Media satirist Jeremy Wells travels through Libya and coments on what he sees with his trademark impassive delivery. He dresses in traditional male garb, takes in Tripoli's ancient medina, dines in traditional Berber settlements, and journeys through the Jebel Nafusa highlands. On the way Wells rides an angry camel, complains about the lack of women, holds hands with a man, and recounts Colonel Gaddafi trivia, musing with deadpan gormlessness, "he must be nice because nobody seems to have a bad word to say about him."
This 21 December 1999 Xmas episode of Havoc 2000 recaps the show’s memorable moments of the year. The malarky includes various Kiwi TV celebrities, a notorious visit to Gore, cracking up at puns in Bulls, Angela D'Audney entoning Doors lyrics, 'Fun with Meat' classics, a nude horse, a honeytrap for presenter Nick Eynon, and Mikey bungy jumping from the Harbour Bridge. On the music front there’s truck bed tunes from The Hasselhoff Experiment, and an interview with dub pioneer Lee 'Scratch' Perry. The finale features a Ferrari and a "peace out" from newsreader Tom Bradley.
Havoc and Newsboy took the malarky of their 90s youth show on the road in this 1999 series. This episode sees the pair talking intelligence. In Wellington they spy on Keith Quinn, simulate an earthquake and hang out outside Defence HQ with journalist Nicky Hager, to talk SIS surveillance and silver protective curtains. The intrepid duo follow Hager's leads to "the most secret place in New Zealand": the Waihopai intelligence base near Blenheim. “We went and did a dance, trespassed and left our masks on the front gate”. On the ferry en route, Newsboy pays homage to song 'Montego Bay'.
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.
As the trailer makes clear, this award-winning animated short film has a key ingredient for a pulp movie: cardboard. It also features car chases, explosions and a fire brigade fighting to save Cardboard City (including The Beehive and Sky Tower). Director Phil Brough collaborated on the script with fellow Back of the Y alumnus Matt Heath. Leigh Hart and Jeremy Wells are among the voices in the film, which was six years in the making. Fire in Cardboard City was selected for the 2018 Berlin and Tribeca film festivals, and won Best New Zealand Film at the 2017 Show Me Shorts Film Festival.
This TV2 promo is a cover of Sonny and Cher classic ‘I Got You Babe’. A roll call of turn of the century Kiwi celebrities take turns performing, starting with late actor Kevin Smith and actor/sometime Strawpeople singer Stephanie Tauevihi. Other stars include Jay Laga’aia, Havoc and Newsboy, Erika Takacs from band True Bliss, What Now? hosts, Shortland Street's Katrina Devine, and Spike the penguin from Squirt. Also popping by are Bart and Lisa from The Simpsons, and Aussie Portia de Rossi (then appearing on American show Ally McBeal). The promo was made by Saatchi & Saatchi.
Jeremy Wells brings Kenneth Cumberland-seque authority to this 'alternative' version of Kiwi history, which was made by many of the team that worked on Eating Media Lunch. The Unauthorised History plumbs TV and history archives to poke fun at the pretence of the past (and present). This episode examines artefacts to do with sex and Aotearoa. With tongue planted in check (and in other places) Wells revisits everything from pole-dancing in the "hellhole of the Pacific" — colonial-era Russell — to randy Hutt Valley teenagers "getting laid" in the 1950s.
Nearly mammal free, pre-human New Zealand was a land of birds, many of them found nowhere else. In Birdland, Jeremy Wells (Eating Media Lunch) explores all things avian in Aotearoa. In this opening episode he visits Hauraki Gulf island sanctuary Tiritiri Matangi and Christchurch’s Peacock Springs. Putting the wry into wrybill, Wells muses on manu matters from twitching to tākahe poop. Dominion Post’s Linda Burgess praised Mike Single's "marvellous camera work", and Wells’ celebration of ordinary people "who work to protect and enhance what we still have".
This episode of the turn of the century youth show trips out in the mud, at The Gathering dance party in Takaka. Havoc then talks to Manchester DJs at Piha, and interviews legendary comedian Robin Williams, who ranges from getting bitten by a dolphin to being scared by Paul Holmes. When this episode aired in January 2000, the hosts were at the peak of their infamy, having baited the BSA earlier in the series with a student stapling his genitals to a cross and setting it alight, and a woman on the street being asked whether she’d consider a sexual act for four dollars.