Tagata Pasifika takes a look at Kiwi PI theatre phenomenon The Naked Samoans, and features extensive footage from a number of their stage comedies. Viewers will recognise early versions of a number of characters who would later feature on the Samoans' animated hit bro'Town. Co-founder Oscar Kightley talks about the group. AO-rated, the episode captures the non-PC island humour that would shape five seasons of bro'Town, and two Sione's Wedding feature films.
Actor Robbie Magasiva and discus champ Beatrice Faumuina oversee this hour-long Tagata Pasifika 20th birthday celebration. Presenters past and present survey changes in the Aotearoa PI community over the show’s run: from education, arts and culture (Ardijah, OMC, Michel Tuffery’s corned beef bulls and the Naked Samoans), to political pioneers (Mark Gosche, Winnie Laban), and sports heroes (All Black icons Jones, Lomu and Umaga). Among those talking about the show’s importance to NZ Pasifika culture are Helen Clark, Annie Crummer and many others.
Brought to you from "the Samoan Embassy" (in reality the Naked Samoans' motel room) this episode of The Living Room follows the comedic theatre troupe during their time at the Edinburgh Fringe Festival. Then it retreats to the wild west coast of the South Island, where acclaimed cinematographer Alun Bollinger reflects on his diverse life and career. Also featured is the first 'proper' exhibition of Illicit artists on K' Road (featuring the late Martin Edmond), and a visit to small town Mangaweka, setting for Michael Reihana's surrealist short film Little Gold Cowboy.
This animated hit follows the adventures of five kids growing up in the Auckland suburb of Morningside. The show's fearless, un-PC wit was developed from the poly-saturated comedy of theatre group Naked Samoans. In bro'Town's very first episode, Valea gets hit by a bus and wakes up a genius, allowing him to demonstrate that his school is not just full of dumbarses after the boys compete on a school quiz show. The Simpsons-esque celebrity cameos start strong, thanks to Robert Rakete, Scribe, PM Helen Clark, David Tua and "marvellous" John Campbell.
ASB Polyfest 2008 is an action-packed showcase of Māori and Pacific youth competing in the annual schools' cultural festival in South Auckland. Māori, Tonga, Samoa, Niue and Cook Islands performances, 100,000 people and trophies to be won make this competitive event one of the most important dates for youth in Auckland. Behind the scenes footage, colourful costumes, trials and tribulations and "the Pacific way" are captured. Made by the Tagata Pasifika team, with directors including Naked Samoans Shimpal Lelisi and Mario Gaoa.
This 2002 documentary explores contemporary Aotearoa from the perspective of Kiwis from a range of different (non-Māori, non-Pākehā) ethnic backgrounds. These citizens speak frankly about their experience of assimilation and stereotyping in a supposedly multicultural society, where ethnic food is beloved — but not ethnic difference — and where jokes and racism blur. Directed by Libby Hakaraia, the documentary screened on TV3 as part of doco slot Inside New Zealand. It was a follow up to 2000's The Truth about Māori, which looked at identity from a Māori perspective.
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.
A magazine show with an edge, The Living Room did for arts television production what Radio With Pictures did for NZ music — it ripped open the venetian blinds, rearranged the plastic-covered cushions, and shone the sun on Aotearoa’s homegrown creative culture. Often letting the subjects film and present their own stories, it was produced for three series by Wellington’s Sticky Pictures, who also made follow-up arts showcase The Gravy. These excerpts from the first series show a calvacade of local talent, including an early Flight of the Conchords screen outing.
Sione's Wedding is a feel-good feature comedy about four 30-something guys who must each find a girlfriend before their best friend Sione's wedding — or be left out in the cold. Through the efforts of these bumbling blokes to get the girl(s), the film brought to life the colour and humour of the urban Samoan community in Auckland, the world's largest Polynesian city. A breakthrough PI-Kiwi film, Sione's broke box office records when it opened in cinemas throughout New Zealand in March 2006. Actor Oscar Kightley co-wrote the script with James Griffin.
In the five years since Sione's Wedding, the Duckrocker quartet have experienced marriage, children, Australians and the good lord. Then their minister reunites them on a quest to find Bolo (Dave Fane) — once their driver and conscience, now MIA. The sequel to the break-through PI-Kiwi hit reunites the original cast, and adds in a dodgy minister (Kirk Torrance) and a new director (Outrageous Fortune's Simon Bennett). On the burden of following Wedding, Stuff reviewer Steve Kilgallon adjudged: "seen on its own merits, it [Sione's 2] proves worth the wait".