Director Sam Neill uses ‘Architect Man’ — a cartoon superhero trying to save Wellington’s buildings from mediocrity — to open this visual essay on contemporary Kiwi architecture. A montage of construction materials is followed by views on the high rise, woolshed, and Futuna Chapel. Renovation, DIY, prefabs and non-conformist design thinking are offered as hopes for the built environment’s future. Made by Neill when he was working at the National Film Unit, it was released in a shortened version (without the animation) in 1977, the same year he starred in movie Sleeping Dogs.
From a pre-Mythbusters but post-blackboard and pointer era, Christchurch-produced Science Express took a current affairs approach to reporting contemporary NZ scientific research. Presented by broadcaster Ken Ellis this 1984 ‘best of’ dives beneath fiords to explore mysterious black coral forests; and looks at teeth transplants, efforts to stimulate deer fawning, and the STD chlamydia. Finally the show visits Wellington and Christchurch Town Halls to profile concert hall acoustics pioneer Harold Marshall, and his mission to attain perfect sound for listeners.
The 17th century portrait St Jerome in his Study by Italian painter Antonello da Messina, intrigued Wellington architect Bill Toomath all his life. In 2002 Toomath designed and built a study for his house based on the painting. Toomath discusses this project, his architectural training and practice, and some of his clients. Time-lapse camera footage captures building progress, and the completed studio with replica desk emerges as a portrait of Toomath himself, and a tribute to architecture and ideas. Bill Toomath passed away on 20 March 2014.
For this 1987 Kaleidoscope report, architectural commentator Mark Wigley uses Kiwi resort towns as fuel for an essay on local architecture. He visits Waitangi, arguing that Aotearoa should have followed the "rich ornamental example" of the Whare Rūnanga, instead of the restraint of the Treaty House. He praises Paihia’s "cacophony of bad taste" motels. In part two, he compares Queenstown and Arrowtown, and admires a gold dredge and the Skyline gondola. Wigley, then starting his academic career in the United States, would become an internationally acclaimed architectural theorist.
This episode of the Māori Television series looks at the place of the wharenui in Māori architecture. Rau Hoskins explores the origins and meaning of the structure, and looks at some iconic examples: a replica pataka being built in Hamilton Gardens; te hau ki turanga (the oldest surviving example of a wharenui) controversially taken by colonial forces, now displayed at museum Te Papa Tongarewa in Wellington; and Ngākau Māhaki at Auckland's Unitec — designed by master carver Lyonel Grant and replete with dashboard lights from 70s Holdens.
In this 1986 Kaleidoscope piece, presenter Mark Wigley offers his take on grand designs in Auckland housing. Fresh from completing a doctorate at Auckland University in architectural theory, Wigley argues that New Zealand has "had a building tradition rather than an architectural tradition". He finds that contemporary houses (from a David Mitchell-designed house in Parnell, to a Paritai Drive mansion) are starting to explore potential beyond simple boxes, toward being works of art. Wigley went on to become Dean of Architecture at Columbia University in the United States.
Changing Rooms star Donald Grant Sunderland visits Mexico, Guatemala and Belize for this episode of Intrepid Journeys. This excerpt features the Mexican town of Merida, where the TV interior designer is impressed with the architecture and design of his guest house, which dates back to the 1600s. Sunderland also goes shopping for food at a street market, where he samples tamales and cactus fruit (apparently with some ill effects later in the journey). Sunderland also visits the beautiful Uxmal Temples, Mayan ruins dating from 600 BC.
By the mid 1980s Auckland had shifted from city of sails, to city of cranes. In the lead-up to the 1987 sharemarket crash, it was in the grip of "an unprecedented building boom". This 1986 Kaleidoscope report looks at the demolition and development from an architectural angle, as malls and mirror glass transform the city. Interviewees include developer Seph Glew of the (ill-fated) Chase Corporation, and his architects. Architecture critic Mark Wigley rates the BNZ Tower an "insult", but says Auckland's "crude" new buildings have at least provoked debate about what the city needs.
This award-winning TV series explored whare significant to a community, using the buildings themselves as a vessel for storytelling. Interviews delve into each whare’s design and build, and its cultural and historical significance. This first episode visits Whakatāne to enter Ngāti Awa’s globetrotting meeting house, Mātaatua. After 130 years the building was returned home and restored, following a Treaty of Waitangi settlement. It reopened in 2011. The te reo series was made by the company behind architecture show Whare Māori. To translate, press the 'CC' logo at the bottom of the screen.
In this episode of the influential NZ architecture series, dapper tour guide David Mitchell looks at the 'Christchurch Style'. He begins with the humble baches on Taylor's Mistake's cliffs, before focusing on the Euro-influenced brutalism of Miles Warren and the "flamboyant" practice of Peter Beaven (earthquake victims SBS House, and Lyttelton Tunnel's "fifth ship" are featured); and the cottage's modern descendent: Don Donnithorne's post-war home. Warren intriguingly compares his process designing Christchurch Town Hall with Jørn Utzon's Sydney Opera House.