Made for the Post Office, this 1971 National Film Unit documentary offers a potted history of New Zealand, using postage stamps as the frame. Director David Sims ranges from Māori rock drawings, to Tasman and Cook. Once Pākehā settlers arrive, the film offers a narrative of progress (aside from two world wars) leading to nationhood and industry. Archive photographs, paintings, Edwardian-era scenes and reenactments add to the subjects illustrated on the stamps. The stamps include New Zealand’s first: a full-face portrait of Queen Victoria by Alfred Edward Chalon.
Hilary Barry presents this episode from the third series of Great War Stories. The subject is Alexander Aitken, a veteran of World War l who would later become a world-renowned mathematician. Aitken wrote an acclaimed war memoir (Gallipoli to the Somme) which a student reads from at Aitken's old school, Otago Boys' High, on Anzac Day. The story of the violin he kept by his side at Gallipoli is told, and a musical arrangement of Aitken's is played. The short documentaries were made for the centenary of World War l, and screened during TV3’s nightly news.
This miniseries is built around the fortunes of the fictional Smith family during World War l. Directed by Peter Burger (Until Proven Innocent), the first episode is framed around a letter home by nurse Bea Smith (played by Westside's Esther Stephens). This 10 minute opening excerpt jumps from a war hospital in Egypt, back to trysts on the home front: an illicit romance at medical school, high times on Auckland's Grey Street, and a mysterious arrival at the family store. Funded by NZ On Air’s Platinum Fund, When We Go to War debuted on Anzac weekend in 2015.
This telefeature follows the gruelling journey of Archibald Baxter, a pacifist who defied conscription and chose, on moral grounds, not to fight in World War I. The Otago farmer (father of poet James K), was one of 14 Kiwi 'conchies' who were jailed, disenfranchised and shipped to the war in Europe. There Baxter, played by actor Fraser Brown, was tied to a post in freezing conditions, then forced to the Front. The film continues a run of TV movies from company Lippy Features adapted from true events (Tangiwai, Until Proven Innocent). It screened on TV ONE on 22 April 2014.
This edition of a series of TV3 shorts retelling Kiwi World War I stories follows Māori soldier Rikihana Carkeek into war. The 24-year-old Te Aute College old boy was working as a clerk in Wellington when he volunteered for the Native Contingent. His grandson, Te Waari Carkeek, a kaumatua at Te Papa, reads excerpts from Rikihana’s diary: recounting waiting for a chance to fight in Malta, and the “hell on earth” carnage of Gallipoli. Carkeek returned home to Otaki and became a Ngāti Raukawa leader. This third episode screened during 3 News on 6 August 2014.
Director Karl Zohrab’s docudrama makes the case for World War I military leader Major General Sir Andrew Russell to be resurrected in Kiwi popular memory alongside the likes of Freyberg. Based on Jock Vennell's biography, the film spans Russell’s life from his Hawke’s Bay childhood to Gallipoli and the Western Front — where the New Zealand Division commander was acknowledged for his tactical nous — to the latent effect of his war experience. It screened on The History Channel for Anzac Day 2014. Colin Moy (In My Father’s Den) plays Russell in battlefield dramatisations.
This episode from the TV3 series of mini World War I stories looks at Harold Gillies and Henry Pickerill, two pioneers of plastic surgery who grafted “new hope onto despair” for soldiers whose faces had been demolished by war. The short details new methods the pair developed at Sidcup in England, a specialist unit set up by Gilles. It conveys the bravery of the surgeons and nurses in the face of appalling injuries, as well as the courage and “unquenchable optimism” of the patients. Presented by Hilary Barry, Great War Stories screened during 3 News.
This slot in TV3’s Great War Stories series looks at Kiwi conscientious objector Mark Briggs. In World War I imprisonment faced those who objected to doing their bit for King and country on moral grounds. In 1917 unionist Briggs and 13 others (including Archibald Baxter) were shipped to the front and made an example of via ‘Field Punishment No.1’, which saw the pacifists bound to a post in the open, then forced into the trenches. Archive material and art by Wellington's Bob Kerr depict the torture in this short documentary, which screened during 3 News in 2014.
For Kiwi-Chinese soldier Victor Low, World War I was fought mainly underground. Dunedin-born Low was a surveyor attached to the New Zealand Tunnelling Company, which created a network of caverns and tunnels in France before the Battle of Arras in April 1917. The complex was big enough to accommodate 12,000 soldiers and equipment. This episode of Great War Stories uses archive footage and modern laser scanning to map out the tunnels that still exist under the battlefield. Later, Low helped create the famous Bulford Kiwi which sits above Sling Camp in England.
In this acclaimed Kiwi-Aussie co-production Sam Neill confronted what ‘Anzac’ means, a century after NZ and Australian troops landed at Gallipoli as part of an invasion by British-led forces to capture the Turkish territory. Through the lens of his whānau’s war stories (including a visit to his grandfather's grave) Neill uncovered forgotten truths about the catastrophic campaign, and examined ways the Anzac myth has been manipulated. "I hate militarism, loathe nationalism but honour those who served.” The full documentary screened on Māori Television on Anzac Day 2015.