In James Cunningham’s award-winning short a mutant three-fingered hand attempts a brash virtual heist, seeking to wipe a student loan debt in a government databank. The “digital action thriller” was a third collaboration between Cunningham and producer Paul Swadel. Infection’s fast-paced action, humour, and (then) state-of-the-art 3D CGI rendering (punctured eyeballs, hypodermic needles) was in confident contrast to the realist Kiwi short film tradition. Infection won selection in competition at Cannes, Sundance, and numerous other international festivals.
"Once a band has made it here in Godzone, the big question is: where to now?". As presenter Karyn Hay put it back in 1981, there was only one answer — Australia. RWP reporter Simon Morris headed to Sydney to meet Kiwi musos who'd made it (Marc Hunter, on hiatus from Dragon), and those trying (Sharon O’Neill, Dave McArtney, Mi-Sex's Kevin Stanton, Barry Saunders from The Tigers). Hunter muses on Sydney brashness versus NZ introspection, O’Neill shyly promotes 'Maybe' to Molly Meldrum, and expat music producer Peter Dawkins explains what makes a hit.
Ian Mune is a multi-talented and award-winning veteran of the New Zealand film and TV industry. He has been involved in a huge range of projects as an actor (Pukemanu, Moynihan, Erebus: The Aftermath, Fallout); writer (Sleeping Dogs, Gloss, Goodbye Pork Pie) and director (The End of the Golden Weather, Came a Hot Friday, What Becomes of the Broken Hearted). Three of the five films Mune has directed have won awards for New Zealand film of the year.
In his early career, feature film director Roger Donaldson put himself in risky positions while filming adventure documentaries, including The Adventure World of Sir Edmund Hillary. With his friend Ian Mune, he created Winners & Losers, a landmark series of dramas based on stories by New Zealand writers, which in turn inspired the pair to adapt CK Stead’s novel Smith’s Dream into feature film Sleeping Dogs. The major turning point in Donaldson’s career was his feature Smash Palace, which screened at Cannes and earned rave reviews. Since Smash Palace, Donaldson has thrived in Hollywood, working with notable actors including Tom Cruise, Mel Gibson, Kevin Costner and Pierce Brosnan. He returned to New Zealand to make the Burt Munro biopic The World’s Fastest Indian, starring Anthony Hopkins.
After her husband is jailed, matriarch Cheryl West (Robyn Malcolm) decides the time has come to set her family on the straight and narrow. But can the Wests change old habits? So begins the six-series long saga of the Westie dynasty. Hugely popular at home (beloved by public, critics and awards-nights alike), and imitated overseas, Outrageous Fortune has been a flag-bearer for TV3 and contemporary NZ telly drama; the series proved — in all its grow-your-own glory — that genre TV in NZ could be so much more than overseas stories pasted to a local setting.
Catapulted to fame after tousles with Prime Minister Robert Muldoon, Tom Scott originally trained to be a vet. He ended up helping Murray Ball turn Footrot Flats into a hit movie. The celebrated humourist and cartoonist has also told the story of Kiwi legends Edmund Hillary and David Lange, in both TV documentaries and dramas. Scott also co-wrote Rage, a TV movie about the 1981 Springbok tour.
Scriptwriter Jane Galletly entered the New Zealand television industry at a time when women writers were few and far between. Long drawn to the everyday lives of working people, she has devised and written award-winning drama (Moynihan, Pioneer Women), and worked on hours of classic soap, from Close to Home to EastEnders.
Australian-raised Melanie Rodriga (née Read) moved to New Zealand in 1977, and worked as an editor. After adapting Keri Hulme story Hooks and Feelers, she wrote and directed feminist thriller Trial Run in 1983. In 1988 Rodriga was a best director finalist for pioneering TV drama The Marching Girls. Rodriga now lectures in film at Perth’s Murdoch University and continues to make and develop films.
Beginning as an actor, writer and director in local theatre during the 70s, John Banas increasingly focused on dramatic writing for television from the 80s on. After relocating to Australia, he established himself as a prolific TV screenwriter with a string of iconic shows, including Blue Heelers and City Homicide. His New Zealand scripts include award-winning telemovies Siege and How to Murder Your Wife.
Rodney Bryant was one of the stars of the heyday of regional television news. In the early 70s he became a Canterbury institution fronting The South Tonight with Bryan Allpress, and returned to host The Mainland Touch in the early 80s. He moved on to TV talkback, then children’s current affairs with The Video Dispatch, before leaving TV for a twenty year run in communications for the Dunedin City Council.