This National Film Unit documentary records the 18-month-long building process of a waka taua (war canoe): from the felling of the trees — opening with an awe-inspiring shot of the giant totara selected by master carver Piri Poutapu — to the ceremonial launch. The waka was commissioned by Māori Queen, Te Arikinui Dame Te Atairangikaahu, and built at Tūrangawaewae Marae. The Harry Dansey-narrated film was significant in showing the importance of the canoe-building kaupapa alongside the everyday lives of the workers (at the freezing works, the pub).
Actor/director Taika Waititi teamed up with his Eagle vs Shark star Jemaine Clement for this mockumentary about life for a flat of vampires. Cameras follow the vamps as they struggle to get into Wellington pubs, squabble over chores and face off against werewolves. A roster of Kiwi comedic talent (including Jackie van Beek and lazy vampire Jonathan Brugh) feature. After winning fangtastic reviews at America's Sundance and SXSW festivals, Shadows won a run of global sales and four Moa awards, including Best Self-Funded Feature. It also spawned two TV series, and a live show.
This 1988 film details a mission by 100 men to paddle a huge waka taua (war canoe) from Waitangi to Whangaroa, chronicling their spiritual and physical journey en route. The camera takes in training, the gruelling 10 hour, 70 kilometre passage, and the vessel's arrival in Whangaroa Harbour to mark Whangaroa County’s centennial. The waka, Ngātokimatawhaorua, was named after Kupe’s original ocean-voyaging canoe. Beached at Waitangi Treaty Grounds, it is the largest waka in existence. This was veteran filmmaker Tainui Stephens' first documentary as a director.
A party of returning raiders hauls a massive waka taua (war canoe) through dense Waitakere bush, driven by their brutally insistent chief towards safety. Two water-boys are crouched in the bow. One of them risks a bold act of compassion — towards the trophy prisoner tied to the stern. The impressively-produced portage has echoes of Werner Herzog movie Fitzcarraldo, but the story is palpably Māori. Directed by Tearepa Kahi, Taua won Best Short at National Geographic’s 2007 All Roads festival, and was selected for the Berlin, Rotterdam and Clermont-Ferrand festivals.
The largest gathering ever seen of Māori tribal war canoes (waka taua) was one of the centrepieces of the 150th anniversary of the signing of the Treaty of Waitangi in 1990. This documentary, narrated by Tukuroirangi Morgan, followed the ambitious countrywide programme to build the ornately carved waka, and assemble them at Waitangi as a demonstration of Māori pride and unity. The 22 strong fleet, powered by 1000 paddlers, also fulfilled a dream of Tainui leader Princess Te Puea Herangi that had been curtailed 50 years earlier by World War II.
New Zealand Mirror was a National Film Unit 'magazine-film' series aimed at showcasing Aotearoa to the British market. A Whangarei clock collector is a quirky choice to open this edition of Kiwi reflections. His display includes a clock that goes backwards. The ensuing segments are more in keeping with Māoriland and Shaky Isles postcard expectations. The annual Ngāruawāhia waka regatta includes novelty canoe hurdle races. There are also dramatic shots of 6000 foot high “cauliflower clouds” from Ruapehu’s 1945 eruption, and of the crater lake turned to seething lava.
This 1969 film promotes the attractions, industry and history of “contemporary Rotorua”, from the Arawa canoe to forestry, from mud pool hangi to the Ward baths (“heavenly for hangovers”). The score is jazz, and the narration is flavoured by the impressive baritone of opera singer Inia Te Wiata (father of actress Rima), who gushes about geysers and Rotorua’s evolution from sleepy tourist backwater to modern city and conference centre. Also featured: kapa haka, meter maids in traditional Māori dress, and a rendition of classic song ‘Me He Manu Rere’ in a meeting house jive.
According to Māori legend Aotearoa was found by the explorer Kupe, chasing an octopus from Ra'iatea, Tahiti. This documentary follows Northland building contractor Hekenukumai 'Hector' Busby, as he leads the construction of a waka hourua (double-hulled canoe), then retraces Kupe's course across the Pacific, back to Rarotonga. Busby first heads to Tahiti to learn navigation methods used by Polynesia's great ocean voyagers, then returns home to fell a kauri and begin building Te Aurere. Busby would go on to build at least another 20 waka; he passed away in May 2019.
This eighth episode in the Landmarks series was the first episode filmed, to test how geographer Kenneth Cumberland handled being in front of the camera. On a Cook Strait ferry in a southerly, he begins exploring how trade and people have gotten about Aotearoa: from the “Māori main trunk line” (beach, water), sailing ships, Cobb & Co and ‘Shanks's Pony’, to the railways and Bob Semple’s roadmaking bulldozers.The episode ends with the national grid and airways, with a rocky landing at Wellington airport demonstrating that the wrestle with place is an unresolved one.
Vincent Ward's fifth feature follows an Irishwoman in 1860s New Zealand, as Māori tribes resist the occupation of their land by the British. Sarah (Samantha Morton) has had an affair with a Māori and borne his child. Years later the boy is kidnapped by his grandfather, a powerful tribal leader. Sarah embarks on a search for her child, aided by warrior Wiremu (Cliff Curtis). When she finds him, both mother and son must decide to which culture they belong. This excerpt from the notoriously ambitious film sees Sarah encountering charismatic chief Te Kai Po (Temuera Morrison).