From a lost era of light entertainment comes this episode of an early 80s song and dance series whose ensemble included Suzanne Lee, Richard Eriwata, Vicky Haughton and a pre-Shortland Street Maggie Harper. The cast pay tribute to the Harlem songs of Fats Waller and George Gershwin, while special guest Kim Hegan provides a sitar performance. The final segment takes songs including 'I'm a Woman', 'Bare Necessities' and 'Putting on the Ritz', and somewhat improbably blends them into an all new "mini-musical" featuring Tarzan, Jane and a Hollywood producer.
In this 1992 Wild South documentary, pioneering underwater photographers Wade and Jan Doak investigate how fish have evolved over 400 million years on the Northland coast. They explore ocean dwellers off the Poor Knights Islands, where myriad nimble life forms thrive — from radar-like sensory systems and kaleidoscopic colouring, to the intricacies of jaw and fin shape. The Doaks conduct novel experiments to showcase them on camera in this Natural History New Zealand production. This episode was narrated by nature documentary filmmaker Peter Hayden.
Blokes 'n' Sheds is a documentary where you'll find the content is exactly as titled: a tour of selected New Zealand blokes in their sheds, with the affable Jim Hopkins as tour guide. Based on Hopkins' best-selling book Blokes and Sheds (1998) the television version was made with the direct uncomplicated style that is a hallmark of Dunedin's Taylormade Productions. The contents of the sheds in question include vintage cars, oversize traction engines, a self-designed plane, and an old paddle-boat from the Whanganui River.
This popular C4 series counted down 100 moments in New Zealand music history, scouring the archives en route to number one. Taken from episode three, this musical moment covers the time bands Hello Sailor and Dragon shared digs. Musos Graham Brazier and Todd Hunter, alongside music writer John Dix (Stranded in Paradise), provide the goss on the early 70s 'Ponsonby Rock' scene revolving around Mandrax Mansion — where members of the bands lived, played and partied hard. Brazier quotes lyrics from an unrecorded song about the then working class suburb.
A colonial widow, recently arrived in New Zealand from England, answers an advertisement from a stoic settler for a wife. They agree to an arrangement. Later Mrs Brown forms an attachment to their Māori servant girl Atawhai, and slowly learns the secret behind her presence. Written by playwright April Phillips (who also plays Mrs Brown) this short film was directed by Christchurch theatre director Craig Hutchison. It was filmed at Wellington's Nairn Street Cottage. ‘Utu Pihikete’ was a derogatory term for half-caste children meaning “paid for in biscuits”.
Short film Letter for Hope is about a chance encounter of the best kind, at a point when there isn't much hope around. April Phillips (who also wrote the script) plays Jane, who must face the revelation that her pregnancy will be terminal. While trying to process the news, she encounters an old man (veteran actor Don Langridge) whose kindness and humanity will help in surprising ways. The self-funded short competed at multiple film festivals in the United States, and won an Honourable Mention at the 2014 Sarasota Film Festival.
In this short report for a 1990 edition of Holmes, Dylan Taite rocks back the clock to talk to New Zealand music pioneer Johnny Cooper. John Dix’s recently published history of NZ rock’n’roll Stranded in Paradise had resurrected interest in Cooper, the Wairoa-spawned singer who gained notice with a Bill Haley cover, then gave NZ its first homegrown rock’n’roll song with his tale of a Whanganui pie cart, 'Pie Cart Rock'n'Roll'. Aptly, Taite interviews Cooper at a Queen St cart where Cooper unslings his guitar once more: “Let’s rock and roll around the old pie cart!”
This Wild South edition joins two legendary New Zealand wildlife documentarians — photographer Geoff Moon and sound recordist John Kendrick — on a 1988 trip to Kāpiti Island. Rangers are learning about, and looking after, the sanctuary’s manu (birds), who are “biological refugees” from the mainland, escaping introduced predators. Dogs monitoring kiwi, a kākā census, and tīeke (saddleback) nest boxes are featured. The two old mates narrate the visit, which includes Moon building a bush hide, and footage of a pioneering 1964 tīeke relocation from Hen Island.
This short National Film Unit documentary travels to Westland to meet the kōtuku or white heron. In Aotearoa, the kōtuku is known for its beauty and scarcity (the bird’s only NZ breeding colony is near Okarito Lagoon). The black and white film joins the ranger to go whitebaiting, as kōtuku arrive in spring. Kōtuku’s special place in Māori mythology is recounted, and legendary ornithologist Robert Falla checks out chicks in a crowded ponga fern nest. Directed by John Feeney, the film premiered in Christchurch in front of Queen Elizabeth, on her Coronation Tour.
This short Loading Docs documentary from 2017 follows conservationist Corey Mosen as he heads into the forest with a special canine — his border collie cross Ajax. The pair play a vital role in the mission to ensure the survival of the kea, the world’s only mountain parrot. Despite being one of the world’s most resourceful and intelligent birds, kea are under threat (eg from predation), with as few as 2000 left in the wild. Corey and Ajax locate kea nests in the steep alpine forest and spread awareness of a bird that Mosen reckons is pretty "neat and special".