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Winners & Losers: Shining with the Shiner

Television, 1976 (Full Length)

Conman and victim face off in the first, and arguably funniest Winners & Losers episode. Legendary vagabond The Shiner (Coronation Street's Ivan Beavis) sets out to prove to his fellow swaggers that he can con alcohol from a dour publican (Ian Watkin). Co-director Ian Mune dons a fake eye; singer Tommy Adderley plays harmonica. The real life Shiner — Irishman Ned Slattery — was immortalised in a series of stories by John A Lee.  Although Lee claimed to have "once walked thirty miles side by side" with Slattery, he admitted that his Shiner stories were far from gospel truth. 

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Winners & Losers: A Great Day

Television, 1976 (Full Length)

Frank Sargeson’s tale of two men and a boat is adapted for this episode of Winners & Losers. Fred (played by radio actor William Smith) sets off for a spot of fishing with recent acquaintance Ken (theatre veteran David Weatherley). As the pair head out across the harbour, Ken doesn't seem all that receptive to Fred's friendly interrogation. The episode marked only the second time that Ian Mune had directed solo for the screen. Storms, a leaky dinghy and Mune's near drowning while acting as a stand-in made this one of the most challenging shoots of the Winners series.

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Winners & Losers: Blues for Miss Laverty

Television, 1976 (Full Length)

Veteran actor Yvonne Lawley (Gloss, Ruby and Rata) landed her first leading role on-screen with this adaptation of a Maurice Duggan short story. Lawley plays Mary May Laverty, a proud but lonely violin teacher who craves "a little human warmth", but fails to connect with people. Awkwardness abounds when she invites the father of one of her students over. The half-hour drama was co-directed by Ian Mune and Roger Donaldson, as part of their Winners & Losers series of short story adaptations. It closely follows Duggan's original story, which was one of his most popular. 

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Winners & Losers: Big Brother, Little Sister

Television, 1976 (Full Length)

Almost two decades before Once Were Warriors, another drama about urban Māori under pressure stirred controversy. Hema (Dale Williams) and Janey (Julie Wehipeihana) are two kids adrift in the city, trying to escape a broken home. Screen historian Trisha Dunleavy found this "the most powerful and controversial" edition of the Winners & Losers series; it was TV's first drama about "the alienation of Māori in a contemporary urban setting". Based on a Witi Ihimaera story, it also marked the first solo directing credit for Ian Mune. He later directed the sequel to Once Were Warriors

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Winners & Losers: The Woman at the Store

Television, 1975 (Full Length)

This acclaimed drama from 1975 adapts a Katherine Mansfield story about three travellers who encounter a strange woman and child, at a remote country store. Co-directed by Roger Donaldson and Ian Mune, it won Feltex Awards for Best Script (Mune and Peter Hansard) and Actress (Ilona Rodgers). Mune and Donaldson used the drama's success and innovative financing model as a 'proof of concept', to secure funding for their 1976 series Winners & Losers. The Woman at the Store debuted on Kiwi TV screens in March 1975; it was sold as part of the Winners series overseas.

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Not Set in Stone

Film, 2014 (Full Length)

In 2013 actor/director Peter Tait invited a team of actors to an Auckland bar to perform a read-through of a script, involving strange aquatic substances and opportunistic robbers. His plan: a film within a film where thespians and real-life bar owners play versions of themselves. At its heart, Not Set in Stone celebrates the actors — their talent, willingness to send themselves up, and generosity towards low budget projects like this one. The in-jokes include screen veteran Greg Johnson as a wannabe actor, and a final curtain cameo by Jacinda Ardern and Oscar Kightley.

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No Ordinary Sun

Short Film, 2004 (Full Length)

Set in Antarctica (and partly shot there), the science fiction tale sees a researcher (Crawford Thomson) dealing with unsettling events — traumatic personal news, isolation, disquieting “anomalous electrical readings”, and warping time. As newsreader John Campbell says in an intercepted transmission: “the speed of light is changing. Well, what does that mean?”. The title is from Hone Tuwhare’s anti-nuclear themed poem of the same name, but the film was inspired by Pat Rushin short story Speed of Light. It was an official selection at Edinburgh Film Festival.

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Jake

Film, 2014 (Trailer)

“Everyone plays a part. Who’s going to play yours?”. This tagline is given a Twilight Zone twist in this Moa-nominated feature about two Jakes. Jacob (Jason Fitch) is an everyman who is made redundant when his life is ‘recast’ by a shadowy agency. When the new, more confident Jake (Being Eve's Leighton Cardno, also award-nominated) makes moves on his lost love, Jacob fights to get his life back. The Listener’s David Larsen tweeted of Doug Dillaman's indie-funded debut: “The smartest bit of low-fi high-IQ science fiction New Zealand has produced.” 

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The Quiet Earth

Film, 1985 (Trailer and Excerpts)

In director Geoff Murphy's cult sci fi feature, a global energy project has malfunctioned and scientist Zac Hobson (Bruno Lawrence) awakes to find himself the only living being left on earth. At first he lives out his fantasies, helping himself to cars and clothes, before the implications of being 'man alone' sink in. As this awareness sends him to the brink of madness — see the excerpt above — he discovers two other survivors. One of them is a woman. The Los Angeles Daily News called the movie “quite simply the best science-fiction film of the 80s”. Read more about it here.

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This Giant Papier Mache Boulder is Actually Really Heavy

Film, 2016 (Trailer)

This science fiction comedy ended up becoming a three year labour of love for director Christian Nicolson and his crew. Inspired by memories of old school sci fi like Blake’s 7 and The Six Million Dollar Man  — in those long ago days before computers transformed special effects —  the film follows three geeks plunged into an alien world which inexplicably resembles a B-grade movie. The project was born as one of 750 entries in low budget contest Make My Movie; it was runner-up. In 2016 the finished film won Best Comedy prizes at genre festivals in London and Boston.