of 1967, managing to compress 21 songs into a frenetic half hour. Sinclair promises "big sounds, fun sounds, wild sounds" as the show ranges from blues-rock through ballads and 'Edelweiss', to a nod to the children watching with 'Ding Dong the Witch Is Dead'.
This 1998 TV series marked the screen debut of Kiwi chef Jo Seagar. Seagar had attracted notice with her bestselling 1997 recipe book You Shouldn't Have Gone To So Much Trouble, Darling. The goal of the first episode of the 13-part series is to “take the angst out of entertaining”. Some of Seagar’s “short cuts and clever little tricks and tips” include doubling up on pastry trays, and being stingy with the caviar (“if you use a whole lot they don’t think it’s real”). She also applies her nursing training to bandaging chicken breasts.
In the 1960s Mr Lee Grant topped the Kiwi music charts, and won a trail of screaming fans. He left to pursue an acting and singing career in England (including a close encounter with a propeller, in 007 film A View to a Kill). In this Michael Fowler Centre gala celebrating 25 years of television downunder, he returns to contribute an energetic cover of Spencer Davis Group classic 'Gimme Some Lovin'' (which was originally composed in less than an hour). Chicks Judy and Sue Donaldson — regular fixtures with Grant on 60s music show C'mon — join the fun in C'mon-style costumes.
This short film follows Vincent (Leighton Phair), a young Chinese-Kiwi rescued from a group of racist punks in a spacies parlour by a mysterious Asian (Gary Young), then drawn into a seedy Triad underworld. Vincent is struggling with his identity in a mixed race family. Directors Stuart McKenzie and Neil Pardington wrote the story with playwright Lynda Chanwai-Earle, drawing it from interviews with members of the Chinese community in Wellington and Christchurch. Early 90s Flying Nun bands feature on the score; DJ Mu (future Fat Freddys Drop frontman) cameos as a punk.
This wee gem from the 60s Sunday night magazine show records a pivotal New Zealand conservation moment. Wildlife Service ranger Don Merton experiments with rescue techniques to save the endangered North Island saddleback (tieke), a wattlebird surviving on Hen Island. Aided by electronics expert John Kendrick (of National Radio bird call fame) he uses calls to lure the spry birds into mist nets before moving the precious cargo to cat-free Cuvier Island. The world-leading skills developed here were to be crucial in saving the black robin and kakapo from extinction.
“An ironic comedy about a disconnected New Zealand family” is the tagline to this early Alison Maclean short. Recently widowed Nan (Yvonne Lawley) assesses her life and the roles prescribed by her family as she readies a Sunday roast. Her new plans — “I won’t be able to make the Christmas Cake this year” — rattle the shackles of her Old Testament-bashing husband and her ex-All Black son. Nan was a comeback leading role for Lawley after time away raising a family. Written with playwright Norelle Scott, Maclean’s short screened with the About Face TV series.
Bros meets The Bachelor in this hit Māori Television reality show, which was billed as a "hunt for the ultimate Polynesian warrior". The contestants' muscles might look good, but do the personal trainers and dancers have their ancestors’ skills? This first episode tests the 12 entrants in spear throwing, waka portage and hakamoa (Hawaiian wrestling). The show swapped po-faced reality TV conventions for Polynesian humour: dropped lavalavas and tattooed torsos are slathered with innuendo by hosts Pani and Pani (Goretti Chadwick and Anapela Polataivao).
In this 2010 series, comedian Te Radar ditches his lawnmower to take on the challenge of transforming an overgrown quarter acre lawn into a lush garden bursting with produce. Using recycled material and organic methods, Te Radar has six months to hit his goals — including making a profit from selling his food. "You can almost smell the fertility in the air," he claims in this first episode, filmed in Riverhead north of Auckland. In true Te Radar style, comedy ensues. He forgets to build a gate for a fence, and heads to a neighbour's shed for help turning an old reel mower into a mulcher.