Staunch follows the politicisation of Ariana (Once Were Warriors’ Mamaengaroa Kerr-Bell) a young Māori woman who’s run into trouble with the law. Guided by a sympathetic social worker (Tamati Patuwai) she defends herself against assault charges following a police raid on her home. The Auckland-set TV3 drama was inspired by fact, and co-written by director Keith Hunter and playwright Toa Fraser; it won multiple gongs at the 2002 NZ TV Awards. Staunch was an early screen credit for Fraser (director of feature films No. 2, Dean Spanley, and ballet doco Giselle).
This often confronting documentary observes a Māori restorative justice model through the eyes of straight-talking Mike Hinton, manager of Restorative Justice at Manukau Urban Māori Authority. The bringing together of victims (including wider whānau) and offenders may offer an alternate way forward for "a criminal justice system failing too many and costing too much”. Restoring Hope kicked off Māori Television’s 2013 season of Sunday night documentaries. In a Herald On Sunday preview, Sarah Lang argued it was “enough to restore hope in local documentary-making.”
After her son Kamal Bamadhaj — a New Zealand Malaysian student of history and Indonesian politics — was shot dead in the Dili massacre in East Timor in 1991, New Zealander Helen Todd decided to pursue a law suit against the Indonesian general she believed was responsible. Her personal and political campaign for justice would eventually span five continents and four years. The documentary from director Annie Goldson (An Island Calling) won acclaim, and a number of awards at international film festivals.
Beyond Reasonable Doubt reconstructs the events surrounding a notorious New Zealand miscarriage of justice. Farmer Arthur Allan Thomas was jailed for the murder of Harvey and Jeanette Crewe. Directed by John Laing, and starring Australian John Hargreaves (as Thomas) and Englishman David Hemmings (Blowup, Barbarella), the drama benefitted from immense public interest in the case. Thomas was pardoned while the film was in pre-production, and he saw some scenes being made. It became New Zealand's most successful film until Goodbye Pork Pie in 1981.
In the early hours of 1 January 1998 Ben Smart and Olivia Hope, two young partygoers in the Marlborough Sounds, were in a water taxi looking for a place to crash. They vanished and were never seen again. The investigation transfixed the nation, and led to the conviction of Scott Watson for murder. Directed for TV3 by John Keir (Flight 901: The Erebus Disaster), this 2002 documentary revisits the case from the perspective of two fathers — Gerald Hope and Chris Watson — and brings them together for the first time to talk about whether Scott Watson is guilty.
A beautiful Wellington day greets passengers from the Southern Cross at the start of this 1950s magazine film. Seen here on her maiden voyage around the world, the cruise ship Southern Cross was built to carry immigrants from Europe. Meanwhile, students at what was then New Zealand's only fully residential teachers' college (near Auckland) are seen studying, before taking time off for dancing and sport. A trip to New Caledonia rounds up the report with the unveiling the Cross of Sacrifice, a memorial to the 449 Kiwis who died without a grave in the South Pacific during WWII.
Expat Kiwi Rewi Alley became one of the best known foreigners in 20th Century China and advocate for the Communist Revolution. When China was under siege from Japan in the late 1930s, Alley instigated an industrial co-op movement he termed ‘gung ho' (work together). Its success led to the phrase entering the global idiom. For this documentary a Geoff Steven-led crew travelled 15,000km in China in 1979, filming Alley as he gave his account of an engrossing, complex life story. Co-writer Geoff Chapple later wrote a biography of Alley.
This is the second part of a Queer Nation special about Peter Ellis, who was accused of molesting children in a Christchurch crèche in 1992. It examines how Ellis's sexuality permeated the case and its coverage, and influenced public opinion. It also focuses on the gay community's lack of support, and proposes reasons. Interviewees include Lynley Hood, whose book A City Possessed argued the case had the hallmarks of a witch hunt, Gay NZ editor Jay Bennie, and lesbian psychologist Miriam Saphira, who helped set up the guidelines under which the children were interviewed.
Running an impressive four series, stylish crime show Street Legal centred around a struggling Auckland law firm, home base for unorthodox lawyer David Silesi (Jay Laga'aia), and sometime girlfriend Joni Collins (Kathleen Kennard). 'Ellis's Restaurant', the first episode made following the pilot, sees Silesi defending an ex-junkie on a possession charge, and facing off for the first time on screen against Sergeant Keens Van Dam (Charlies Mesure). The episode also sees the debut of Silesi's beloved 1944 Ford Jailbar, after his Ute unexpectedly ends up in pieces.
Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.