"So the Queen comes to New Zealand. 12,000 miles from the motherland she is not among strangers. She has come to her New Zealand home." When the Queen and Prince Philip began the first tour of NZ by a reigning monarch (soon after her coronation), a National Film Unit crew followed the journey, before condensing 40 days and 46 stops into a mere 25 minutes. Along the way the newly crowned Queen wears her coronation gown to open Parliament, and witnesses geysers, long-jumpers, Māori canoes, plus masses of enthused Dunedinites refusing to keep behind the barrier.
This sixth episode of Mike King's exploration of the original journey of the Treaty travels to Tauranga, where the comedian finds tales of murder, cannibalism, inter-tribal conflict — and a missing Treaty sheet. King’s whodunit asks why some people signed and why some were so against it, notably Hori Kingi Tupaea. The Tauranga sheet includes 20 signatures from Ngāi Te Rangi and only one chief from Ngāti Pukenga. King also discovers an unlikely twist: an unused Treaty sheet has ended up with the (then-French-aligned) Catholic Church for safekeeping.
After Governor Hobson’s stroke, Willoughby Shortland stepped in and sent the Treaty south in the hope of more signatories. This fourth episode of comedian Mike King’s Treaty discovery series searches for where the sheet was signed on the Manukau Harbour. King learns of an (unfulfilled) ancient prophecy, and why Ngāti Whātua chief Apihai Te Kawau agreed to sign. King then heads across the harbour and uses his mission as an excuse to visit the Kāwhia Kai Festival, where he learns about the influence of the incoming “great white wave” on signatories.
This eighth episode in the Landmarks series was the first episode filmed, to test how geographer Kenneth Cumberland handled being in front of the camera. On a Cook Strait ferry in a southerly, he begins exploring how trade and people have gotten about Aotearoa: from the “Māori main trunk line” (beach, water), sailing ships, Cobb & Co and ‘Shanks's Pony’, to the railways and Bob Semple’s roadmaking bulldozers.The episode ends with the national grid and airways, with a rocky landing at Wellington airport demonstrating that the wrestle with place is an unresolved one.
“The funniest, liveliest, most exuberant film ever made in New Zealand”. So said critic Nicholas Reid, a year after Came a Hot Friday became 1985's biggest local hit. Though Billy T’s loony Mexican-Māori cowboy is beloved by fans, he is but one eccentric here among many — as two scheming conmen hit town, and encounter bookies, boozers, country hicks, nasty crim Marshall Napier, and Prince Tui Teka playing saxophone. Until the arrival of The Piano in 1993, Ian Mune and Dean Parker’s award-loaded adaptation remained NZ's third biggest local hit. Ian Pryor writes about the film here.