This edition of the long-running National Film Unit series documents the curriculum at Manutahi Native District School in Ruatōria in 1947. The roll of 300 primarily Māori students, travel to the rural school on bus, foot and horse to learn everything from the alphabet to preparing preserves. Set in the post-war baby boom period, the male students learn to build a cottage while the girls learn ‘home economics’ (cooking and running a household). The first principle of the schooling is “learning by doing” and for the rural kids “the whole land is a classroom.”
This episode of rugby series The Game Of Our Lives looks at the impact the sport has had on race relations in New Zealand. The country's history of rugby forging bonds between Māori and Pākehā is a stark contrast to South Africa's apartheid policy. Tries and Penalties focuses on the troubles between Aotearoa and South Africa — from coloured players George Nepia and Ranji Wilson being excluded from All Blacks tours to South Africa, to the infamous 1981 Springboks tour, and Nelson Mandela opening the 1995 Rugby World Cup final between the two teams.
Director/producer Paula Jones spent time on the streets of Auckland getting to know the ‘street kids' that are the subjects of this documentary, before she started shooting. With minimal posturing for the camera, the result is an up close portrait of young homeless people with names like Tapu, Baby Girl and Boom Boom. In a non-judgemental way, Jones shows viewers the glue sniffing, alcohol abuse and unplanned pregnancy that is an everyday way of life for many of these kids. The Hidden screened as part of TV3's Inside New Zealand series.
Train enthusiast David Sims captured the dying days of steam trains in this 1968 National Film Unit short. It features arresting images of a Kb class locomotive billowing steam as it tackles the Southern Alps, en route from Canterbury to the West Coast. Kb Country was released in Kiwi cinemas in January 1968, just months before the steam locomotives working the Midland Line were replaced by diesel-electrics. Sims earned his directing stripes with the film. As he writes in this background piece, making it involved a mixture of snow, joy and at least two moments of complete terror.
“When old and young come together to do this, it shows the strength of their convictions.” This film is a detailed chronicle of a key moment in the Māori renaissance: the 1975 land march led by then 79-year-old Whina Cooper. A coalition of Māori groups set out from the far north for Wellington, opposed to further loss of their land. This early Geoff Steven documentary includes interviews with many on the march, including Eva Rickard, Tama Poata and Whina Cooper. There is stirring evidence of Cooper’s oratory skills. Steven writes about making the film in the backgrounder.