Ask Country Calendar viewers which shows they remember and inevitably the answer is "the spoofs" — satirical episodes that screened unannounced. Sometimes there was outrage but mostly the public enjoyed having the wool pulled over their eyes. Created by producer Tony Trotter and Bogor cartoonist Burton Silver, the first (in late 1977) was the fencing wire-playing farmer and his "rural music". This special episode collects the best of the spoofs, from the infamous radio-controlled dog, to the gay couple who ran a "stress-free" flock, and more malarkey besides.
This National Film Unit short captures the action with the RNZAF’s 75 Squadron aerobatic team. The pilots, all in their early to late 20s, fly their de Havilland Vampire jets through low and high altitude manoeuvres. NFU cameraman John Hutchinson squeezed himself and his camera into the cockpit for 14 flights over five days, to capture spectacular images from a fifth Vampire piloted by Flight Lieutenant Barry Gordon. The team was formed in 1958 for the RNZAF's 21st Anniversary Air show at Ohakea. It then toured New Zealand, giving displays at all the major airports.
In this episode of the archive-compiled history series, Bernard Kearns focuses on the Roaring Twenties. Soldiers returning from the First World War struggle to tame the land as commodity prices fall. The Labour Party, with miners as its backbone, gains a foothold on the political scene, and the Ratana Church emerges as an alternative to more distant Māori leaders. In Dunedin, the New Zealand and South Seas International Exhibition proves a huge success and members of the Royal Family are popular visitors to our shores. But the Great Depression looms.
In the late 80s the creation of a new public park in central Wellington became an act of cross-cultural collaboration, and an infamous battlezone between artist, council and naysayers. Following positive feedback over her design, council staff decided that redevelopment of Pigeon Park (an old pa site) would be led by Māori artist Shona Rapira Davies. This doco follows the passionate, stroppy Rapira Davies, as she fights cost overruns, landscape architects and passersby, and for her vision (which involved handcrafting Te Aro park's 20,000 plus ceramic tiles).
Made in 2008, this documentary chronicles the Wahine disaster, from the ship leaving Lyttelton to the last survivor being pulled out of the water. Interviewees share their experiences — some make it ashore in life rafts at Seatoun, others are washed up on the “battlefield” of the Pencarrow coast. The Wahine’s crew offer insight into the conditions the ship was sailing in, and of their gradual realisation that it couldn’t be saved. The TV One programme also features animated scenes of the ill-fated journey, which mimic the black and white news footage of the disaster unfolding.
This documentary looks at the life of neglected painter Edith Collier. Whanganui-bred Collier left for London in her late 20s to study art; her painting flourished, experimenting with modernism alongside fellow expat Frances Hodgkins. She returned home after World War I to family duty, and ridicule for her art (her disgusted father set fire to her nudes). Interviews with her biographer and family, and shots of her work, make for a poignant biography of a (curtailed) artistic life. Listener reviewer Helene Wong called it “affecting viewing, with a sense of discovery”.
New Zealand's unique accent is often derided across the dutch for its vowel-mangling pronunciation ("sex fush'n'chups", anyone?) and being too fast-paced for tourists and Elton John to understand. In this documentary Jim Mora follows the evolution of New Zealand English, from the "colonial twang" to Billy T James. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) at the end of sentences, and Mora interprets such phrases as "air gun" ("how are you going?"). Lynn of Tawa also features, in an accent face-off with Sam Neill and Judy Bailey.
Animals, people and cameras can make for a wild unpredictable combination, as this set of bloopers demonstrates. First up is the legendary 1989 clip of rugby star Zinzan Brooke falling off a spooked Shetland pony in Wales. Back on Kiwi soil, Dexter the golden labrador refuses to listen to owner Mark Leishman. A hare and dog take over a trotting track and cricket pitch, while reporters doing their pieces to camera are harassed by a friendly horse and overzealous ostriches. Plus two pigs give Country Calendar reporter John Gordon the giggles.
This thoughtful but humorous documentary offers a wry tribute to sheep in New Zealand. Interviews with Chris Knox, Dog's Show presenter John Gordon, Dick Frizzell and Michael Parekowhai (among others) pull the wool away from our collective eyes, and examine Aotearoa's much ridiculed relationship with sheep. Artists' images, souvenirs, pets, and shows for tourists all feature, as do songs and plays. The documentary also examines the foundational role of sheep in the country's economy. This was one of the first productions from company Greenstone Pictures.
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.