The night before his granddaughter's birthday, a man who likes having a flutter on the horses (Utu star Anzac Wallace) has a "dream". But which horse is he meant to bet on this time? Raniera gets help from his wife (Erihapeti Ngata) and the local community, to understand what the dream might mean. This edition of the pioneering Māori drama series marked Rawiri Paratene's debut as director. Patricia Grace based the screenplay on her story 'The Dream'; Temuera Morrison has a small role. Viewers can choose whether to watch the episode in Te Reo or in English.
Vincent Ward's fifth feature follows an Irishwoman in 1860s New Zealand, as Māori tribes resist the occupation of their land by the British. Sarah (Samantha Morton) has had an affair with a Māori and borne his child. Years later the boy is kidnapped by his grandfather, a powerful tribal leader. Sarah embarks on a search for her child, aided by warrior Wiremu (Cliff Curtis). When she finds him, both mother and son must decide to which culture they belong. This excerpt from the notoriously ambitious film sees Sarah encountering charismatic chief Te Kai Po (Temuera Morrison).
A teenage boy's unorthodox relationship with his father (Wi Kuki Kaa) is explored as he learns about hypocrisy in this E Tipu e Rea edition, written by Bruce Stewart and starring Faifua Amiga as Thunderbox Junior. After establishing a reputation as a highly successful director of commercials, this was Lee (Once Were Warriors) Tamahori's first attempt at the helm of a longer drama. "You tend to get a bit of experience making people laugh when you direct commercials,' he said. "One thing I'm sure of is that people like to laugh at themselves."
This courtroom drama sets in conflict opinions about the proposed sale of a block of Māori ancestral land. The arguments are intercut with footage of the 1975 land march, and Jim Moriarty comments on proceedings as a tangata whenua conscience. The drama shows its stage origins (it was adapted by Rowley Habib from his 1976 play) but it is passionate and articulate, and is notable as the first TV drama to be written by a Māori scriptwriter. The grievances aired echoed contemporary events, particularly the Eva Rickard-led occupation of the Raglan Golf Course.
Mataku was a bilingual series of half-hour dramatic narratives steeped in Māori mystique. Described as a Māori Twilight Zone, Mataku was produced by Māori writers, directors and actors, and was a strong international and domestic success. Each episode was introduced Rod Serling-style by actor Temuera Morrison. This excerpt from the first episode, which screened on TV3, portrays two young sisters (Nora and Naera) who are playing in the forest when events take a tragic turn; mysterious putapaiarehe (fairies) are implicated and haunt a troubled grown-up Nora.
With each chilling tale "of the unexplained and unexpected" introduced by Temuera Morrison Rod Serling-style, Mataku was described as a Māori Twilight Zone. The award-winning bilingual series explored dramatic tales steeped in the supernatural world of Māori. Mataku was produced by Māori writers, directors and actors; and was a strong international and domestic success. Tension mounts in the excerpt from episode nine from the second series: when a group of old mates reunite to go fishing one of them has a long-kept secret, and terror lurks in the deep.
In a nod to his theatre training, Whale Rider actor Rawiri Paratene (then better known as a presenter on Play School) unveils three stories to a marae audience. A bored schoolboy (Faifua Amiga) banters with a sarcastic teacher; a musical number features a prostitute (Rena Owen) and her client; and a young girl and her grandfather prepare and wait for the body of her father at the pā. This was the first screen drama directed by Don Selwyn, who argued "what Rawiri is saying in his script is that there are lots of things Māori which are left out of the education system."
A teenage boy (Lance Wharewaka) should be at school, but instead learns about the bush and the old days from his ailing grand uncle (Bill Tawhai). The friendship prepares the boy with the necessary skills for life. Written by poet Hone Tuwhare, Eel marked the drama directing debut of TV3 newsreader and Wild South presenter Joanna Paul."He [Bill] brought a mana with him and has such irreplaceable Māori knowledge," said Paul, who remembered him discussing "how he used bobs to catch eels. He remembers using flax — you can't buy knowledge like that."
This black and white short film explores a relationship triangle — between a Māori woman, her boorish Pākehā husband, and the woman’s protective father, arguing over rights to a farm. It was made as an Auckland University masters project by Li Geng Xin; he wanted to tell a story using visual language, and choses the expressive mode of the silent film to do so. Māori instruments (taonga puoro) and piano are used on the soundtrack. Mrs Mokemoke was selected for the 2015 NZ International Film Festival, in the Ngā Whanaunga Māori Pasifika Shorts programme.
A culture clash story by Witi Ihimaera inspired this comic drama, which marked the directing debut of screen veteran Larry Parr. Set in the mist-shrouded Taranaki hamlet of Whangamomona in the 1940s, the short film focuses on the conflict between a local tohunga, Mr Hohepa (Sonny Waru) and feisty Pākehā Mrs Jones (Annie Whittle) — as viewed by the young boy who helps deliver her mail and groceries (Julian Arahanga, in his screen debut). The locals think Hohepa has placed a makutu (or curse) on Mrs Jones. But could more basic human emotions be at work?