Opera in the Outback offers a wry, fly on the wall view of the lead-up to a most unusual event: the first concert by Kiri Te Kanawa in the Australian outback. Kiwi director Stephen Latty and writer Michael Heath realise the people are the story, from affable locals to those preparing for 9000 joyful, sometimes drunken arrivals. The inhabitants of Beltana — population roughly 12 — risk building a new racetrack for visitors less operatically inclined, while Australian National Railways send all the rolling stock they can. Some of the Kiwi film crew were awake for 52 hours, trying to capture it all.
Over ten episodes, Ghost Hunt crisscrossed Aotearoa on a mission to find ghosts — or at least signs they might have been in the building. Presenters Carolyn Taylor (What Now?), actor Michael Hallows and actor/director Brad Hills visited locations with a reputation for hauntings, usually arriving after dark. The locales included Dunedin's Larnach Castle, Waitomo Caves Hotel, and the Fortune and St James Theatre — plus cemeteries and abandoned psychiatric hospitals. The 2006 Screentime show is not to be confused with the anime series which premiered in Japan the same year.
Featuring cameos from numerous softball legends (including the late Kevin Herlihy), Strike Zone is a love-letter to the game from director and NZ under-16 pitcher Cameron Duncan. Duncan stars as a dying coach trying to motivate his team to win a key game. The messages of teamwork and not giving up are made more poignant by the many real-life parallels: during filming torrential rain turned the diamond into a quagmire, and Strike Zone's teen director, himself stricken by cancer, almost died on set, before going on to compere the film's premiere.
Off the Edge was director Michael Firth's ode to the exhilaration of adventuring on the spine of New Zealand's Southern Alps. Something of a snowy Endless Summer, the film follows an American and a Canadian as they ski, hang glide, climb and delve beneath glaciers, in the Aoraki-Mt Cook area. Thrilling footage amidst spectacular scenery was shot over two seasons, where extreme weather and geography meant few chances for second takes. The film was nominated for an Oscar for Best Documentary in 1977. The Los Angeles Times called it "beautiful and awesome".
In early 1974, NZ had more than just the Commonwealth Games on its mind. Norman Kirk’s Labour government was promoting social and ecological issues and the NZBC's 24 radio stations launched a yearlong 'I Care' campaign for the protection of the environment. A contest to find a theme song was won by John Hanlon whose credentials as a conservation crooner had been established with his eco-anthem 'Damn the Dam'. The launch in Petone was presided over by conservation minister Joe Walding, an understated logo was unveiled, and Hanlon performed his winning song.
This documentary explores the stories of the people who live at Waiorua Bay on bird sanctuary Kāpiti Island. John Barrett talks about his Kāpiti tīpuna, from bloody iwi battles, whaling and farming, to his whānau's consciousness of their kaitiakitanga (guardianship) role. It looks at DIY island life (exercycle-powered water pumps) and its development as an unique eco-tourism destination where kākā parrots and kererū flock, and kiwi and dodo-like takahē wander freely. Says Amo Barrett: "we've got a treasure here that we should share with others".
In this series about living sustainably, comedian Te Radar swaps the farm for town to transform a quarter acre overgrown lawn into a lush garden. Using recycled materials and organic methods, Te Radar faces a mission to clear the jungle that is his property and make a profit selling his produce. Throughout the series he visits eco-friendly businesses, including a firm that converts waste cooking oil into biodiesel, and turns to locals to help with his challenge. The series followed on from Off the Radar, in which Te Radar aimed to live solely off produce from his farm.
Broadcaster Karyn Hay makes a "life enhancing" journey to 'Timor-Leste', not long after the withdrawal of United Nations Peacekeepers. Hay reads up on its war-riddled past and encounters mozzies and leaky boats, eats buffalo and snow-peas, and learns about the widows and guerilla fighters who resisted Indonesian occupation. She is transported beyond the troubles to wonder at ancient cave paintings, bathe in turquoise waters, and reflect on charming children — and her hope that eco-tourism will offer a better life for a nation she senses is still "in shock".
In a lawless fuel wars future, marauders roam the wasteland looking for oil. Their malevolent leader Straker threatens his daughter Corlie; she’s rescued by loner Hunter and they harbour with eco-sensitive folk in the Clearwater Commune ... but not for long: there will be blood on the Central Otago plains! Following in the exhaust of Mad Max, the cult film was made during the 80s tax-break feature surge, with US director (Harley Cokliss) and leads flocking south during a Hollywood writers’ strike, and Kiwis as crew (“artists with chainsaws”) and supporting cast.
Feature film The Catch follows Scotsman Brian (Nicol Munro) – a hard up builder under pressure from his ex – and his mate Wiremu (Billy’s Tainui Tukiwaho). The two vie for a $50,000 kitty in a Kaipara fishing contest. A potentially prize-winning snapper bites the hook, only it is three days early. Inspired by a true story, The Catch was written by Glenn Wood and directed by advertising veteran Simon Mark-Brown, who billed it as a "comedic eco-drama". The self-funded film was shot over 11 days with the help of locals; it debuted in New Zealand cinemas in summer of 2017.