Former Blam Blam Blam, Front Lawn and Mutton Birds member, Don McGlashan takes time out from making his first solo album to talk about songwriting in this episode from a series made for high school music students. McGlashan is passionate in exhorting his audience to write their own songs and make their own voices heard. Acoustic versions of his classic 'Dominion Road' (written about a neighbouring street) and another Mutton Birds number 'White Valiant' (based on a dream) underline his enthusiasm for writing about immediate surroundings, not faraway places.
Don McGlashan began his career as a restless teenage French horn player. He started to thrive in the post-punk era, writing iconic songs with Blam Blam Blam, mixing theatre and music with The Front Lawn and composing for film and TV, before forming The Mutton Birds in 1991. This episode of Sunday traverses McGlashan's life as he launches his belated solo career. Friends like Dave Dobbyn and Mike Chunn wax lyrical about McGlashan's talents, and snippets from his 2003 Auckland Festival show at the St James Theatre demonstrate why he is so beloved in Kiwi music history.
This classic short film provides an unusual showcase for Don McGlashan and Harry Sinclair, the founders of musical theatre group The Front Lawn. The slice of life narrative unravels like a baton relay; the duo play every character, revolving around pedestrians on Auckland's Karangahape Road. Walkshort was directed by editor Bill Toepfer. Sinclair went on to do some directing of his own (Topless Women Talk about their Lives), while McGlashan would pay musical tribute to another famous Auckland street, Dominion Road. Costa Botes writes about Walkshort here.
A Friendly Career (or The Story of the Training and Life of the New Zealand School Dental Nurse) was a promotional film made by the National Film Unit for the Department of Health. The plot waltzes through the idyll of one doe-eyed careerist's sugar-coated journey to a respectable job in the 'murder house', caring for the teeth of the Dominion's children. Focusing on the hard work and 50s fun times of hostel life, with its friendships, matrons, tooth-pulling and en masse doing-of-the-hokey pokey, the end of this careerist road is pitched as one of great satisfaction.
PJ (Rangimoana Taylor) has been driving trucks for 35 years. But one day after a medical test, he is told to get off the road. PJ’s worries over becoming instantly useless are exacerbated when his partner Ronnie and Ronnie’s ambitious sister go into business. A tale of love, family, and ordinary people struggling to process the type of news none of us ever needs to hear, Hook, Line and Sinker is the second, semi-improvised feature from longtime collaborators Andrea Bosshard and Shane Loader. The Dominion Post called the result “likeable, admirable and hugely enjoyable”.