Each episode of this kids horror series features three ‘curse busting’ stories. In this first episode, student Jack Williams traces the curse back to creepy Charles Killian’s fondness for satanic rituals. Killian dies a fiery death and damns Room 21’s future students. Despite grave warnings, the new principal unlocks the classroom — and the curse awakens. In the second story it’s studious Celia’s turn to contain and destroy a ‘body jumping’ spirit before it claims her soul; the last tale pits Johnny against a fat-hungry warlock who comes a ‘splatter-tastic’ cropper. A second season followed in 2008.
Matt Heath and Chris Strapp dragged their characters from bogan TV series Back of the Y to the big screen for this movie, which follows Randy Cambell's rocket car driven mission to be "New Zealand’s greatest living stuntman". Gross and petrol-fuelled mayhem ensues, as Cambell romances a one-legged female Evil Knievel and fights a family curse. Scott Weinberg (Cinematical) praised this "cross between The Road Warrior, Mad Magazine and Jackass" as "loud, raucous and adorably stupid" when it premiered at US festival South by Southwest in 2007.
This much praised documentary revisits the subject of a film Vincent Ward made in 1978, aged 21. That film, In Spring One Plants Alone, told the story of 80-year-old Puhi, who lived with her schizophrenic son in the isolated Urewera. The follow-up — part detective documentary, part historical reenactment — focuses on Puhi's life. She married the son of Māori prophet Rua Kenana, had 14 children, and after a run of tragedies, believed herself to be cursed. This excerpt goes “way out there in the bush” to the Maungapohatu community where Rua “made the city of God on Earth”.
The Haunting of Barney Palmer is a fantasy film for children about a young boy who is haunted by his great uncle. Young Barney fears that he has inherited the Scholar family curse; a suite of 80s-era effects ramp up the supernatural suspense. The film was a co-production between PBS (United States) and Wellington's Gibson Group, which resulted in Ned Beatty (Deliverance, Network) being cast. It was written by Margaret Mahy, based on her Carnegie Award-winning novel The Haunting, and an early fruitful collaboration between her and director Yvonne Mackay.
This turn of the century comedy series was a satirical look at colonial life through the eyes of moderately hapless Māori chief Te Tutu (Pio Terei). Complications from over-fishing of kai moana (seafood) are the main plot spurs of this second episode. Meanwhile a newcomer to Aotearoa – Herrick's brother, an English army toff played by Charles Mesure (Desperate Housewives, This is Not My Life) – attracts the attention of Hine Toa (Rachel House), and hatches an evil plan (‘MAF’: Murder All Fishes). Meanwhile the patronising Vole continues his campaign of colonisation.
Faye Rogers claims to have a unique ability — to converse with animals. In this quirky short documentary Rogers shares her talent and introduces some of her favourite animals, including her donkey Thistle, who has a penchant for swearing and watching crime shows. It’s not just her own pets she can talk to either: while filming she takes a Skype call from an American client whose kitten Finn has gone missing. It's up to Faye to convince Finn to come out of hiding. The film was made as part of the 2015 series of Loading Docs, a collection of short films made for viewing online.
Anthropologist Max Scarry goes missing in Fiordland, while searching for a fabled Māori tribe. The local policeman believes Max broke local tapu. Max's partner Ruth sets off with his twin brother, murder suspect Edward, to try to unravel the mystery. John Laing's second feature attempts an ambitious Hitchcockian plot, and the cast — especially John Bach's terse doppelganger performance — testifies to the talent on hand in the early days of the Kiwi film renaissance. Atmospheric camerawork makes the most of damp Wellington, and remote bush settings.
This Heartland channel series marked 50 years of television in New Zealand. Each episode chronicled a decade of screen highlights, alongside an interview with a personality who worked in that era. In this excerpt from the 1990s episode, host Andrew Shaw chats to Peter Elliott about his TV career, from painting the floor for Grunt Machine to becoming a high profile actor (Gloss, Shortland Street), and presenter (Captain’s Log). Elliott reflects on the Shortland Street (and Civil Defence advert) curse, and the screen industry’s growing confidence in telling local stories.
Edwin Rouper has a habit of annoying people within seconds of meeting them. Cursed with 'Koontz-syndrome', a neurological condition in which temper and confidence dominate, he travels to Hollywood, trying to assemble a team of stars to raise awareness for the Koontz cause. Jason Stutter’s mock-documentary gleefully skirts the borderland between the koontz 'condition', and an expletive with a very similiar sound. Acting newbie Bryce Campbell scored an LA comedy award as Edwin; Raybon Kan, Jeremy Corbett and scribe Nick Ward all have cameos as sundry wackos.
It's a romance fit for the 21st century: millennial Lizzie (The Killian Curse's Ivana Palezevic) is obsessed with social media, and indecisive about staying with her Tinder boyfriend Ryan (Ben Zolno) or travelling overseas. Status Pending follows the couple for one day as Ryan tries to help Lizzie by getting her to tick off her life goals, like building a house (albeit out of bed sheets). Time is running out: Lizzie needs to decide about a cheap around-the-world deal. Written and directed by Zolno, the semi-improvised film premiered at US festival Cinequest. It was released online via Amazon.