Celebrating the 75th anniversary of government filmmakers the National Film Unit, this collection pulls highlights from the 370+ wartime newsreels, tourism promos and Oscar nominees from the NFU which can be watched on NZ On Screen. Curated by NFU expert Clive Sowry, the collection includes backgrounders by Roger Horrocks, plus Film Unit alumni Sam Pillsbury, Paul Maunder, Arthur Everard and Lynton Diggle.
Reluctant Revolutionary mines a wealth of then-new interviews to trace David Lange's rise from pudgy doctor's son to lawyer, to Prime Minister leading the country through radical change. Along the way writer/director Tom Scott asks how a man as gifted as Lange allowed his Government to collapse around him after only five years in office. The film includes rare input from National leader Jim McLay (who praises Lange's wit at university), Rogernomics architect Roger Douglas, and the first ever TV interview with Lange's second wife Margaret Pope.
As part of the radical 80s neoliberal reform of the public and corporate sector in New Zealand, many government-run assets were turned into state owned enterprises; some were sold off to foreign buyers. Screening on TV3, this 1991 film, written by Metro columnist Bruce Jesson, examines the controversial programme by asking “who owns this country and who controls it?”. Those answering range from businesspeople to politicians, academics, journalists, vox pops and critics of the ‘cashing-in’, from the Hamilton Jet family to UK environmentalist Teddy Goldsmith.
Ten years on from the tumultuous 1984 General Election, this award-winning TVNZ current affairs doco examines the financial and constitutional crisis that resulted from Robert Muldoon’s initial refusal to yield power. Reporter Richard Harman, who conducted pivotal interviews at the time, talks to key players to piece together the events of five remarkable days. They also saw the opening salvoes between David Lange and US Secretary of State George Shultz over nuclear ship visits, and foreshadowed Roger Douglas’ controversial remaking of the NZ economy.
In 1996 Tony Sutorius got his hands on a new digital video camera, days before the start of an election campaign in Wellington Central. Made on the proverbial shoestring, this feature-length documentary chronicles five of those battling for the crown as a new political age — MMP — dawns. Richard Prebble joins a new party called Act, the National candidate joins United New Zealand… and one of the five will be sacrificed by their own party. Sutorius sat through 55 hours of footage to forge the result, which won enthused, sellout audiences at the 1999 NZ Film Festival.
In this 2001 documentary, popular columnist Joe Bennett goes behind the scenes of the “sausage factory” of Kiwi politics in Wellington – from The Beehive to The Green Parrot Cafe. Exploring the machinations of power in New Zealand, Bennett meets press secretaries, lobbyists, and spin doctors, from Helen Clark’s Chief of Staff Heather Simpson to press gallery reporter Barry Soper. The documentary marked a further collaboration between director Richard Riddiford and Bennett, after Jafas, where Bennett compared Auckland and Aotearoa's views of each other.
The TVNZ Leaders Debate for the 2002 General Election attracted controversy for its use of an onscreen graph, which tracked the response of 100 undecided voters in real time. There was concern that the device – aka 'The Worm', first launched in 1996 – would put a focus on populism and TV performance over policy. This post-debate analysis, with broadcaster Peter Williams hosting a panel of political commentators, includes a behind the scenes look at The Worm. Peter Dunne’s later success in the 2002 election was credited in part to his mastery of the line's rises and dips.
The tagline runs: "The story of unemployment in New Zealand" and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, "as a new poverty-stricken underclass developed".
Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.
This second episode of the three-part series following British MP Austin Mitchell’s return to the country where he began his career in (as a broadcaster and author of 1972 book The Half Gallon Quarter Acre Pavlova Paradise) sees a focus on politics. The former Canterbury University political scientist gives a potted political history, from the roots of a conservative Kiwi political mien to the radical changes wrought by Lange’s 80s Labour government and the rise of women ‘on the hill’. Finally he considers tourism, Treaty settlements and the aspirations of Māori.