This documentary tells the story of the legendary Flying Nun music label up to its 21st birthday. The label became associated with the 'Dunedin Sound': a catch-all term for a sprawl of DIY, post-punk, warped, jangly guitar-pop. The Guardian: "[it's] as if being on the other side of the world meant the music was played upside down". Features interviews with founder Roger Shepherd and many key players, the spats and the glory. The label's influence on the US indie scene is noted, and Pavement's Stephen Malkmus covers The Verlaines' 'Death and the Maiden'.
Dragon have produced some of Australasian pop music's classic anthems ('April Sun in Cuba', 'Are You Old Enough'). This 2015 documentary charts 40 rock'n'roll years: chart success, drugs, fame, failure, family, survival. The first excerpt looks at the band facing early success and tragedy; the second covers the impact of the 1998 death of singer Marc Hunter, especially on his brother Todd. The doco screened in the Prime Rocks slot. "Made with care and quite a lot of love", praised NZ Herald’s Greg Dixon, "by turns, sad and uplifting, which is no mean feat."
In 2002 Mai FM was celebrating it’s tenth anniversary, and this piece from Marae documents just how far the radio station had come, and how they celebrated. In its 10 years Mai FM had become Auckland’s “number one radio station”, leading in many key demographics. The station celebrated the anniversary with a concert at Auckland’s St James Theatre, featuring hip hop stalwart DJ Sir-Vere, and Katchafire, who had just signed to the station’s record label and were yet to release their debut album. The piece is in te reo, but many of the interviews are in English.
Drummer Shelton Woolright and guitarist Marcus Powell from West Auckland metal band Blindspott feature in this episode from a series made for high school music students. They talk about their beginnings playing in sheds and paddocks in Taupaki and their decision to “get serious” which led to a major label record deal and radio play in Australia and South East Asia. The third Blindspott single ‘S.U.I.T. (So Us Is This)’ gets an acoustic run through as its construction is explained and there are some school friendly excerpts from the music video.
Poi E: The Story of Our Song tells the story behind one of New Zealand’s most iconic pop songs. Led by Dalvanius Prime, the Patea Māori Club single was released soon after the closure of the town’s freezing works. Conquering disinterest from record labels and radio, Poi E became New Zealand's highest selling single in 1984. Written and directed by Tearepa Kahi (Mt Zion), the "warm, funny, touching" documentary (NZ Herald) features interviews with those involved, and famous fans (eg Taika Waititi). Poi E won applause after premiering at the opening of the 2016 Auckland Film Festival.
This episode of C4's music series Homegrown Profiles features singer/songwriter Anika Moa, who was signed to international label Atlantic Records and recording her debut album Thinking Room in New York when she was barely out of her teens. Moa talks about growing up in a musical household in Christchurch; being discovered through the annual Rockquest competition; her American experience and the decision that it wasn't a good fit for her; and her return to New Zealand and the happier experience of making her second album Stolen Hill.
This four-part TVNZ series from 1986 surveyed the history of soul music, with a roll call of talented Kiwi performers belting out the genre's classics. In this first episode — presented by Dalvanius with Stevie Wonder braids — the focus is on the influential 60s soul music of New York label Atlantic Records. Singers include Bunny Walters, Debbie Harwood, The Yandall Sisters, Peter Morgan and more. Ardijah chime in with their contemporary soul hit ‘Your Love is Blind’. The series writer was Murray Cammick, founder of music magazine Rip It Up.
In Scarfies, five Dunedin students find themselves in a free squat, and a dark place, after taking a criminal captive in their basement. The debut feature from Robert Sarkies starts as a comic tribute to Otago student days, then turns into a psychological thriller. Outside of the two Warriors movies, Scarfies was the most successful Kiwi release of the 90s on home turf. It went on to scoop best film, director and screenplay awards at the 2000 NZ Film and TV Awards. This excerpt sees the scarfies torn between dealing with the crim and a footy match at Carisbrook.
Subtitled 'Waiting for Summer', this Radio with Pictures report looks at live pop music in Auckland in 1982. Chris Knox, Graham Brazier, Hammond Gamble, Ian Morris, Peter Urlich, Michael O'Neill (The Screaming Meemees) and Tony Waine (The Narcs) muse on everything from Auckland vs Wellington, oldies vs youth, to the weather’s impact on songs, and the lack of venues. There are visits to The Gluepot and Urlich’s A Certain Bar. Label directors, booking agents and managers give their (mostly downbeat) take on the state of the scene. Rip It Up editor Murray Cammick talks lyrics.
In 1951, New Zealand temporarily became a police state. Civil liberties were curtailed, freedom of speech denied, and people could be imprisoned for providing food to those involved. This documentary tells the story of the infamous lockout of waterside workers, and the extended nationwide strike which followed. There are interviews with many who were involved, from workers to journalists. 1951 won Best Documentary at the 2002 New Zealand Television Awards, and John Bates (50 Years of Television) was named Best Documentary Director.