Peter Jackson’s fifth feature is a playful blend of comedy, thriller and supernatural horror and was an effective Hollywood calling card for Weta FX. Frank Bannister (Michael J Fox) resides in Fairwater, where he runs a supernatural scam. Aided by some spectral consorts, he engineers hauntings and “exorcises” the ghosts for a fee. When a genuine spook starts knocking off the locals, the FBI suspects Frank is the culprit. To clear his name, Frank must deal to the real perpetrator – none other than the Grim Reaper ...
Claire Duncan’s “love-letter to music on the margins” punctures the romantic view of the touring musician (with withering narration playing over images of rural backwaters) while simultaneously affirming the virtues of self-expression, and the special transience of live performance. Featured are interviews and arresting performances from some of NZ’s most singular new artists: Seth Frightening, i.e. crazy (the director’s musical alias) and Girls Pissing On Girls Pissing. This was one of three films produced by Lumière, advocating for local artists working outside the mainstream.
Barefoot Cinema looks at the "art and life" of Alun Bollinger, whom Peter Jackson calls "the finest lighting cameraman that the country has ever produced." Goodbye Pork Pie, Vigil, Heavenly Creatures ... the path of the man known as 'AlBol' is like a screen industry growth chart. But the film is as much an affectionate account of the values and family of a "greenie good keen man", shaped around his four decades-long relationship with wife Helen. In this excerpt, 'AlBol' nails down iron in the rain at his West Coast home, and he and Peter Jackson reflect on their collaborations.
September 1994 marked a turning point in Peter Jackson's career. With the debut of his film Heavenly Creatures, many critics began to see him in a new light. This One Network News piece interviews Jackson at Wellington Airport, shortly after winning a Silver Lion at the Venice Film Festival for Heavenly Creatures. Jackson says he plans to keep making movies in New Zealand, and pays tribute to his late producer Jim Booth. Five months later, Jackson was nominated for his first Academy Award. Three months after that, he began Hollywood-funded movie The Frighteners in NZ.
Kim Hill interviews euthanasia campaigner Lesley Martin in 2003, when she was facing the charge of attempting to murder her terminally ill mother. The charge came about after Martin wrote the book To Die Like a Dog. Martin says the prospect of jail doesn't frighten her as much as living in a society where not everybody can access a gentle, dignified and humane death. The year after this interview screened, Martin was found guilty and served seven and a half months of a 15 month jail sentence.
Invercargill mayor Tim Shadbolt ventures into the wilds of Borneo for this full-length Intrepid Journeys episode. His time in the jungles of Malaysia's Sabah region proves to be both beautiful and frightening; his sleeping arrangements are "pure unadulterated hell". After pushing himself to the limit climbing Mount Kinabalu and encountering a lethal pit viper snake, Shadbolt is moved by visits to sea turtles on Turtle Island, and the Orangutan Rehabilitation Centre in Sepilok. Orangutans are endangered in the area because they are losing their forest habitat to palm oil plantations.
The movie that won splatter king Peter Jackson mainstream respectability was born from writer Fran Walsh's long interest in the Parker-Hulme case: two 1950s teens who invented imaginary worlds, wrote under imaginary personas, and murdered Pauline Parker's mother. Jackson and Walsh's vision of friendship, creativity and tragedy was greeted with Oscar nominations, deals with indie company Miramax, and rhapsodic acclaim for the film, and newbie actors Melanie Lynskey and Kate Winslet. Time magazine and 30 other publications named it one of the year's 10 best films.
An epic documentary chronicling the extraordinary life of Kiwi filmmaker Colin McKenzie. Or is it? McKenzie's achievements included cinematic innovations involving steam power and eggs, and an unfinished biblical tale filmed on the West Coast. The first television screening of this Costa Botes/Peter Jackson production memorably stirred up New Zealand audiences. Forgotten Silver went on to screen at international film festivals in Cannes and Venice — where it won a special critics' prize.
When Forgotten Silver — the story of pioneer filmmaker Colin McKenzie — unspooled on 29th October 1995, in a Sunday TV slot normally reserved for drama, many believed the fable was fact. Controversy ensued as a public reacted (indignant, thrilled) to having the wool pulled over their eyes. Costa Botes, who originated the mockumentary, later made this doco, looking at the construction of McKenzie's epic, tragic, yet increasingly ridiculous story. He interviews co-conspirator Peter Jackson and other pranksters, and they muse on the film's priceless impact.