In 1973 Alister Barry joined the crew of a protest boat (The Fri) to Mururoa Atoll, where the French Government were testing nuclear weapons. Barry records the assembly of the crew, the long journey from Northland, and their reception in the test zone; when The Fri was boarded and impounded by French military he had to hide his camera in a barrel of oranges. The Fri was a key part of activism that was formative for environmental group Greenpeace, and anti-nuclear sentiment in NZ. Barry's debut film screened primetime on NZ TV and gained international attention.
The birth of television in the 1960s meant that suddenly protests and civil unrest could be broadcast directly into Kiwi homes. This episode of 50 Years of New Zealand Television looks at many of those events — involving everything from the Vietnam War and the Springbok tour, to Bastion Point and the Homosexual Law Reform Act. It also examines how being televised altered their impact. Interviews with both protestors and reporters provide a unique insight into what it was like to be living through extraordinary periods of New Zealand history.
This film documents Miranda Harcourt taking her stageplay Verbatim (written by Harcourt and William Brandt) to prison audiences. The play is a six-character monologue made up of accounts of violent crime, all performed by Harcourt. Director Shirley Horrocks captures the reactions of the prison inmates watching their own lives unfold on stage. Harcourt’s powerful performance is augmented with revealing testimonies of the broken men and women who agree to be interviewed. The documentary won the premier prize at the 1993 Media Peace Awards.
In this short Gallery interview — broadcast in June 1973 — Peace Media representative (and future TVNZ news boss) Bill Ralston talks about dwindling supplies for two private vessels that had left Aotearoa, to protest upcoming French nuclear testing at Mururoa Atoll. Ralston accuses Prime Minister Norman Kirk of being “a little bit heartless” for not assisting. Actually Kirk was realising plans for the HMNZS Otago to join the vigil. Protest yacht Fri was later stormed by French commandos, and the protests made world news. French nuclear testing in the Pacific finally ceased in 1996.
Tā Moko is a half hour documentary on Māori tattoo, including rare footage of internationally acclaimed Māori artist George Nuku getting a full-face moko via traditional tattooing techniques. The documentary follows the journey of Tā Moko from its use and status in traditional Māori culture, to its appropriation as gang insignia, and its revival as an expression of Māori identity and pride in the modern world. Directed by Kim Webby, Tā Moko screened on TVNZ, and was a finalist at the 2007 NZ Media Peace Awards.
Filmed in 2002, this documentary observes a group of people living on the streets of Wellington. After being moved on from Cuba Mall, the group makes their home by the Cenotaph (near Parliament) and sets up a "village of peace". Led by the dreadlocked 'Brother' they attempt to gain an audience with the government; their self-proclaimed marae provokes police, public, politicians and media. Reviewer Graeme Tuckett called the film a "landmark in New Zealand documentary making". Brother (aka Ben Hana) later gained a local profile as Courtenay Place's 'Blanket Man'.
Twenty eight years after featuring in landmark feminist documentary series Women, five interviewees reveal how their lives have changed. Donna Awatere Huata, Miriam Cameron, Sandi Hall, Aloma Parker and Marcia Russell candidly discuss work, sex, the media and Māori in this 70 minute documentary. Artist Cameron recalls how feminists were seen in the 1970s: "she was a braless, hairy, fat hag". Journalist Russell remembers not being allowed to work past 11pm because she was a woman, while psychologist Parker felt liberated by feminist Germaine Greer's refusal to wear a bra.
Once upon a time the Kiwi accent was a broadcasting crime, and politicians decided in advance which questions they would answer on-screen. Here is the News examines three decades (up to 1992) of Kiwi TV journalism and news presentation. The roll-call of on and off camera talent provides fascinating glimpses behind key events, including early jury-rigged attempts at nationwide broadcast, Dougal Stevenson announcing the 1975 arrival of competing TV networks, the Wahine, Erebus, Muldoon, turkeys in gumboots, and the tour - where journalists too, became "objects of hatred".
This documentary goes behind the scenes on New Zealand television's first historical blockbuster: 1977 George Grey biopic The Governor. Presenter Ian Johnstone looks at how the show reconstructed 19th Century Aotearoa, and handled large scale battle scenes. The footage provides a fascinating snapshot of a young industry. Also examined is The Governor's place in 1970s race politics and its revisionist ambitions. Key players interviewed include creators Keith Aberdein and Tony Isaac, and actors Don Selwyn, Corin Redgrave, Martyn Sanderson, and Terence Cooper.