A 1978 documentary that follows the attempt by three young people to be the first windsurfers to cross Cook Strait. Directed and narrated by Sam Neill (soon to be famous as an actor) for the National Film Unit. The skeptical Cook Strait pilot John Cataldo asks them: "do you wanna have a crack?" "Yeah, bloody oath" one of the surfers replies. They face the Strait's infamous winds, tides, swells, sharks and exhaustion. Some stunning helicopter shots include a windsurfer clipping through whitecaps with a pod of dolphins in its wake.
Hosted by musician and artist Chris Knox, this series pairs Kiwi artists with communities to create epic works of art. Reuben Paterson, who is well-known for using glitter and big bold patterns, heads to Bethells Beach in West Auckland to create an optical illusion on the black sand shoreline. Locals, including mayor Bob Harvey, pick up shovels to create the masterpiece, racing against the clock before high tide arrives. A relaxed Paterson pushes on, despite plans going awry. "I’m so used to doing big art projects, we’ve got to think positive and that everything is possible.”
After a young woman (Denise Maunder) falls pregnant, she decides to go against the tide of advice from her family and unsympathetic welfare authorities by keeping her baby. Misery and hardship ensues. Director Paul Maunder brought kitchen sink drama to NZ television with this controversial National Film Unit production. The story can claim to have effected social change, stirring up public debate about the DPB for single mothers. Keep an eye out for a young Paul Holmes as a wannabe lothario. Maunder writes about making it in this piece. Costa Botes writes about it here.
In the 1940s and 50s sheep shearers Godfrey and Ivan Bowen developed the 'Bowen Technique', an innovative method involving rhythmical sweeps of the handpiece. The Guardian described Godrey as having arms that “flow with the grace of a Nureyev shaping up to an arabesque”. Here he runs through the 'blows' (strokes) designed to achieve "maximum speed, quality work with a minimum of physical effort". Shearing Technique was originally produced in 1956; this shorter cut screened in New Zealand theatres in 1958 with English coming of age film High Tide at Noon.
Biographer Michael King takes us through the life of pioneering writer Frank Sargeson: from puritanical parents to self-discovery in London, through to decades encouraging an emerging tide of New Zealand writers. The documentary’s most priceless moments are the tales told when four of those writers return to Sargeson’s fabled fibrolite bach, in Takapuna. Kevin Ireland calls it an “oasis, this marvellous place where books ruled supreme”. Sargeson’s purposefuly minimalistic writing style, the doco argues, helped NZ literature find its own voice.
In the late 1980s, Kiwi John Britten developed and built a revolutionary racing motorcycle. He pursued his dream all the way to Daytona International Speedway in Florida. In 1991 the underdog inventor came second against the biggest and richest manufacturers in the world. Britten: Backyard Visionary documents the maverick motorcycle designer as he and his crew rush to create an even better bike for the next Daytona. After arriving in Florida, another all-nighter is required to fix an untested vehicle with many major innovations. Costa Botes writes about the documentary here.
This fresh, unhurried film is drawn from a substantial interview with renowned writer Janet Frame by Michael Noonan; filmed largely at at Frame’s then-home on Whangaparoa Peninsula. It was part of the Three New Zealanders series made to commemorate the 1975 International Year of Women — an early John Barnett production. The rare footage of Frame — here aged 50 — presents a confident writer in her prime, and negates any stereotypes about Frame's inarticulacy or shyness. Note: the segments from the programme dramatising some of Frame’s work are not included here.
Rain evokes an idyllic 1970s beach holiday. But as the title hints, all is not sunny at the bach. Mum (Sarah Peirse) is drowning in drink, Dad is defeated, and 13-year-old Janey is awakening to a new kind of power. Adapted from Kirsty Gunn's novel, Rain marked the acclaimed first feature for director Christine Jeffs. Invited to screen at the Cannes Film Festival, it won awards back home for actors Peirse, Alistair Browning and teenager Alicia Fulford-Wierzbicki. Neil Finn and Edmund Cake composed the soundtrack. LA Times critic Kevin Thomas called it "an important feature debut".