Buckle up as we blast from the past Russ le Roq, gameshow host Paul Henry, tweenaged Kimbra and catwalk model Rach. Paul Casserly primes the collection: "pig out on these pre-fame Kiwis, gaze upon their fresh faces and remember the good times, before they were famous, before they became household names, movie stars, action figures and flavours of ice-cream."
This collection looks at some of New Zealand's most significant national tragedies. Spanning 150+ years, it tells stories of drama, caution, hope and recovery — from the 1863 wreck of the Orpheus at Manukau Heads, to Tarawera, the Wahine, Erebus, Pike River and Christchurch. In the backgrounder, Jock Phillips writes about the collection, and the "common sequence" to disaster.
Without the NZ Film Commission, the list of Kiwi features and short films would be far shorter. In celebration of the Commission turning 40, this collection gathers up movie clips, plus documentaries and news coverage of Kiwi films. Among the directors to have had a major leg up from the Commission are Geoff Murphy, Peter Jackson, Taika Waititi and Gaylene Preston. In the backgrounders, Preston remembers the days when the commission was up an old marble staircase, and producer John Barnett jumps 40 years and beyond, to an age when local stories were seen as fringe.
This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
This episode of The Gravy takes an in-depth look at art in prisons. Host Warren Maxwell interviews inmates who have embraced painting or carving while serving time in Mt Eden, Paremoremo and Rimutaka prisons. At Rimutaka, art tutor Paul Bradley points out that art is a vehicle for change both for prisoners and the art audience, and former prisoners talk about how art has changed their lives for the better. Outside the walls, Warren visits at a caged exhibit of musical instruments at Artspace in Auckland and plays a few bars on the flute.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).
Made six years after local TV broadcasting began, this wide-ranging 1966 documentary looks at the past and future of television in NZ. Political science lecturer Reg Harrison examines local content, a second channel, private enterprise, transmission challenges, editorial independence, sports coverage, and how TV’s expansion has affected other pursuits, and children. The doco includes interviews with privacy-keen Gordon Dryden and film legend Rudall Hayward, and MPs. Director Gordon Bick later argued that the NZBC had allowed "a good deal of criticism against itself" on screen.
Wellington artist Gordon Crook was known for his bold, colourful prints and tapestries. In this documentary, director Clare O’Leary mixes Crook’s biography (from UK foster care to London Central School of Art lecturer, then decades in Wellington) and interviews with Crook, dealers, students and mates. In this excerpt Crook discusses his work, and collaborating with weaver Lesley Nicholls; and friend Edith Ryan recalls first seeing Crook’s massive Michael Fowler Centre banners. The documentary premiered at the 2010 NZ Film Festival. Crook died in August 2011, aged 89.
City Life follows a tight-knit group of apartment-dwelling twenty-somethings (lawyers, bartenders, drug dealers, art dealers, et al) on the emotional merry-go-round of urban living. Created by James Griffin, the television series was an effort to create popular drama relevant to contemporary Auckland city life and to appeal to a Gen X demographic – to inject Melrose Place into Mt Eden. A bevy of Kiwi acting talent drink, dramatise and prevaricate to a soundtrack of contemporary NZ pop.