Under the Covers was a spin-off series from TVNZ 7 book series The Good Word, compiling Finlay Macdonald’s 10 minute pieces on great Kiwi books into their own show. Each episode features three books and tells the story behind them via interviews, readings and archive footage. This episode featured Barry Crump’s A Good Keen Man, David Lange’s My Life, and — in this excerpt — Jane Mander’s The Story of a New Zealand River, the 1917 novel that some say was an uncredited inspiration for Jane Campion's The Piano. Sam Hunt provides a spirited defence of Mander's book.
Arguably one of New Zealand's most beloved advertising campaigns, the Crumpy and Scotty adverts combined an iconic Kiwi author, odd couple comedy, and off road driving. They also deftly sent up two cliches: the unruffled country guy — in the shape of Good Keen Man Barry Crump — and the wimp from the city (played by Lloyd Scott). The first ad sees Scotty trying to sell the brilliance of the Hilux four-wheel drive, while Crumpy takes a backroads short cut. The follow-up spot sees Scotty taking extra precautions. The Crumpy and Scotty ads continued for 12 more years.
Barry Crump's iconic deer hunting yarn A Good Keen Man captured Kiwi imaginations. Published in 1960, it quickly sold 300,000 copies, and with Crump cast as an "ironic, laconic sort of super-bushman", made him a legendary literary figure. This excerpt from the award-winning documentary looks at Crump's upbringing and early success as a writer. The full 72-minute documentary covers everything from his fractured family relationships, violence, a life-changing incident on a bush camp, and discovering religion, to the ads for Toyota that reignited Crump's profile in the 80s.
For this feature-length documentary Michael Dillon revisits his award-winner From the Ocean to the Sky, about Edmund Hillary's Ganges jet boat expedition. Back in 1977, Dillon filmed Hillary and crew (including son Peter Hillary) as they jet boated from the mouth of the Ganges to the base of the Himalayas, then set out to climb peak Akash Parbat. Dillon has remastered existing and unseen footage, and interviewed crew members about Hillary's last big expedition. This trailer shows Indian crowds swarming Hillary for an autograph, and a keen man "wakeboarding" on the Ganges.
"I get around. I know everything. Except your name." Kevin Smith made his television debut (in a speaking part) on this episode from the third series of Gloss, playing smirking DJ and man-about-town Damien Vermeer. Keen to rise above his working class origins, the character sets his sights on rich brat Chelsea Redfern within moments of meeting her. Smith left work at Christchurch's Court theatre for the role, when the decision was made to up the show's male quotient. Mikey Havoc also appears in this scene, as a member of his real-life band Push Push.
Launched on 5 April 1976, this television series heralded a new age in Kiwi screen drama. Indie talents Roger Donaldson and Ian Mune based their tales of success and failure on New Zealand short stories, after managing to negotiate funding from various government sources. Then the pair took the series to Europe, proving there was strong overseas demand for Kiwi stories. Winners & Losers became a perennial in local classrooms. In the backgrounders, Mune recalls the show's origins. There are also pieces on its place in local screen history, and its restoration in 2018.
Designed to provide a “perfect storm” of gore, guitars, girls and comedy, Deathgasm involves two young heavy metallers who accidentally summon up a demon. Blazing a bloody trail at festivals across the United States, the film was born from the Make My Movie Project. Four hundred pitches for a low budget Kiwi horror movie led to one winner: this tale inspired by the metal and movie-mad youth of digital effects man and director Jason Lei Howden. After debuting at US festival South by Southwest, Deathgasm won keen reviews, and festival slots in Sydney and Aotearoa.
The first movie written and directed by playwright Anthony McCarten is a portrait of a family melting down under the media spotlight. The comedy/drama stars Danielle Cormack in two roles — as a swimmer on the cusp of Olympic glory, and as the twin sister back home, looking on as her family descends into spats and bickering as they find the pressure to perform too much to bear. Via Satellite showcases a topline cast, including Tim Balme, Rima Te Wiata, and a scene-stealing and heavily-pregnant Jodie Dorday, who won an NZ TV and Film Award for her work.
This major documentary series chronicles the first half century of Kiwi television. Made for the Prime network (after being declined by TVNZ), it examines the medium’s evolution across seven episodes. After an opening 70 minute overview, individual programmes covered the stories of sport, entertainment, drama and comedy, protest coverage, New Zealand identity and Māori television — with an impressive array of interviews, and 50 years worth of telly highlights. John Bates was nominated for Best Documentary Director at the 2011 Aotearoa Film and TV Awards.
Quite aside from being a talented and prolific actor, Ian Mune has made behind the scenes contributions to many New Zealand screen landmarks. Mune's writing career ranges from some of New Zealand's earliest television series to Goodbye Pork Pie. His work as director includes classics Came a Hot Friday and The End of the Golden Weather, and the hit sequel to Once Were Warriors.