Broken Barrier marked the first New Zealand dramatic feature to be made since 1940. Its production saw directors John O'Shea and Roger Mirams crowding into a Vauxhall with two silent cameras, one picked up "from a dead German in the Western Desert". Ditching dialogue for 'spoken thoughts', the pioneering film examines cultural complications in a romance between a Pākehā journalist (Terence Bayler) and a Māori nurse (Kay Ngarimu, aka Keita Whakato Walker). According to O'Shea, some viewers considered it "a dirty movie" for spurring mixed race relationships.

Director Alyx Duncan set out to make an experimental documentary about her childhood home. What eventually resulted was this acclaimed and award-winning "fictional essay", her first full length feature. Blurring the line between documentary and drama, she cast her conservationist father and Chinese born step-mother as characters partially based on themselves. As they journey from a small NZ island to a big Chinese city, Duncan examines their cross cultural relationship and explores nostalgia, childhood, dreams, environmentalism, globalisation and the meaning of home.

Roseanne Liang's documentary Banana in a Nutshell tells the story of her romance with Stephen Harris. After falling in love at university, everything seemed perfect for the pair. Enter Liang’s traditional Chinese parents, and suddenly the prospect of her marriage to a Pākehā got a lot more complicated. In this excerpt, Liang guides viewers through her childhood, romance, and threatened disownment by her parents. Liang added an extended epilogue when her award-winning film hit DVD. The couple's story was later fictionalised for Liang’s 2011 feature My Wedding and Other Secrets. 

This black and white short film explores a relationship triangle — between a Māori woman, her boorish Pākehā husband, and the woman’s protective father, arguing over rights to a farm. It was made as an Auckland University masters project by Li Geng Xin; he wanted to tell a story using visual language, and choses the expressive mode of the silent film to do so. Māori instruments (taonga puoro) and piano are used on the soundtrack. Mrs Mokemoke was selected for the 2015 NZ International Film Festival, in the Ngā Whanaunga Māori Pasifika Shorts programme. 

Teen actors Nikki Si'ulepa and Toby Fisher won acclaim in Ian Mune's fourth feature as director. Si'ulepa plays a Samoan street kid who meets a well-off white teen, when both are facing mortality in a hospital ward. The co-production between NZ and Canada (where it debuted on cable TV) won over critics in both nations. "Si'ulepa dominates the camera and the action with a natural authority", raved Metro. Moon scooped the gongs at the 1996 TV Guide Awards (including for originating screenwriter Richard Lymposs); and won notice at Berlin and Giffoni film festivals.

This documentary looks at Māori painter/sculptor Darcy Nicholas. Nicholas grew up in the Taranaki, among extended whanau. “We didn’t have much money, but we had a lot of aroha and a lot of land to play in”. Director Lala Rolls looks at Nicholas’s relationship to his Māoritanga, and at how he took on the mantle of helping organise Toi Māori: The Eternal Flame — the first touring exhibition of Māori weaving. He and other participants recall travelling to America, and weaving “a map of friendship” with native American tangata whenua.

In this Nepal-filmed interview for the 70s current affairs show Sir Ed discusses his aid missions in the country and his friendship with its people. The famed explorer talks about the pros and cons of Western influence on Nepal, and visits schools and hospitals he helped to establish. While local Sherpas struggle with iodine deficiencies, western tourists and mountaineers battle altitude sickness. Produced by Mike Gill, the interview includes material on the creation of Sagarmatha National Park, established in 1976 with help from the New Zealand Government. 

In this music-heavy web series, a South Auckland family competes in a local talent quest. Alongside battles over  performing the traditional Samoan music favoured by their grandfather, the Saumalus have to deal with a dodgy competitor and some last minute changes of tune. There's also romance, heartbreak, and a shifty Palagi factory boss. The final episode (of 20) features behind the scenes bloopers. Directed by music video veteran Joe Lonie, The Factory began as a highly successful stage musical from South Auckland-based theatre group Kila Kokonut Krew.

In the 1970s Yorkshire emigre Craig Harrison turned the odd couple tale of a Māori and a Yorkshireman into a novel, a radio play, and this popular sitcom. Joe (Stephen Gledhill) is the nervy, university-educated librarian; his flatmate is city-raised Koro (Rawiri Paratene, in one of his earliest lead roles) who works in a fish and chip shop. In this episode, Koro’s dodgy homemade wine helps inspire embarrassing scenes at a party of Joe’s friends. Among drunkard Pākehā, watch out for a paralytic Kevin J Wilson, and a rare pre-Pork Pie appearance by Claire Oberman.

"My life is here, but my soul is there." So says immigrant Maria Stanisich in this look at NZ's Dalmatian community which, after more than a century down under, maintains a strong connection to its European homeland. Using interviews with a range of people, this episode examines the history of those arriving in New Zealand from the Dalmatian area of the Adriatic, now Croatia. Many worked on the gumfields, where discriminatory laws favoured British subjects; some formed relationships with local Māori, before bringing proxy wives over from Europe.