The very last grand final of Homai Te Pakipaki sees ten finalists from across the motu come together to sing their hearts out, with the hope of taking home a $20,000 cash prize (plus phone package). Broadcast live, the raw talent karaoke contest is hosted by Brent Mio and 2008 series winner Pikiteora Mura-Hita, with help from Pakipaki veteran Te Hamua Nikora. The winner is decided by whānau, iwi and the viewers at home via text vote. The guests include 2014 winner Lee Stuart, band Sons of Zion and IDentity Dance Company. There are also short clips of past show highlights.
The premise of this long-running makeover show was “celebrating people by doing their gardens”. In this very first episode, the Mucking In team rally together with Mangere Bridge locals to surprise unsung teacher Phillipa Todd, who goes the extra distance for her students. Co-presenter Jim Mora humbly describes their efforts as “more of a tidy-up than anything else”, but the show would prove enduringly popular and run until 2009, and picking up a 2004 Qantas Media Award for Best Lifestyle Programme along the way.
“These three birds are over half the world population of their species.” Peter Hayden’s narration lays bare the stakes for the Chatham Island black robin, and the Wildlife Service team (led by Don Merton) trying to save them. Merton’s innovative methods include removing eggs from nests – to encourage the last two females to lay again – and placing them in riroriro (grey warbler) foster homes. The black robin documentaries helped forge the reputation of TVNZ's Natural History Unit. Paul Stanley Ward writes about the documentaries here, and the mission to save the black robin.
Budding musos Kowhai and Monty face the hard facts of economic reality in episode two of Jessica Hansell’s animated satire set in Aroha Bridge, based on her former neighbourhood Mangere Bridge. Though they’re pretty sure working for their wigged out ex-army dad (Frankie Stevens) might involve something illegal, their new jobs as “televisionaries” flogging creepy teddy bears proves just as dubious. Funded by NZ On Air, Aroha Bridge started life as a comic strip in NZ Herald’s Volume magazine before it appeared on the Herald’s website in animated form.
Reporter Neil Roberts ventures into South Auckland in this TVNZ documentary, and finds two rapidly growing but very different communities. Otara and Mangere are becoming New Zealand’s industrial powerhouse, but a huge influx of Māori and Pacific Island workers and their families are struggling to adapt in a brand new city that was farmland just decades earlier, and lacks amenities for its new citizens. Meanwhile, to the east, Howick and Pakuranga are also booming but their more upwardly mobile, prosperous and very Pākehā citizens seem to be living in a world of their own.
In April 1984 Poi-E was atop the NZ music charts, with ‘Jo the breakdancer’ starring in the song's music video. So it's apt that this edition of the TVNZ youth show looks at “the craze currently sweeping New Zealand — breakdancing”. In her first presenting gig, future MTV host Phillipa Dann heads to Mangere to bop and head-spin. Elsewhere in this season opener, David Hindley reports on a School Certificate controversy, and why young drivers are dying on country roads. Co-presenting back in Viewfinder’s Dunedin studio is Uelese Petaia (star of movie Sons for the Return Home).
This 2011 series has idiosyncratic host Marcus Lush roving over the northern tip of the North Island (from Auckland up). The first episode finds the self-confessed Jafa exploring all things Manukau Harbour: “this is something I’ve always wanted to do – arrive in Auckland by ship!”. Lush meets lighthouse lovers, learns about shipwrecks and World War II Japanese subs, goes shark tagging, travels by waka to a small island, and talks Mangere Bridge with comedian Jon Gadsby. North was the follow-up to JAM TV’s award-winning 2009 series South, also fronted by Lush.
Ten years on from the tumultuous 1984 General Election, this award-winning TVNZ current affairs doco examines the financial and constitutional crisis that resulted from Robert Muldoon’s initial refusal to yield power. Reporter Richard Harman, who conducted pivotal interviews at the time, talks to key players to piece together the events of five remarkable days. They also saw the opening salvoes between David Lange and US Secretary of State George Shultz over nuclear ship visits, and foreshadowed Roger Douglas’ controversial remaking of the NZ economy.
In this documentary, writer and satirist Peter Hawes crosses the Bombay Hills border in his Morris van to record his take on mid 1980s Auckland. Pocked with as many puns as Auckland has volcanic craters, Hawes' profile is a sprawling, breezy look at New Zealand's largest city: from a Chase Corporation high rise to shearing sheep in Cornwall Park; from Eden Park to Bastion Point. Interviews (with politicians, sportspeople, gossip columnists, strip club fashion designers) are mixed with skits covering jogging, bridge building, shipwrecks, multiculturalism and sewers.
The Hook twins (Jessica Hansell aka rapper Coco Solid, and Rizvan Tu’itahi) pimp their social media profile in the penultimate episode of Hansell’s animated comedy series about a suburban band with stars in their eyes. They go the cheap route by posting a sensationalist clip of their ex-army dad (Frankie Stevens) freaking out over a kitten (he is kittenphobic), however Kowhai recovers her morals and apologises in a lyrical highpoint of the series: “Oh dad, I’m so sorry/ I threw a baby cat in your face/ Oh dad, I’m so sorry/ I was panderin’ to my fanbase.”