Packed with Kiwi comedy talent, The Breaker Upperers is the tale of two women whose business is ending other people's relationships. Leading both the cast and the filmmakers are Madeleine Sami (Super City) and Jackie van Beek (who played a wannabe vampire in What We Do in the Shadows). Sami's character finds herself falling for a teen (James Rolleston) who needs to dump his girlfriend. The film won its first rave review when it debuted at US festival South by Southwest, in March 2018. New Zealand release followed in May. The cast includes Rima Te Wiata and Rose Matafeo.
John O'Shea was godfather to generations of Kiwi filmmakers; he was an inspirational force committed to bringing new perspectives to the screen. As Ngati actor Wi Kuki Kaa put it, "had he been a Māori, he would have been a kaumatua years ago". This documentary backgrounds O'Shea and his pioneering indie production company Pacific Films, ranging from his efforts to put Māori on screen, to banned 60s ads. The cast provides proof positive of O'Shea's influence — amongst the ex-Pacific staff interviewed are the late Barry Barclay, Tony Williams and Gaylene Preston.
This 2003 documentary follows seven weeks of a theatre-for-change course for troubled teens. As part of acclaimed programme Te Rākau Hua O Te Wao Tapu, 30 teens from South Auckland's Northern Residential Centre are guided by director Jim Moriarty to create songs and plays based on their own stories. The process, from performing haka to confronting their demons and each other, proves challenging. Some don't make it to the opening night, performing in front of family and the public. Stewart Main's documentary screened as part of TV3's Inside New Zealand.
This second episode of the early 80s chat show sees host Ian Johnstone welcome Howard Morrison, Pita Sharples and Rosa Tamepo to talk about ‘breaking in’. Morrison and Sharples discuss being Māori ‘breaking in’ to a Pākehā world. Tamepo reflects on being a Pākehā married to a Māori. Sharples recalls being a Kahungungu boy from the backblocks at Auckland University; Morrison twists the theme to talk about growing up as a Te Arawa tama in Tūhoe country. Made by David Harry Baldock, the show was inspired by the relaxed style of English interviewer Michael Parkinson.
In April 1984 Poi-E was atop the NZ music charts, with ‘Jo the breakdancer’ starring in the song's music video. So it's apt that this edition of the TVNZ youth show looks at “the craze currently sweeping New Zealand — breakdancing”. In her first presenting gig, future MTV host Phillipa Dann heads to Mangere to bop and head-spin. Elsewhere in this season opener, David Hindley reports on a School Certificate controversy, and why young drivers are dying on country roads. Co-presenting back in Viewfinder’s Dunedin studio is Uelese Petaia (star of movie Sons for the Return Home).
Written by Fiona Samuel (Marching Girls, Bliss, Home Movie) and produced by Ginette McDonald for television’s Montana Sunday Theatre, Face Value is a trilogy of monologues delivered by three separate women. While each woman’s story and background are vastly different, they are all united by their shared quest to find happiness amidst personal trauma. In A Real Dog, Carol Smith’s performance is spot-on as Lynette, a conflicted new-age hippie who struggles to recreate harmony when a new flatmate (and her estranged boyfriend) moves in.
The Aotearoa Hip Hop Summit held in Auckland 2001, was the biggest hip hop event ever staged in New Zealand. This documentary showcases the hottest names in the four elements of NZ hip hop: break dancers, graf artists, MCs and DJs. Featuring international acts from Germany and Australia, with Ken Swift representing old skool break dancing from New York and Tha Liks from Los Angeles. Local acts include Che Fu, Te Kupu, King Kapisi, P Money and DJ Sir-Vere. Presenters are Hayden Hare and Trent Helmbright.
The award-winning directing debut of actor Tammy Davis (better known as Outrageous Fortune’s Munter) is a South Auckland-set Christmas tale. Young Vinnie (Darcey-Ray Flavell-Hudson of Ghost Chips fame) and Jonah (James Ru) are bored on the mean streets — tagging, BMX-ing — when Jonah peer pressures Vinnie to join him in breaking and entering a house. When they find more than Christmas pressies inside, it tests mateship, moral codes and festive spirit. Crowned Best Film at Flickerfest, Ebony Society was selected for the Berlin and Sundance film festivals.
Actor and law student Georgia Rippin mined her own experience to create this web series, a tragicomic portrait of a young woman at Auckland University. Rippen plays Audrey, whose misadventures span exam stress, boyfriend angst, anxiety, and sexism in the legal world. In 2017 The NZ Herald rated Dislawderly among the best new local web series; Karl Puschmann praised the amount of satire squeezed into the short running time, saying that each of season one's seven episodes "features a couple of genuine lols and offers a new spin on the classic style of cringe comedy."
"E tu stand proud, kia kaha say it loud", Dean Hapeta's lyrics typify the socio-political messages in NZ's early rap music. The four elements of hip hop: breakdancing, graffiti, DJ-ing and rap are examined through interviews with key players in the hip hop scene (including King Kapisi, Che Fu, Upper Hutt Posse). A recurring theme in the Sima Urale-directed documentary is that local hip hop artists are less interested in the "girls, booze and bling" school of hip hop, and more interested in using their art to make a political statement.