In this episode of his US TV odyssey director Geoff Steven reaches the Deep South. In Memphis, jailer WC Watson introduces his gospel singing family and there are rapturous scenes as they perform at their Beale Street church. In New Orleans, a youth court judge and her lawyer husband attempt to balance jobs and social work with raising their own children. The flipside is provided by descendants of slave owners looking for ways to hold on to their mansions now that the plantations that once supported them have gone.
Merata Mita’s Patu! is a startling record of the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against a South African rugby tour. Testament to the courage and faith of both the marchers and a large team of filmmakers, the feature-length documentary is a landmark in Aotearoa's film history. It staunchly contradicts claims by author Gordon McLauchlan a couple of years earlier that New Zealanders were "a passionless people".
In this full-length episode Gary McCormick arrives in Ruatahuna, heartland of the Tūhoe people, the so-called ‘children of the mist'. The episode focuses on preparations and staging of the annual Tūhoe Festival. McCormick interviews local and national figures who express their feelings about their Tūhoe heritage. The grievances of the past are highlighted, along with pride and hope for the future. This episode goes beyond the affable romanticism of much of the series to examine the uncomfortable edge of race relations in New Zealand.
This documentary chronicles a shameful passage in New Zealand race relations: the controversial mid-70s raids on the homes and workplaces of alleged Pacific Island overstayers. Director Damon Fepulea’i examines its origins in Pacific Island immigration during full employment in the 1960s, when a blind eye was turned to visa restrictions. As times got tougher, that policy changed to include random street checks by police, despite official denials. Resistance by activists and media coverage helped end a policy which has had a long term effect on the Pacific Island community.
In this full-length Heartland episode, Gary McCormick travels to the Hokianga in Northland, where he attends the annual rowing regatta in the town of Horeke. Locals compete in ironman (swimming, running and... woodchopping), before McCormick delves into the region’s logging past and sees local bone carvers at work. He also visits the Motuti Marae, then drives on to Panguru where he interviews local resident and Māori land march leader Dame Whina Cooper. The programme (gently) reflects on Māori and Pākehā race relations in the area.
For this lauded Seven Days assignment Ian Johnstone was the first NZ television reporter to travel to apartheid-era South Africa. In this episode (one of three) he finds a white minority clinging to power in the face of mounting violence and a sense of looming change. The limbo-like status of the mixed-race Coloureds stresses how untenable the regime’s policies have become; and demand for equality from black students is palpable. Interviewees include a defiant Prime Minister Vorster, author Alan Paton (Cry, the Beloved Country), journalist Donald Woods and activist Helen Suzman.
Broken Barrier marked the first New Zealand dramatic feature to be made since 1940. Its production saw directors John O'Shea and Roger Mirams crowding into a Vauxhall with two silent cameras, one picked up "from a dead German in the Western Desert". Ditching dialogue for 'spoken thoughts', the pioneering film examines cultural complications in a romance between a Pākehā journalist (Terence Bayler) and a Māori nurse (Kay Ngarimu, aka Keita Whakato Walker). According to O'Shea, some viewers considered it "a dirty movie" for spurring mixed race relationships.
This Richard Riddiford-directed relationship drama explores the restless homecoming of a Kiwi from her OE. Monica (Judy McIntosh) returns from Europe to sculptor Nick (Peter Hayden), who has stayed behind in Waiuku. She goads him into a road trip north, searching for connection to him and home. At a Dargaville pub they meet Riki (Rawiri Paratene), a charismatic poet who has left the city to find his Ngapuhi roots. Monica is intrigued by Riki's bond to his people and the land, which widens a rift between her and Nick. Caution: this excerpt contains bath tub sax.
This 2002 documentary explores contemporary Aotearoa from the perspective of Kiwis from a range of different (non-Māori, non-Pākehā) ethnic backgrounds. These citizens speak frankly about their experience of assimilation and stereotyping in a supposedly multicultural society, where ethnic food is beloved — but not ethnic difference — and where jokes and racism blur. Directed by Libby Hakaraia, the documentary screened on TV3 as part of doco slot Inside New Zealand. It was a follow up to 2000's The Truth about Māori, which looked at identity from a Māori perspective.
Hosted by Francis Kora, this episode of The Gravy is the story of musician and anti-apartheid activist Tigilau (Tigi) Ness, who during the 1970s joined the Polynesian Panthers movement in Auckland. Tigi Ness, the father of hip hop musician Che Fu, recalls his childhood in central Auckland and troubled times with the 1974 dawn raids and protests during the 1981 Springbok rugby tour for which he served nine months in prison. The episode also tells the story of his musical life in reggae bands such as Unity Pacific. Animated segment The Truth takes a look at lambs.