This animated series for young kids stars Massey Ferguson the tractor. He and his farm machine friends take on country life using their DIY wits. In this fifth episode, Massey and the machines head to the beach after a stormy night on the farm. There they meet a depressed boat who has got stranded, and Massey uses his powerful 'tractor factor' save the day. (Massey Fergusons are an icon of Kiwi farming; Sir Edmund Hillary even took them to the South Pole). The series is narrated by broadcaster Jim Mora (Mucking In), who created it with Brent Chambers.

In this short report for a 1990 edition of Holmes, Dylan Taite rocks back the clock to talk to New Zealand music pioneer Johnny Cooper. John Dix’s recently published history of NZ rock’n’roll Stranded in Paradise had resurrected interest in Cooper, the Wairoa-spawned singer who gained notice with a Bill Haley cover, then gave NZ its first homegrown rock’n’roll song with his tale of a Whanganui pie cart, 'Pie Cart Rock'n'Roll'. Aptly, Taite interviews Cooper at a Queen St cart where Cooper unslings his guitar once more: “Let’s rock and roll around the old pie cart!”

Heartland host Gary McCormick discovers the scenic and rustic charms of Glenorchy, near Queenstown. McCormick meets Rosie Grant, who has lived in the same cottage since 1916, and shares her home with 17 cats; checks out Paradise House, the first guest accommodation in the area, now owned by Dave Miller; and plans to have a day at the races. But the film crew's plans go awry when the settlement suffers serious flooding, and stories of sand-bagging, stock rescue and property recovery replace the more typical Heartland fare.

They came, they battered, they bickered. Peter Hudson and David Halls were as famous for their on-screen spats as their recipes. The couple ("are we gay? Well we're certainly merry") turned cooking into comedy, and won Entertainer of the Year at the 1981 Feltex Awards. This 73-minute documentary explores their enduring relationship and tragic passing — from memorable early days entertaining dinner guests at home and running a shoe store, through to television fame in NZ and the UK. The interviews include close friends and many of those who worked with them in television.

A mutant lamb escapes from the lab after dodgy genetic experiments, and herds of sheep are turned into bloodthirsty predators. Three hapless humans are stranded on the farm as the woolly nightmare develops. They discover a bite from an infected sheep has an alarming effect on those bitten. With his first feature, director Jonathan King (Under the Mountain) provides splatter thrills and attacks a few sacred cows. Black Sheep was invited to 20+ international festivals, where it scored acclaim and multiple awards. The interviews include King, Weta's Richard Taylor, and the cast.

Pioneering series Pukemanu (the NZBC’s first continuing drama) was set in a North Island timber town. Its portrait of the town’s folk offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; viewers and reviewers praised its Swannie-clad authenticity. This first episode sees a culture clash as a motorcycle gang (including a young Bruno Lawrence) comes to town and causes trouble, running Ray (Geoff Murphy) off the road; and stranded townie Diana (Ginette McDonald) falls in love with a local axeman while hunting.

Political cartoonist Malcolm Evans tells his father's story of war in this documentary. Major Hilary Evans was exempt from conscription, but chose to fight in World War II. He was a prisoner of war who escaped and lived rough in Italy's hills and mountains, to avoid recapture. Using his father's letters and diaries as well as interviews shot in Italy, Evans builds up a picture of his father, the soldier. Il Magiorre - My Father's War in Italy played as part of the Documentary New Zealand strand on TV One, and was named Best Documentary at the 2002 Qantas Media Awards.

Mixing three separate strands, On an Unknown Beach is a so-called “‘speculative documentary" about journeys into landscapes of ruin. Sonic artist Bruce Russell explores the ruined Christchurch CBD, scientist Di Tracey captures compelling underwater footage while examining coral damage on the seabed, and poet David Hornblow undergoes hypnotherapy to explore his consciousness and past experiences with addiction. The film was made by Adam Luxton and Summer Agnew, whose 2005 documentary Minginui (2005) focussed on an ex-forestry town in the North Island.

Home by Christmas sees Gaylene Preston returning to the hidden stories of ordinary New Zealanders. Inspired by attempts to get her father Ed to reveal his WWII experiences, this finely-balanced docu-drama moves between three strands: Preston’s father (Goodbye Pork Pie's Tony Barry, in a Qantas award-winning performance) retelling his story; recreations of Ed’s wartime OE; and life for the woman he left behind in Greymouth. The dream cast sees Preston’s own daughter Chelsie Preston Crayford playing Preston's mother Tui, alongside Martin Henderson.

This high-rating 1999 documentary follows Gary McCormick to Ireland to investigate "those strands which tie" Kiwis to the Emerald Isle, from Dublin to the north, where his forebears originated in the 1870s. He meets locals, (musicians, tinkers, playwrights, scuba divers) and Kiwi expats, and talks The Troubles, Celtic Tigers, and why Irish emigrated to Aotearoa. Irish Connection was another collaboration between McCormick and director Bruce Morrison (Heartland, Raglan by the Sea). Companion title The London Connection saw McCormick examining Kiwi links to London.